Drawing on the work of contemporary American poets from Ashbery to Zukofsky, Joseph M. Conte elaborates an innovative typology of postmodern poetic forms. In Conte's view, looking at recent poetry in terms of the complementary methods of seriality and proceduralism offers a rewarding alternative to the familiar analytic dichotomy of "open" and "closed" forms.

"This book examines the work of Guillermo Carnero, one of Spain's most important contemporary poets, in the context of the critical theories developed in the West after World War II that inform all of Carnero's writing." "Previous critical studies have tried to link Carnero's poetry to that of other novisimo poets within the narrow confines of Spanish poetics and literary history. This study seeks to move beyond the limiting perspective of the Spanish generational paradigm."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

This is the second volume of six in Michael Allen’s e-Learning Library—a comprehensive collection of proven techniques for creating e-learning applications that achieve targeted behavioral outcomes through meaningful, memorable, and motivational learning experiences. This book examines common instructional design practices with a critical eye and recommends substituting success rather than tradition as a guide. Drawing from theory, research, and experience in learning and behavioral change, the author provides a framework for addressing a broader range of learner needs and achieving superior performance outcomes.

In Design by Nature: Using Universal Forms and Principles in Design, author Maggie Macnab takes you on an intimate and eclectic journey examining the unending versatility of nature, showing how to uncover nature’s ingenuity and use it to create beautiful and compelling designed communications. Written for designers and creative thinkers of all types, this book will guide you through a series of unexpected a-ha! moments that describe relationships among nature, art, science, technology, and design. Through explanation and example, you will learn about natural processes, consisting of everyday patterns and shapes that are often taken for granted, but that can be used effectively in visual messaging. Explore the principles all human beings intuitively use to understand the world and learn to incorporate nature’s patterns and shapes into your work for more meaningful design. By recognizing and appreciating a broad range of relationships, you can create more aesthetic and effective design, building communications that encompass the universal experience of being part of nature, and that are relevant to a worldwide audience. Teaches how to understand and integrate the essential processes of nature’s patterns and shapes in design Includes key concepts, learning objectives, definitions, and exercises to help you put what you learn into practice Features a foreword by Debbie Millman and reviews and discussions of practice and process by some of the world’s leading designers, including Milton Glaser, Stefan Sagmeister, and Ellen Lupton Includes profiles of street artist Banksy, creative director and author Kenya Hara, and typographical designer Erik Spiekermann

A revised new edition of the bestselling toolkit for creating, building, and maintaining a strong brand From research and analysis through brand strategy, design development through application design, and identity standards through launch and governance, Designing Brand Identity, Fourth Edition offers brand managers, marketers, and designers a proven, universal five-phase process for creating and implementing effective brand identity. Enriched by new case studies showcasing successful world-class brands, this Fourth Edition brings readers up to date with a detailed look at the latest trends in branding, including social networks, mobile devices, global markets, apps, video, and virtual brands. Features more than 30 all-new case studies showing best practices and world-class Updated to include more than 35 percent new material Offers a proven, universal five-phase process and methodology for creating and implementing effective brand identity

A critical look at the competing motivations behind one of modern architecture’s most widely known and misunderstood movements Although “mid-century modern” has evolved into a highly popular and ubiquitous architectural style, this term obscures the varied perspectives and approaches of its original practitioners. In Nothing Permanent, Todd Cronan displaces generalizations with a nuanced intellectual history of architectural innovation in California between 1920 and 1970, uncovering the conflicting intentions that would go on to reshape the future of American domestic life. Focusing on four primary figures—R. M. Schindler, Richard Neutra, and Charles and Ray Eames—Nothing Permanent demonstrates how this prolific era of modern architecture in California, rather than constituting a homogenous movement, was propelled by disparate approaches and aims. Exemplified by the twin pillars of Schindler and Neutra and their respective ideological factions, these two groups of architects represent opposing poles of architectural intentionality, embodying divergent views about the dynamic between interior and exterior, the idea of permanence, and the extent to which architects could exercise control over the inhabitants of their structures. Looking past California modernism’s surface-level idealization in present-day style guides, home decor publications, films, and television shows, Nothing Permanent details the intellectual, aesthetic, and practical debates that lie at the roots of this complex architectural moment. Extracting this period from its diffusion into visual culture, Cronan argues that mid-century architecture in California raised questions about the meaning of architecture and design that remain urgent today.

Adopting artist-poet Joe Brainard as its principal focus, this project presents "Pop poetics" not as a minor, coterie movement meriting a sympathetic footnote in accounts of the postwar era's literary history, but as a missing link that confounds and potentially unites any number of supposedly rigid critical distinctions (authenticity versus formalism, the "personal" versus the mechanical). Pop poetics matter, argues Andrew Fitch, not just to the occasional aficionado of Brainard's I Remember, but to anybody concerned with reconstructing the dynamic aesthetic exchange between postwar art and poetry.

Everything depends on this one day Would anyone hire a wedding planner who was left at the altar? The answer, Kate Hartley has found out, is no. It's been nearly a year since her fiancé abandoned her at their destination wedding, and Kate's career is nearly toast. Unless she can pull off the wedding of the century for her new clients, a Hollywood power couple. So why is the groom's brother, sexy-as-hell resort owner Scott Dillon, trying to stop the wedding? Scott wants to do the right thing—the bride-to-be is keeping a secret and Scott's brother deserves the truth before he says "I do." But if Scott doesn't stop trying to stall the wedding, he'll ruin Kate's career, not to mention any chance he has of being with her.

The birth of prince Qualthalas Aeth’Akir was supposed to have been an auspicious occasion for the moon dwelling Sillistrael’li elves of Antiqua, an ancient world orbiting the giant blue sun of a binary star system. But, since his heralded arrival, the sole heir to the Moon Elven Dynasty has lived a far from princely life, developing, instead, a keen knack for trouble as he struggles to find purpose. In his sojourn through the kingdoms of the Mithrainian continent, Qual stumbles into a diabolic plot involving the malevolent Darklord, Zhiniel Al-Nistir Szord’Ryn – an Indigo Elven necromancer covertly amassing a legion of the damned within his underworld citadel. Trapped in a twisted labyrinth with his half-orykan lover, Kaira, the mischievous elflord soon comes face-to-face with his murderous, exiled cousin, Cazares: now an agent of the Darklord. Employing a mysterious shadowy power, the dangerous and bitter pariah abducts Qual’s companion and goads the meddling prince into following him through a network of portals leading into the heart of Zhiniel’s domain. As Qualthalas traverses the underworld kingdom of Bazrin-Dal’ateir, alone and severely underprepared, help arrives in the strange form of a savage, viny terror, woven from the primordial essence of the predatory jungle it once inhabited. Forging a bizarre bond, the two work together to seek the source of the insidious miasma seeping into Antiqua’s kingdoms from its core. Unbeknownst to Qualthalas, he has been carefully manipulated by the hand of the Darklord himself: his involvement an orchestration, his very existence instrumental to Zhiniel’s designs for world domination. As the desperate rogue delves deeper into the underworld, so the Soul Harvester’s insidious grip tightens, threatening to snuff the light of Qual’s last vestiges of sanity...

This catalogue explores extraordinary silver jewellery created by Turkmen tribal craftsmen and urban silversmiths throughout the 19th and early 20th centuries. It presents nearly 200 pieces in glorious detail, ranging from crowns and headdresses to armbands and rings, and featuring accents of carnelian, turquoise, and other stones.