Robert W. Rydell contends that America's early world's fairs actually served to legitimate racial exploitation at home and the creation of an empire abroad. He looks in particular to the "ethnological" displays of nonwhites—set up by showmen but endorsed by prominent anthropologists—which lent scientific credibility to popular racial attitudes and helped build public support for domestic and foreign policies. Rydell's lively and thought-provoking study draws on archival records, newspaper and magazine articles, guidebooks, popular novels, and oral histories.

Malamud offers a behind-the-scenes look at the Internet Exposition of 1996--a worldwide event which embraced the new technologies of the Internet--and profiles the small group of people who made it happen. The book comes with an audio CD and a CD-ROM for Macintosh and Windows 95. 800 color illustrations.

While reporting the events of the St. Louis World's Fair for her local newspaper in 1906, Laura Ingalls Wilder teams up with Alice Roosevelt to stop the inhuman Anthropological Games.

Considers (75) H.J. Res. 234, (75) H.J. Res. 304.

In the late 1950s, Seattle's civic and business leaders were worried about the city losing its dominant position as a trading partner with the lucrative Pacific Rim nations. Interested in showing off all that the city and state had to offer in the hope of gaining new business, their unlikely solution was a world's fair, the first to be held in the United States since 1940. Other cities across the nation also competed for the honor, but Seattle surprised them all with a thoughtful and well-financed plan that would forever increase the world's awareness of the "Emerald City." More than nine million visitors came to enjoy the soaring Space Needle, the futuristic monorail, and the dozens of colorful pavilions at the fair.

Together with the Olympics, world's fairs are one of the few regular international events of sufficient scale to showcase a spectrum of sights, wonders, learning opportunities, technological advances, and new (or renewed) urban districts, and to present them all to a mass audience. Meet Me at the Fair: A World's Fair Reader breaks new ground in scholarship on world's fairs by incorporating a number of short new texts that investigate world's fairs in their multiple aspects: political, urban/architectural, anthropological/ sociological, technological, commercial, popular, and representational. Contributors come from eight different countries and represent affiliations in academia, museums and libraries, professional and architectural firms, non-profit organizations, and government regulatory agencies. In taking the measure of both the material artifacts and the larger cultural production of world's fairs, the volume presents its own phantasmagoria of disciplinary perspectives, historical periods, geographical locales, media, and messages, mirroring the microcosmic form of the world's fair itself.

When the gates of the 1964-1965 New York World's Fair swung open on April 24, 1964, the first of more than 51 million lucky visitors entered, ready to witness the cutting edge of worldwide technology and progress. Faced with a disappointing lack of foreign participants due to political contention, the fair instead showcased the best of American industry and science. While multimillion-dollar pavilions predicted colonies on the moon and hotels under the ocean, other forecasts, such as the promises of computer technology, have surpassed even the most optimistic predictions of the fair. The 1964-1965 New York World's Fair: Creation and Legacy uses rare, previously unpublished photographs to examine the creation of the fair and the legacies left behind for future generations.

128 rare, vintage photographs: 200 buildings — 79 of foreign governments, 38 of U.S. states — the original ferris wheel, first midway, Edison's kinetoscope, much more. 128 black-and-white photographs. Captions. Map. Index.