"In this extraordinary volume, Krishan Kumar provides us with a brilliant tour of some of history's most important empires, demonstrating the critical importance of imperial ideas and ideologies for understanding their modalities of rule and the conflicts that beset them. In doing so, he interrogates the contested terrain between nationalism and empire and the legacies that empires leave behind."--Mark R. Beissinger, Princeton University "This is an excellent book with original insights into the history of empires and the discourses and rhetoric of their rulers and defenders. Kumar's writing is lively and free of jargon, and his research is prodigious. He manages to bring clarity and perspective to a complex subject."--Ronald Grigor Suny, author of "They Can Live in the Desert but Nowhere Else": A History of the Armenian Genocide "A masterly piece of work."--Anthony Pagden, author of The Burdens of Empire: 1539 to the Present

Richly illustrated 1996 collection on how Pacific plants and peoples were depicted by European explorers.

This title explores the connections between the origins of the English empire and unfree labour by exploring how England's imperial designs influenced contemporary politics and debates about labour, population, political economy, and overseas trade. It pays particular attention to how and why slavery and England's participation in the transatlantic slave trade came to be widely accepted as central to the national and imperial interest by contributing to the idea that colonies with slaves were essential for the functioning of the empire.

The contrast between the temperate and the tropical is one of the most enduring themes in the history of the Western geographical imagination. Caught between the demands of experience and representation, documentation and fantasy, travelers in the tropics have often treated tropical nature as a foil to the temperate, to all that is civilized, modest, and enlightened. Tropical Visions in an Age of Empire explores images of the tropical world—maps, paintings, botanical drawings, photographs, diagrams, and texts—produced by European and American travelers over the past three centuries. Bringing together a group of distinguished contributors from disciplines across the arts and humanities, this volume contains eleven beautifully illustrated essays—arranged in three sections devoted to voyages, mappings, and sites—that consider the ways that tropical places were encountered, experienced, and represented in visual form. Covering a wide range of tropical sites in the Pacific, South Asia, West Africa, the Caribbean, and Latin America, the book will appeal to a broad readership: scholars of postcolonial studies, art history, literature, imperial history, history of science, geography, and anthropology.

"In this extraordinary volume, Krishan Kumar provides us with a brilliant tour of some of history's most important empires, demonstrating the critical importance of imperial ideas and ideologies for understanding their modalities of rule and the conflicts that beset them. In doing so, he interrogates the contested terrain between nationalism and empire and the legacies that empires leave behind."--Mark R. Beissinger, Princeton University "This is an excellent book with original insights into the history of empires and the discourses and rhetoric of their rulers and defenders. Kumar's writing is lively and free of jargon, and his research is prodigious. He manages to bring clarity and perspective to a complex subject."--Ronald Grigor Suny, author of "They Can Live in the Desert but Nowhere Else": A History of the Armenian Genocide "A masterly piece of work."--Anthony Pagden, author of The Burdens of Empire: 1539 to the Present

Robert W. Rydell contends that America's early world's fairs actually served to legitimate racial exploitation at home and the creation of an empire abroad. He looks in particular to the "ethnological" displays of nonwhites—set up by showmen but endorsed by prominent anthropologists—which lent scientific credibility to popular racial attitudes and helped build public support for domestic and foreign policies. Rydell's lively and thought-provoking study draws on archival records, newspaper and magazine articles, guidebooks, popular novels, and oral histories.

This book explores how the experiences of World War II shaped and transformed Dutch perceptions of their centuries-old empire. Focusing on the work of leading anti-Nazi resisters, Jennifer L. Foray examines how the war forced a rethinking of colonial practices and relationships. As Dutch resisters planned for a postwar world bearing little resemblance to that of 1940, they envisioned a wide range of possibilities for their empire and its territories, anticipating a newly harmonious relationship between the Netherlands and its most prized colony in the East Indies. Though most of the underground writers and thinkers discussed in this book ultimately supported the idea of a Dutch commonwealth, this structure wouldn't come to pass in the postwar period. The Netherlands instead embarked on a violent decolonization process brought about by wartime conditions in the Netherlands and the East Indies.

This second edition considers how the 'global war on terror' has changed the way the West views the Islamic world.

The process of shaping cultural identity in colonial Spanish America has occurred as much through the medium of pictures as through the medium of writing. Focused on writing that references visual texts (ekphrasis), Visions of Empire in Colonial Spanish American Ekphrastic Writing examined the way words about pictures in the writing of three Spanish American Creoles negotiate the challenges that confronted the ruling elite in Spanish America during the contentious period between the Conquest and Independence.

- This will be the first monograph-length analysis of Husain's paintings- Husain's Raj Series featured playful vignettes of the Raj that introduced the British Empire in India to a new generation of viewers- Husain's signature modernist style is modulated to accommodate this playful engagement with his colonial pastThis monograph forefronts the ludic quality in the work of Maqbool Fida Husain, postcolonial India's most iconic modernist and also arguably its most playful. His Images of the Raj or the Raj Series comprise paintings densely packed with bodies and objects, English and native, men and women (and some animals too), who are brought together in visual action in a manner that is enormously revealing of the contradictions of British rule in India, even as they expose the ironies of postcolonial India's tryst with its destiny. Husain painted this series at a critical juncture in India s post-colonial history in the mid- 1980s, when the Nehruvian socialist state was beginning to unravel and one of his own key patrons, Indira Gandhi, violently assassinated. Many of the promises of secularism, proudly declared at the time of Independence, were under threat. It was against this background that Husain turned for inspiration to his childhood and youth, which he had spent in various princely states, such as Indore and Baroda, in the waning days of British colonial rule that were also witness to the rising tide of Indian nationalism. Sumathi Ramaswamy is Professor of History and International Comparative Studies, Duke University, Durham, North Carolina. Some of her areas of academic interest include South Asian anthropology, colonial and modern history; Tamil studies; gender studies and history of cartography.