This is a revised colour edition of this acclaimed book, which deals with the problems of collecting contemporary objects in museums and aims to answer some of the awkward questions raised. What should we collect? Who should decide? How can we adequately record how we live our lives today? What about the storage implications? What limits should we place on ourselves? What processes and directives can ensure best practice? "Owain Rhys reminds us that contemporary collecting is the first and most significant act of interpretation and a primary responsibility of almost every museum." - David Anderson, Director General, National Museum Wales. "The contemporary moment is the moment in which to collect, effectively. But overwhelmed by diverse recording media, unsure of an appropriate collecting philosophy or fieldwork practice, and facing up to globalisation and mass production, most museums have recorded that moment as a silence. Owain Rhys gives timely reflection on the development of contemporary collecting practice, and considers how museums might face up to the challenge." - Professor Simon Knell, School of Museum Studies, University of Leicester.

Imagining Global Amsterdam gaat over het beeld van Amsterdam in film, literatuur, visuele kunst en in het moderne stedelijke discours, in het bijzonder in de context van de mondialisering. De essays gaan onder andere dieper in op Amsterdam als een lieu de mémoire van de vroeg-moderne wereldhandel. Wat betekent deze herinnering in de hedendaagse cultuur? Waarom verwijzen zo veel contemporaine films en romans naar dit verleden terug? Ook het (inter)nationale imago van Amsterdam als een multicultureel en ultra-tolerant ‘%x;global village’%x; komt aan bod. Waarom is dit beeld zo persistent, en hoe heeft het zich in de loop van de laatste decennia ontwikkeld? Tot slot wordt ingegaan op de vraag hoe mondialiseringsprocessen ingrijpen in de stadscultuur, zoals in het prostitutiegebied op de Wallen en via de erfgoedindustrie. Hoe manifesteert de mondialisering zich in de stad, en welke rol speelt beeldvorming daarbij? Deze bundel vormt een rijk geschakeerd onderzoek naar de relatie tussen Amsterdam, mondialisering en stedelijke beeldvorming. Marco de Waard is als docent literatuurwetenschap verbonden aan het Amsterdam University College.

In 1679 Hadriaan Beverland (1650-1716) was banished from the province of Holland. Why was this humanist scholar exiled from one of the most tolerant parts of Europe in the seventeenth century? To answer this question, this book places Beverland’s writings on sex, sin, and scholarship in their historical context for the first time. Beverland argued that sexual lust was the original sin and highlighted the importance of sex in human nature, ancient history, and his own society. His audacious works hit a raw nerve: Dutch theologians accused him of atheism, he was abandoned by his humanist colleagues, and he was banished by the University of Leiden. By positioning Beverland’s extraordinary scholarship in the context of the seventeenth-century Dutch Republic, this book examines how his radical studies challenged the intellectual, ecclesiastical, and political elite, providing a fresh perspective upon the Dutch Republic in the last decades of its Golden Age.

Dutch archaeology has experienced profound changes in recent years. This has led to an increasing use of archaeological predictive modelling, a technique that uses information about the location of known early human settlements to predict where additional settlements may have been located. Case Studies in Archaeological Predictive Modelling is the product of a decade of work by Philip Verhagen as a specialist in geographical information systems at RAAP Archeologisch Adviesbureau BV, one of the leading organizations in the field; the case studies presented here provide an overview of the field and point to potential future areas of research.

De ontwikkeling van steden aan het water in Nederland vanuit historisch, stedenbouwkundig en geografisch perspectief.

In this broadly conceived study Steven Conn examines the development of American museums across the twentieth century with a historian's attention and a critic's eye. He focuses on an array of museum types and asks illuminating questions about the relationship between museums and American cultural life.

"This book provides an excellent guide to the current literature on co-production, with especially valuable attention to its management and evaluation. By highlighting the lessons from co-production in the private sector, the authors give very useful and timely new insights into how co-production can contribute to public services and help to improve public value.”— Tony Bovaird, Professor of Public Management and Policy (Emeritus), University of Birmingham, UK ​Coproduction covers the practice in which state actors (for example, government agents) and lay actors (for example, members of the public) work together in any phase of the public service cycle. In the past two decades, the literature of coproduction has grown swiftly, but in a fragmented manner. Thus, this book systematizes the literature on coproduction into a comprehensive framework that tackles activation, management and evaluation, illustrated through empirical examples. It adopts a multi-disciplinary approach, analyzing literature streams such as public administration and policy, public management, business management, and marketing, among others. /div It will be invaluable reading for academics working on coproduction, public management, and business management.