A comprehensive look at an important member of the artistic vanguard of late 19th- and early 20th-century Europe In this beautifully illustrated book, Michel Draguet, an internationally recognized authority on fin-de-siècle art, offers an enlightening examination of the life and art of Belgian Symbolist painter Fernand Khnopff (1858-1921). Khnopff achieved widespread acclaim during his lifetime for his moody, dreamlike paintings, as well as his numerous commissioned portraits, designs for costumes and sets for the theater and opera, photography, sculpture, book illustrations, and writings. Khnopff was a reclusive personality, and in 1900 he focused his attention on the design and construction of a lavish, secluded home and studio in Brussels, a structure that became deeply entwined with the artist's work and sense of self. Although the house was demolished in 1936, Draguet uses new archival research to reconstruct its spaces and explore the home as emblematic of the artist, guiding the reader through Khnopff's very personal world and analyzing his art in the context of its generative surroundings. Distributed for Mercatorfonds

A comprehensive look at an important member of the artistic vanguard of late 19th- and early 20th-century Europe. In this beautifully illustrated book, Michel Draguet, an internationally recognized authority on fin-de-siecle art, offers an enlightening examination of the life and art of Belgian Symbolist painter Fernand Khnopff (1858-1921). Khnopff achieved widespread acclaim during his lifetime for his moody, dreamlike paintings, as well as his numerous commissioned portraits, designs for costumes and sets for the theater and opera, photography, sculpture, book illustrations, and writings. Khnopff was a reclusive personality, and in 1900 he focused his attention on the design and construction of a lavish, secluded home and studio in Brussels, a structure that became deeply entwined with the artist's work and sense of self. Although the house was demolished in 1936, Draguet uses new archival research to reconstruct its spaces and explore the home as emblematic of the artist, guiding the reader through Khnopff's very personal world and analyzing his art in the context of its generative surroundings.

El artista, ilustrador, escultor y fotógrafo belga Fernand Khnopff (1858–1921) se convirtió en un popular retratista de la sociedad en la década de 1880, utilizando elementos que le habían servido como pintor simbolista de vanguardia: realismo visual y un ambiente de silencio, aislamiento y ensueño. Como en el provocativo, pero fascinantemente hermoso, Retrato de Jeanne Kéfer, con frecuencia posaba a sus modelos apoyados contra una puerta cerrada, allanando el espacio, dando como resultado una imagen meditativa y herméticamente cerrada. Jeanne Kéfer era hija de una compositora amiga del artista, y Khnopff captura hábilmente la vulnerabilidad de la niña al mundo exterior en el pequeño gesto de su pequeño pulgar que atrapa el borde de su lazo. El libro coloca esta pintura en el contexto histórico de los tiempos y el entorno social de Khnopff y rastrea el Simbolismo como un movimiento literario y artístico. El análisis del retrato en sí está respaldado por una impresionante variedad de pinturas, detalles y fotografías técnicas relacionadas. Finalmente, el autor utiliza los retratos de Khnopff como punto de partida para una discusión más amplia del arte simbolista.

Brussels 1900 Vienna examines the complex cultural networks between Austria and Belgium (1880-1930), and situates these interrelations within a wider European context. The collection covers various fields, including literature, translation, music, theatre, visual arts, café culture, and architecture.

"Enigmatic magic, erotic sensuality and dark dreamworlds all characterise Symbolism, which evolved as an art current from the 1880s on - with Brussels advancing to become a centre of activity in the development of European art. The tendency towards the morbid and the decadent was most pronounced in Belgian Symbolism. Many of the impulses for this avant-garde came from Belgian artists, such as the disreputable Félicien Rops, the subtle Fernand Khnopff, the occult Jean Delville and the eccentric Léon Spilliaert and James Ensor."--back cover.

The Salon de la Rose+Croix : the religion of art / Vivien Greene -- The reception of the Rose+Croix of a symptom of the réaction idéaliste / Jean-David Jumeau-Lafond -- Afterlife : The important and sometimes embarrassing links between occultism and the development of abstract art, ca. 1909/1913 / Ken E. Silver

The Symbolist art movement of the late 19th century forms an important bridge between Impressionism and Modernism. But because Symbolism emphasizes ideas over objects and events, it has suffered from conflicting definitions. In this book, Michelle Facos offers a comprehensive description of this challenging subject.

Presents the development and the aesthetic theories of the symbolist movement in art and literature