Very Important Collection Of Rare And Valuable Paintings By Celebrated Masters Of The Ancient And Modern Schools Superb Portraits Of Beautiful Women Portraits By Thomas Sully Canvases By John Singer Sargent
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Author |
: Philadelphia Art Galleries, Philadelphia |
Publisher |
: |
Total Pages |
: 0 |
Release |
: 1928 |
ISBN-10 |
: OCLC:171463322 |
ISBN-13 |
: |
Rating |
: 4/5 (22 Downloads) |
Synopsis Very Important Collection of Rare and Valuable Paintings by Celebrated Masters of the Ancient and Modern Schools, Superb Portraits of Beautiful Women, Portraits by Thomas Sully, Canvases by John Singer Sargent by : Philadelphia Art Galleries, Philadelphia
Author |
: Philadelphia Art Galleries, Philadelphia |
Publisher |
: |
Total Pages |
: |
Release |
: 1928 |
ISBN-10 |
: OCLC:171463322 |
ISBN-13 |
: |
Rating |
: 4/5 (22 Downloads) |
Synopsis Very Important Collection of Rare and Valuable Paintings by Celebrated Masters of the Ancient and Modern Schools, Superb Portraits of Beautiful Women, Portraits by Thomas Sully, Canvases by John Singer Sargent by : Philadelphia Art Galleries, Philadelphia
Author |
: Philadelphia Art Galleries |
Publisher |
: Hassell Street Press |
Total Pages |
: 32 |
Release |
: 2021-09-09 |
ISBN-10 |
: 1014650240 |
ISBN-13 |
: 9781014650245 |
Rating |
: 4/5 (40 Downloads) |
Synopsis Very Important Collection of Rare and Valuable Paintings by Celebrated Masters of the Ancient and Modern Schools, Superb Portraits of Beautiful Women, Portraits by Thomas Sully, Canvases by John Singer Sargent by : Philadelphia Art Galleries
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author |
: |
Publisher |
: |
Total Pages |
: 418 |
Release |
: 1913 |
ISBN-10 |
: CHI:102675438 |
ISBN-13 |
: |
Rating |
: 4/5 (38 Downloads) |
Synopsis Hyde's Weekly Art News by :
Author |
: Corcoran Gallery of Art |
Publisher |
: Lucia Marquand |
Total Pages |
: 0 |
Release |
: 2011 |
ISBN-10 |
: 1555953611 |
ISBN-13 |
: 9781555953614 |
Rating |
: 4/5 (11 Downloads) |
Synopsis Corcoran Gallery of Art by : Corcoran Gallery of Art
This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.
Author |
: Armand Pierre Marie Dayot |
Publisher |
: |
Total Pages |
: 312 |
Release |
: 1901 |
ISBN-10 |
: WISC:89037966587 |
ISBN-13 |
: |
Rating |
: 4/5 (87 Downloads) |
Synopsis Beautiful Women in Art by : Armand Pierre Marie Dayot
Author |
: Clara Erskine Clement Waters |
Publisher |
: Library of Alexandria |
Total Pages |
: 498 |
Release |
: 2020-09-28 |
ISBN-10 |
: 9781465583321 |
ISBN-13 |
: 1465583327 |
Rating |
: 4/5 (21 Downloads) |
Synopsis Women in the Fine Arts, from the Seventh Century B.C. to the Twentieth Century A.D. by : Clara Erskine Clement Waters
In studying the subject of this book I have found the names of more than a thousand women whose attainments in the Fine Arts—in various countries and at different periods of time before the middle of the nineteenth century—entitle them to honorable mention as artists, and I doubt not that an exhaustive search would largely increase this number. The stories of many of these women have been written with more or less detail, while of others we know little more than their names and the titles of a few of their works; but even our scanty knowledge of them is of value. Of the army of women artists of the last century it is not yet possible to speak with judgment and justice, although many have executed works of which all women may be proud. We have some knowledge of women artists in ancient days. Few stories of that time are so authentic as that of Kora, who made the design for the first bas-relief, in the city of Sicyonia, in the seventh century B. C. We have the names of other Greek women artists of the centuries immediately preceding and following the Christian era, but we know little of their lives and works. Calypso was famous for the excellence of her character pictures, a remarkable one being a portrait of Theodorus, the Juggler. A picture found at Pompeii, now at Naples, is attributed to this artist; but its authorship is so uncertain that little importance can be attached to it. Pliny praised Eirene, among whose pictures was one of "An Aged Man" and a portrait of "Alcisthenes, the Dancer." In the annals of Roman Art we find few names of women. For this reason Laya, who lived about a century before the Christian era, is important. She is honored as the original painter of miniatures, and her works on ivory were greatly esteemed. Pliny says she did not marry, but pursued her art with absolute devotion; and he considered her pictures worthy of great praise. A large picture in Naples is said to be the work of Laya, but, as in the case of Calypso, we have no assurance that it is genuine. It is also said that Laya's portraits commanded larger prices than those of Sopolis and Dyonisius, the most celebrated portrait painters of their time. Our scanty knowledge of individual women artists of antiquity—mingled with fable as it doubtless is—serves the important purpose of proving that women, from very ancient times, were educated as artists and creditably followed their profession beside men of the same periods. This knowledge also awakens imagination, and we wonder in what other ancient countries there were women artists. We know that in Egypt inheritances descended in the female line, as in the case of the Princess Karamat; and since we know of the great architectural works of Queen Hashop and her journey to the land of Punt, we may reasonably assume that the women of ancient Egypt had their share in all the interests of life. Were there not artists among them who decorated temples and tombs with their imperishable colors? Did not women paint those pictures of Isis—goddess of Sothis—that are like precursors of the pictures of the Immaculate Conception? Surely we may hope that a papyrus will be brought to light that will reveal to us the part that women had in the decoration of the monuments of ancient Egypt. At present we have no reliable records of the lives and works of women artists before the time of the Renaissance in Italy.
Author |
: Michel Draguet |
Publisher |
: Agrarian Studies |
Total Pages |
: 0 |
Release |
: 2019 |
ISBN-10 |
: 0300246501 |
ISBN-13 |
: 9780300246506 |
Rating |
: 4/5 (01 Downloads) |
Synopsis Fernand Khnopff by : Michel Draguet
A comprehensive look at an important member of the artistic vanguard of late 19th- and early 20th-century Europe In this beautifully illustrated book, Michel Draguet, an internationally recognized authority on fin-de-siècle art, offers an enlightening examination of the life and art of Belgian Symbolist painter Fernand Khnopff (1858-1921). Khnopff achieved widespread acclaim during his lifetime for his moody, dreamlike paintings, as well as his numerous commissioned portraits, designs for costumes and sets for the theater and opera, photography, sculpture, book illustrations, and writings. Khnopff was a reclusive personality, and in 1900 he focused his attention on the design and construction of a lavish, secluded home and studio in Brussels, a structure that became deeply entwined with the artist's work and sense of self. Although the house was demolished in 1936, Draguet uses new archival research to reconstruct its spaces and explore the home as emblematic of the artist, guiding the reader through Khnopff's very personal world and analyzing his art in the context of its generative surroundings. Distributed for Mercatorfonds
Author |
: National Gallery of Art (U.S.) |
Publisher |
: Cambridge University Press |
Total Pages |
: 698 |
Release |
: 1992 |
ISBN-10 |
: 0521443016 |
ISBN-13 |
: 9780521443012 |
Rating |
: 4/5 (16 Downloads) |
Synopsis American Naive Paintings by : National Gallery of Art (U.S.)
One of a series of systematic catalogues of the National Gallery of Art's collection, this comprehensive volume discusses in detail 310 objects that comprise one of the world's outstanding repositories of American naive paintings. Works by renowned folk artists such as Edward Hicks, Erastus Salisbury Field, and Ammi Phillips are represented in depth and placed in stylistic as well as historical context. This catalogue is an indispensable tool for historians of Amerian painting and folk art, and for students of American life and culture. Thorough documentation and commentary are provided for the first time on some of the most intriguing images produced in America in the past two hundred years.
Author |
: National Gallery of Art (U.S.) |
Publisher |
: Oxford University Press, USA |
Total Pages |
: 0 |
Release |
: 1995 |
ISBN-10 |
: 0894682113 |
ISBN-13 |
: 9780894682117 |
Rating |
: 4/5 (13 Downloads) |
Synopsis Dutch Paintings of the Seventeenth Century by : National Gallery of Art (U.S.)
Heda's Banquet Piece, Frans Hals' Willem Coymans, and Rembrandt's Lucretia. Paintings by these and other masters attracted the American collectors P. A. B. Widener, his son Joseph, and Andrew W. Mellon, whose bequests form the heart of the National Gallery's distinguished and remarkably cohesive collection of ninety-one Dutch paintings.