Examines the 'Nahda', a cultural renaissance in the Arab world, through the utopian visions of Arab intellectuals during the nineteenth century.

In Literary Optics, Maha AbdelMegeed offers a compelling and far-reaching alternative to the traditional mode of analyzing Arabic literature through an encounter between Arabic narrative forms and European ones. Drawing upon close engagements with the works of canonical authors from the period, including Hassan Husni al-Tuwayrani, Muhammad al-Muwaylihi, Ali Mubarak, Francis Marrash, and ‘Abdallah al-Nadim, AbdelMegeed addresses not where these works emanate from but rather how and why they were drawn together to form a canon. In doing so, she rejects the expectation that these texts, through the trope of encounter, hold the explanatory key to modern Arabic literature. In this reformulation of Arabic literary history, AbdelMegeed argues that the canon is forged through an urgency to define a new form of political sovereignty and to make history visible. In doing so, she explores three pivotal concepts: the spectral (khayal), the trace (athar) and the collective (alnas). By examining the texts through these concepts, Literary Optics provides a remarkable intellectual history that delves into the aesthetic, philosophical, and political stakes of nineteenth-century Arabic literature.

The essays in this Oxford Handbook rethink the modern history of one of the most important and influential countries in the Middle East--Egypt. For a country and region so often understood in terms of religion and violence, this work explores environmental, medical, legal, cultural, and political histories. It gives readers an excellent view of the current debates in Egyptian history.

A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. When Nafir Suriyya—“The Clarion of Syria”—was penned between September 1860 and April 1861, its author Butrus al-­Bustani, a major figure in the modern Arabic Renaissance, had witnessed his homeland undergo unprecedented violence in what many today consider Lebanon’s first civil war. Written during Ottoman and European investigations into the causes and culprits of the atrocities, The Clarion of Syria is both a commentary on the politics of state intervention and social upheaval, and a set of visions for the future of Syrian society in the wake of conflict. This translation makes a key historical document accessible for the first time to an English audience. An introduction by the translators sketches the history that led up to the civil strife in Mt. Lebanon, outlines a brief biography of Butrus al-­Bustani, and provides an authoritative overview of the literary style and historiography of Nafir Suriyya. Rereading these pamphlets in the context of today’s political violence, in war-­torn Syria and elsewhere in the Arab world, helps us gain a critical and historical perspective on sectarianism, foreign invasions, conflict resolution, Western interventionism, and nationalist tropes of reconciliation.

A World Divided -- An Empire Connecting -- A Place in the Elite -- The Art of Conversation -- The Transmission of Knowledge -- An Empire Polarized.

This collection provides students and researchers with a new and lively understanding of the role of institutions in the production, reception, and meaning of literature in the period 1700–1900. The period saw a fundamental transition from a patronage system to a marketplace in which institutions played an important mediating role between writers and readers, a shift with consequences that continue to resonate today. Often producers themselves, institutions processed and claimed authority over a variety of cultural domains that never simply tessellated into any unified system. The collection's primary concerns are British and imperial environments, with a comparative German case study, but it offers encouragement for its approaches to be taken up in a variety of other cultural contexts. From the Post Office to museums, from bricks and mortar to less tangible institutions like authorship and genre, this collection opens up a new field for literary studies.

This book brings together essays that ask how one may chart more productive engagements with the methodological foundations of literary studies, a discipline that is finding itself in a moment of severe crisis. The temptation to reduce methodological debates to method wars constitutes one of the main obstacles for what ought to be the common goal of our discipline: to articulate the possible and indeed necessary futures of literary studies. How do we think about the future of literary studies in the funerary climate that has engendered the belief that we need to fight our internal wars for survival? How might (must?) our understanding of what literary criticism is and does change? How do we formulate possible futures for literary studies while grappling with the significant problems that our present poses? The chapters in this volume stage hopeful interventions that seek to contribute to the effort to explore the futures of literary studies by way of and conceived as a collective endeavor. Together, the authors advance a call for better, more useful, more active, more networked, and, yes, even for abandoned versions of the always multiple and joyously contradictory discipline that is called literary studies. This book will be beneficial to students and scholars of English literature, literary theory and literary studies. The chapters in this book were originally published as a special issue of Textual Practice and are accompanied by a new Preface.

What was popular entertainment like for everyday Arab societies in Middle Eastern cities during the long nineteenth century? In what ways did café culture, theatre, illustrated periodicals, cinema, cabarets, and festivals serve as key forms of popular entertainment for Arabic-speaking audiences, many of whom were uneducated and striving to contend with modernity's anxiety-inducing realities? Studies on the 19th to mid-20th century's transformative cultural movement known as the Arab nahda (renaissance), have largely focussed on concerns with nationalism, secularism, and language, often told from the perspective of privileged groups. Highlighting overlooked aspects of this movement, this book shifts the focus away from elite circles to quotidian audiences. Its ten contributions range in scope, from music and visual media to theatre and popular fiction. Paying special attention to networks of movement and exchange across Arab societies in Lebanon, Syria, Egypt, Iraq, and Morocco, this book heeds the call for 'translocal/transnational' cultural histories, while contributing to timely global studies on gender, sexuality, and morality. Focusing on the often-marginalized frequenters of cafés, artist studios, cinemas, nightclubs, and the streets, it expands the remit of who participated in the nahda and how they did.

During the 1930s and 1940s, Jews in the Middle East took part in extensive debates on fascism in the public sphere. How did the rise of fascism impact the ways in which Jews in the region envisioned the past, present and future? Confronting Fascism in the Arabic Jewish Press examines Jewish discussions on the positions and identities of Jews in the Middle East within the context of multifocal debates on fascism. Focussing on the Arabic Jewish press in Egypt, Lebanon and Syria, it studies the ideas of its editors and main contributors and their intellectual networks. Putting those debates within the context of social, political and national reorientations following the end of the Ottoman Empire, the book uses an ideas-based and conceptual approach to also connect this history to global debates on fascism centred on the concepts of race, civilization and religion. In doing so, it situates Jewish discussions on fascism in the Middle East not only at the heart of Arab intellectual history, but also as part of a globalizing public sphere during the interwar, war and immediate post-war periods (1933-1948). The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com.