Nations and nationalism remain powerful phenomena in the contemporary world. Why do they continue to inspire such passion and attachments? Myths and Memories of the Nation explores the roots of nationalism by examining the myths, symbols and memories of the nation through a 'ethno-symbolic'approach. The book reveals the continuing power of myth and memory to mobilise, define and shape people and their destinies. It examines the variety and durability of ethnic attachments and national identities, and assesses the contemporary revival of ethnic conflicts and nationalism. The bookanalyses the depth of ethnic attachments and the persistence of nations to this day.

Misconceptions about memory phenomena often go hand-in-hand with popular misrepresentations of its function in media. In Popular Myths about Memory, Brian H. Bornstein examines how the representation of memory in novels, movies, and television shows often clashes with scientific research. Bornstein discusses the consequences of these myths on the popular understanding of memory and its functions. Depictions of amnesia, eyewitness accounts, and superior memory are just a few of the processes explored and debunked. This book is recommended for scholars interested in psychology, media and film studies, literary studies, and communication studies.

Between Generations concerns powerful memories that continue to shape the present, but in this case in almost all families throughout the world. What is it that parents pass down to their children? How can we understand the mixture of conscious and unconscious models, myths, and material inheritance that are intertwined in both family and individual life stories? These questions turn out to be unexpectedly complicated, and answering them has suggested how a life-story approach can provide a new key to research on the dynamics of the family and on social change. Because culture is the essence of what makes individual humans into a group, the core of human social identity, its continuity is vital. Cultures are always changing, but the stability of languages, religions, and cultural habits can be astonishing. In contrast to the claims of culture to represent tradition over centuries, stands the sheer brevity of individual human life. Hence, the universal necessity for transmission between generations exists. This edition in the Memory and Narrative series, brings together, contributions from the Americas and Asia as well as from Western and Eastern Europe. They combine the techniques of life story research with the insights of family therapy. Interdisciplinary and intellectually stimulating, the volume will appeal to students in many areas, including history, sociology, literature, psychology, and anthropology.

The past may be approached from a variety of directions. A myth reunites people around certain values and projects and pushes them in one direction or another. The present volume brings together a range of case studies of myth making and myth breaking in east Europe from the nineteenth century to the present day. In particular, it focuses on the complex process through which memories are transformed into myths. This problematic interplay between memory and myth-making is analyzed in conjunction with the role of myths in the political and social life of the region. The essays include cases of forging myths about national pre-history, about the endorsement of nation building by means of historiography, and above all, about communist and post-communist mythologies. The studies shed new light on the creation of local and national identities, as well as the legitimization of ideologies through myth-making. Together, the contributions show that myths were often instrumental in the vast projects of social and political mobilization during a period which has witnessed, among others, two world wars and the harsh oppression of the communist regimes. ÿ

In his highly praised book The Nostalgia Factory, renowned memory scholar Douwe Draaisma explored the puzzling logic of memory in later life with humor and deep insight. In this compelling new book he turns to the “miracle” of forgetting. Far from being a defect that may indicate Alzheimer’s or another form of dementia, Draaisma claims, forgetting is one of memory’s crucial capacities. In fact, forgetting is essential. Weaving together an engaging array of literary, historical, and scientific sources, the author considers forgetting from every angle. He pierces false clichés and asks important questions: Is a forgotten memory lost forever? What makes a colleague remember an idea but forget that it was yours? Draaisma explores “first memories” of young children, how experiences are translated into memory, the controversies over repression and “recovered” memories, and weird examples of memory dysfunction. He movingly examines the impact on personal memories when a hidden truth comes to light. In a persuasive conclusion the author advocates the undervalued practice of “the art of forgetting”—a set of techniques that assist in erasing memories, thereby preserving valuable relationships and encouraging personal contentment.

A superb collection of essays on Salem s rich history and cultural life over the past four centuries now with a new preface."

Tallinn ’67 Jazz Festival: Myths and Memories explores the legendary 1967 jazz gathering that centered Tallinn, Estonia as the jazz capital of the USSR and marked both the pinnacle of a Soviet jazz awakening as well as the end of a long series of evolutionary jazz festivals in Estonia. This study offers new insights into what was the largest Soviet jazz festival of its time through an abundance of collected materials – including thousands of pages of archival documents, more than a hundred hours of interviews and countless media reviews and photographs – while grappling with the constellation of myths integral to jazz discourse in an attempt to illuminate ‘how it really was’. Accounts from musicians, jazz fans, organisers and listeners bring renewed life to this transcultural event from more than half a century ago, framed by scholarly discussions contextualizing the festival within the closed conditions of the Cold War. Tallinn ’67 Jazz Festival details the lasting international importance of this confluence of Estonian, Soviet and American jazz and the ripple effects it spread throughout the world.

Explores the universal myth of Paradise across cultures, uncovering its personal message and social consequences. Companion video.