Victorian Women's Travel Writing on Meiji Japan: Hospitable Friendship examines forgotten stories of cross-cultural friendship and intimacy between Victorian female travel writers and Meiji Japanese. Drawing on unpublished primary sources and contemporary Japanese literature hithero untranslated into English it highlights the open subjectivity and addective relationality of Isabella Bird, Mary Crawford Fraser, and Marie Stopes in their interactions with Japanese hosts. Victorian Women's Travel Writing on Meiji Japan demonstates how travel narratives and literary works about non-colonial Japan complicate and challenge Oriental stereotypes and imperial binaries. It traces the shifts in the representation of Japan in Victorian discourse from obsequious mousmé to virile samurai alongside transitions in the Anglo-Japanese bilateral relationship and global geopolitical events. Considering the ethical and political implications of how Victorian women wrote about their Japanese friends, it examines how female travellers created counter discourses. It charts the unexplored terrain of female interracial and cross-cultural friendship and love in Victorian literature, emphasizing the agency of female travellers against the scholarly tendency to depoliticize their literary praxis. It also offers parallel narratives of three Meiji women in Britain - Tsuda Umeko, Yasui Tetsu, and Yosano Akiko -and transnational feminist alliance. The book is a celebration of the political possibility of female friendship and literature, and a reminder of the ethical responsibility of representing racial and cultural others.

Victorian Women's Travel Writing on Meiji Japan narrates forgotten stories of cross-cultural friendship and love between Victorian female travellers and Meiji Japanese between 1853 and 1912.

This volume complements other published works about travel by nineteenth-century women writers by locating and creating ‘space’ for Japan which is missing within recent critical discourses on travel writing. It examines the narratives of women writers who travelled to Japan from the mid-1850s onwards, when Japan was first opened to the West, and became a highly desirable travel destination for decades thereafter. Many women travelled in this period, and although most left no record of their journeys, enough did to form a discrete body of literature spanning more than fifty years – from the end of the feudal Tokugawa era to the rise of Meiji Japan as a world power. Their narratives about Japan occupy a culturally significant place, not only in the genre of Victorian female travel writing, but in Victorian travel writing per se. The writers who are the subject of this book are divided into two groups: those who were ‘travellers-by-intent’, namely, Anna D’A, Alice Frere, Annie Brassey, Isabella Bird and Marie Stopes, and those who ‘travelled-by-default’ as the wives of diplomats, namely Mrs Pemberton Hodgson, Mrs Hugh Fraser and Baroness Albert d’Anethan.

Innovative and comprehensive coverage of women writers' careers and literary achievements spanning many literary genres during the Victorian period.

Eastern Encounters releases early Canadian women writers from a simple focus on autobiography and racial politics and interrogates their specific and sophisticated Asian influences. With a compelling reconstruction of historical context, Ganz has created perhaps the first book in a much-needed series that will revisit Canadian nationalism through the important cultural exchanges she examines. Though shaped with an Asian readership in mind, Eastern Encounters is an important work for all who wish to challenge the notion that Judeo-Christian traditions almost exclusively shaped early Canadian discourse.

This book examines the perceptions of European travelling writers about southern Western Australia between 1850 and 1914. Theirs was a narrow vision of space and people in the region, shaped by their individual personalities, their position in society, and the prevailing discourses and ideologies of the age. Christian, Enlightenment, and Romantic philosophies had a major influence on their responses to the land – its cultivation and conservation, and its aesthetic qualities – and on their views of both indigenous and settler colonial society – their class and assumptions of race and ethnicity. The travelling men and women perpetuated an idealised view of a colonised landscape, and a “pioneer” community that eliminated class struggle and inequality, even though an analysis of their observations suggests otherwise. Nevertheless, although limited, their narratives are invaluable as a reflection of opinions, attitudes and knowledge prevalent during an age of imperialism. Their perspectives reveal unique viewpoints that differ from those of immigrants who wrote about their hopes and fears in making a new life for themselves. These travellers were economically secure, literate and educated; foundations which provide an insight into the way power and privilege, implicit in their writings, governed the way they imagined Western Australia in the colonial and immediate post-federation period. The tinted lenses through which European travelling writers narrowly observed space and people, presented a mythical, imagined sense of southern Western Australia.

This fascinating book is an insightful exploration of Western perceptions and representations of Japanese culture and society, drawing on social and cultural psychological ideas around stereotypes and intercultural relations. Hinton considers how the West views the Japanese as an ideologically different “other”, and proposes a cultural theory of stereotypes from which to explore Western observations of the Japanese. The book explores Western socio-cultural representations of the Japanese alongside Edward Said’s well-known theory of Orientalism. It examines the West’s intercultural relationship with Japan, and how this has changed over time, to show how the Japanese have been represented in the Western mind throughout history, to the present day. Hinton argues that our view of other cultures is based on our own cultural expectations, which involve complex issues of meaning-making and perceived cultural differences. This book foregrounds the research through accounts of Westerners about the Japanese, to reveal how cultural representations can influence the ways in which people from different cultures communicate in interaction, and how intercultural understanding or misunderstanding can arise. By reflecting on the changing Western representations of the Japanese, and how and why these have emerged, this book will be of interest to students, academics and general readers interested in stereotypes, cultural psychology, intercultural communication, anthropology and Japanese culture and history.

This edited book considers the need for the continued dismantling of conceptual and cultural hegemonies of ‘East’ and ‘West’ in the humanities and social sciences. Cutting across a wide range of literature, film and art from different contexts and ages, this collection seeks out the interpenetrating dynamic between both terms. Highlighting the inherent instability of East and West as oppositional categories, it focuses on the ‘crossings’ between East and West and this nexus as a highly-charged arena of encounter and collision. Drawing from varied literary contexts ranging from Victorian literature to Chinese literature and modern European literature, the book covers a diverse range of subject matter, including material drawn from psychoanalytic and postcolonial theory and studies related to race, religion, diaspora, and gender, and investigates topical social and political issues —including terrorism, nationalism, citizenship, the refugee crisis, xenophobia and otherness. Offering a framework to consider the salient questions of cultural, ideological and geographical change in our societies, this book is a key read for those working within world literary studies.

This collection focuses attention on theoretical approaches to travel writing, with the aim to advance the discourse. Internationally renowned, as well as emerging, scholars establish a critical milieu for travel writing studies, as well as offer a set of exemplars in the application of theory to travel writing.