In Reading Corporeality in Patrick White’s Fiction: An Abject Dictatorship of the Flesh, Bridget Grogan combines theoretical explication, textual comparison, and close reading to argue that corporeality is central to Patrick White’s fiction, shaping the characterization, style, narrative trajectories, and implicit philosophy of his novels and short stories. Critics have often identified a radical disgust at play in White’s writing, claiming that it arises from a defining dualism that posits the ‘purity’ of the disembodied ‘spirit’ in relation to the ‘pollution’ of the material world. Grogan argues convincingly, however, that White’s fiction is far more complex in its approach to the body. Modeling ways in which Kristevan theory may be applied to modern fiction, her close attention to White’s recurring interest in physicality and abjection draws attention to his complex questioning of metaphysics and subjectivity, thereby providing a fresh and compelling reading of this important world author.

The Cambridge Companion to the Australian Novel provides a clear, lively, and accessible account of the novel in Australia. The chapters of this book survey significant issues and developments in the Australian novel, offer historical and conceptual frameworks, and provide vivid and original examples of what reading an Australian novel looks like in practice. The book begins with novels by literary visitors to Australia and concludes with those by refugees. In between, the reader encounters the Australian novel in its splendid contradictoriness, from nineteenth-century settler fiction by women writers through to literary images of the Anthropocene, from sexuality in the novels of Patrick White to Waanyi writer Alexis Wright's call for a sovereign First Nations literature. This book is an invitation to students, instructors, and researchers alike to expand and broaden their knowledge of the complex histories and crucial present of the Australian novel.

Most studies of Patrick White's fiction are devoted to elucidating archetypal patterns, symbolic configurations, and thematic preoccupations, and generally to praising the way White's fictional elements combine to form a religio-mystical worldview. Few have questioned this critical approach to White; fewer still have questioned White's vision itself. Yet, according to the author, questioning is in order—for Patrick White is a man divided. One part of him strives for permanence, for the ideal, in a world he knows is contingent and temporal, a world that will undermine his striving. This leads him as a novelist to devalue human life and to impose arbitrary, symbolic resolutions on his novels. This has been the focus of most critics. But there is another side, a part of White that strains away from the dualism of idealism versus despair and towards a vital wholeness that can be found, not in a world beyond the one we live in, but in human relationships. It is this side of Patrick White, argues Laurence Steven, that is the source of his genuine power as a novelist. An important challenge for the critic is "to develop an ability to see, within the restrictive compass [White's] symbolic designs impose on the novels, 'the new shoots,' as [D. H.] Lawrence would have it, which indicate new life, new creativity, and which point towards a wholeness which human beings can embrace as their own" (Introduction).

This volume marks the birth centenary of a giant amongst contemporary writers: the Australian Nobel prize-winning novelist, Patrick White (1912–1990). It proffers an invaluable insight into the current state of White studies through commentaries drawn from an international galaxy of eminent critics, as well as from newer talents. The book proves that interest in White’s work continues to grow and diversify. Every essay offers a new insight: some are re-evaluations by seasoned critics who revise earlier positions significantly; others admit new light onto what has seemed like well-trodden terrain or focus on works perhaps undervalued in the past—his poetry, an early short story or novel—which are now subjected to fresh attention. His posthumous work has also won attention from prominent critics. New comparisons with other international writers have been drawn in terms of subject matter, themes and philosophy. The expansion of critical attention into fields like photography and film opens new possibilities for enhancing further appreciation of his work. White’s interest in public issues such as the treatment of Australia’s Indigenous peoples, human rights and Australian nationalism is refracted through the inclusion of relevant commentaries from notable contributors. For the first time in Australian literary history, Indigenous scholars have participated in a celebration of the work of a white Australian writer. All of this highlights a new direction in White studies—the appreciation of his stature as a public intellectual. The book demonstrates that White’s legacy has limitless possibilities for further growth.

An essential late novel from one of the foremost novelists of the twentieth century, now a part of the Text Classics series

From the winner of the Nobel Prize for Literature, a novel that satisfies as much as it challenges. Eddie Twyborn is bisexual and beautiful, the son of a Judge and a drunken mother. With this androgynous hero - Eudoxia/Eddie/Eadith Twyborn - and through his search for identity, for self-affirmation and love in its many forms, Patrick White takes us on a journey into the ambiguous landscapes, sexual, psychological and spiritual, of the human condition.

This book argues that many of the mid-twentieth century's significant novelists were united by a desire to return the increasingly interior novel to ethical engagement. They did not seek morality in society, politics or the individual will, but sought to unveil a transcendent Good by using techniques drawn from the canon of mystical literature

Join J. M. Coetzee and Thomas Keneally in rediscovering Nobel Laureate Patrick White In 1973, Australian writer Patrick White was awarded the Nobel Prize in Literature "for an epic and psychological narrative art which has introduced a new continent into literature." Set in nineteenth-century Australia, Voss is White's best-known book, a sweeping novel about a secret passion between the explorer Voss and the young orphan Laura. As Voss is tested by hardship, mutiny, and betrayal during his crossing of the brutal Australian desert, Laura awaits his return in Sydney, where she endures their months of separation as if her life were a dream and Voss the only reality. Marrying a sensitive rendering of hidden love with a stark adventure narrative, Voss is a novel of extraordinary power and virtuosity from a twentieth-century master. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

This explosive, award-winning novella of growing up in colonial Rhodesia (now Zimbabwe), told in exquisite, imaginative prose, touches the readers nerve through the authors harrowing portrait of lives disrupted by white settlers, a young disillusioned black man, and individual suffering in the 1960s and 1970s. Marecheras raw, piercing writings secured his place in African literature as a stylistic innovator and rebel commentator of the ghetto condition. While The House of Hunger is the centerpiece of this collection, readers are also treated to a series of short sketches in which Marechera, with angry humor, further navigates themes of madness, violence, despair, and survival.