Veronica Brady in her Own Words, is a collection of essays and papers by Veronica, many unpublished and all without a date and cover a range of topics: religion, the arts, politics and relations with Australian indigenous peoples.

Veronica Brady in her Own Words, is a collection of essays and papers by Veronica, many unpublished and all without a date and cover a range of topics: religion, the arts, politics and relations with Australian indigenous peoples.

Veronica Brady (1929-2015) was a nun, academic and activist. Her intellectual life, firmly rooted in Australian culture, was focussed on stripping the thin veneer of our dominant materialistic culture to forge a greater understanding of our place in a more just world. One-time member of the ABC Board, Brady was a wine-loving, bike-riding, diminutive figure with a fierce reputation for plain speaking. An expert on Australian literature, and living life as a "communist" in a community of Loreto nuns, teaching, she cut a non-conformist figure in an age when the humanist values she upheld seemed increasingly under threat. She strove to defend them with a sharp mind, a contemporary Christian theology, and a willingness to put her boots on the ground in street protests. The essays gathered here by colleagues, students, friends and family bring her compassion, interests and concerns to life with an immediacy, fondness and respect. She inspired others, through her writings, actions and teaching, and the essays reveal her larger-than-life character, her passion for teaching, her concerns for justice for Indigenous Australians, and the intellectual and spiritual legacy she bequeathed to us all.

The central argument of the thesis, the representation and reception of otherness, is followed throughout White's novels with the support of a complex critical instrumentarium made up of postcolonial theory, reader response theory, cultural-critical frameworks, alterity theory, and narratology. Otherness in its manifold representations is a main component of Patrick White's fiction. It functions on several levels and this requires a deeper entanglement on the part of the reader. The different levels previously referred to are embodied in the various Others who people White's novels: ethnic Others as members of the Australian multicultural society and the Aborigines as colonial Others, as well as gender Others, who also play an important role in White's fictional world. Reading Patrick White is an exercise in tolerance, endurance and acceptance of alternatives. But the efforts of the reader do not remain unrewarded. In his endeavour to change what it meant to imagine Australia, the writer broke down the barriers of what it meant to imagine otherness.

Denis Edwards was a theoloian concerned with the science and religion discourse and eco-theology. He died in March 2019. This book is a collection of his till now unpusblished talks and essays.

Ob-scene Spaces in Australian Narrative is an exhaustive survey of Australian literature proposing itself as a journey through time and space. With a careful selection of texts which recount Australian history from the early days of white colonization to the present, this study endeavours to cast light on the process of socio-topographic construction that the settlers imposed upon the continent.As suggested by the title, the textual inquiry conducted in this book is driven by the stimulating ambiguity that lies between physical space and its discursive construction. A selection of canonical and non-canonical texts by authors ranging from Henry Lawson to Christos Tsiolkas aims to reveal the relationship between the space of the city (the scene) and the outback (the ob-scene space beyond the metropolitan area) and its role in the process of spatial construction that, through the last two centuries, has shaped Australia.Pablo Armellino’s distinctive approach to Australian literature makes Ob-scene Spaces in Australian Narrative a very interesting work. Using a carefully selected range of novels, linked together using social and literary theory, it recounts the history of colonization in Australia in a particularly approachable manner. Through the analysis of each text the reader seamlessly learns about the expansion of the frontier, the creation of an ob-scene space beyond it and the use the Discourse makes of this mechanism. These characteristics would appeal to both an academic audience, which would appreciate the detailed text analysis, and a general audience, which would enjoy the historical and thematic aspect of the book.– Professor Carmen Concilio and Professor Pietro Deandrea, Facoltà di Lingue, Università di Torino

This book shows how creative writing gives voice to the drama and nuance of religious experience in a way that is rarely captured by sermons, reports, and the minutes of church meetings. The author explores the history of religious Dissent and Evangelicalism in Australia through a variety of literary responses to landscape, from both men and women, lay and ordained. The book explores transnational themes, along with themes of migration and travel across the Australian continent. The author gives insight into the literature of Protestant Dissent, concerned as it is with travel, belonging, and the intersection of national and religious identity. Much of the writing is situated on the road: a soldier returning from the Great War, a child on a lone adventure, a night-time journey through urban slums; all of these are in some way dependent on the theme of “walking with Jesus” as the Holy Land travelogues make explicit. God in the Landscape draws the links between landscape, literature, and spirituality with imagination and insight and is an important contribution to the historical study of religion and the environment.

This wide range of letters reminds us of Judith Wright's deep engagement with life, her love of the world (and of friends), and the fine fury that led her to battle so courageously on the world's behalf.

In Reading Corporeality in Patrick White’s Fiction: An Abject Dictatorship of the Flesh, Bridget Grogan combines theoretical explication, textual comparison, and close reading to argue that corporeality is central to Patrick White’s fiction, shaping the characterization, style, narrative trajectories, and implicit philosophy of his novels and short stories. Critics have often identified a radical disgust at play in White’s writing, claiming that it arises from a defining dualism that posits the ‘purity’ of the disembodied ‘spirit’ in relation to the ‘pollution’ of the material world. Grogan argues convincingly, however, that White’s fiction is far more complex in its approach to the body. Modeling ways in which Kristevan theory may be applied to modern fiction, her close attention to White’s recurring interest in physicality and abjection draws attention to his complex questioning of metaphysics and subjectivity, thereby providing a fresh and compelling reading of this important world author.

Anna Rutherford has been the most dynamic ambassador of Australian culture in Europe. More than any other single person, she has been instrumental in spreading interest in Commonwealth and post-colonial studies. Wherever she has been in the world, she has brought people together in friendship and intellectual endeavour. This volume ranges widely over the areas Anna has promoted as teacher, editor and publisher.