Unlike many writers from the former GDR, Christoph Hein's reputation and standing - and his creativity - have remained intact despite the demise of the GDR in 1989-90. Christoph Hein in Perspectivebrings together essays by both established and younger scholars from Britain, Germany and the USA which together cover a wide spectrum of his work, from the early writings of the 1970s to the play In Acht und Bannof 1999 and including his speeches and essays as well as all his major prose works. There is a marked emphasis in the volume on Hein's post-Wendeoutput, with about half the contributions focusing primarily on this period. Another feature is the diversity of perspectives from which the works are examined: historical and political viewpoints are complemented by formal and comparative studies as well as by gender-based perspectives. The volume includes additionally the first published English translation of what is for many Hein's most successful work for the stage, Die wahre Geschichte des Ah Qof 1983 ('The True Story of Ah Q'). The volume as a whole should be of interest to scholars concerned with the GDR and with contemporary German culture, to undergraduate and postgraduate students, and also the others interested in the history and culture of Germany since 1945. Six of the essays are in English and six in German.

Christoph Hein is one of the best-known authors of the former GDR, and his works of fiction have been widely interpreted as responses to and critiques of socialist society. In this study, David Clarke undertakes a detailed analysis of all of Christoph Hein’s major works of fiction from Der fremde Freund (1928) to Willenbrock (2000) in order to explore Hein’s critique of the GDR regime, whilst also demonstrating how aspects of that critique provided a starting point for Hein’s rejection of capitalism both before and after German unification. For Hein, socialism had failed to make good its promise to create a community bound together by common values and goals, preferring instead to impose conformity upon its citizens. Capitalism, he believed, was equally unable to meet the need for community, and Hein sought to demonstrate the consequences of this state of affairs in the figure of Wörle in his first post-unification novel, Das Napoleon-Spiel (1993). After this point, Clarke argues, Hein was nevertheless forced to re-examine his criticism of capitalism, a process which ultimately led to the more differentiated and convincing portrayal to be found in Willenbrock.

Some authors strongly criticized attempts to rebuild a German literary culture in the aftermath of World War II, while others actively committed themselves to 'dealing with the German past.' There are writers in Austria and Switzerland that find other contradictions of contemporary life troubling, while some find them funny or even worth celebrating. German postwar literature has, in the minds of some observers, developed a kind of split personality. In view of the traumatic monstrosities of the previous century that development may seem logical to some. The Historical Dictionary of Postwar German Literature is devoted to modern literature produced in the German language, whether from Germany, Austria, Switzerland or writers using German in other countries. This volume covers an extensive period of time, beginning in 1945 at what was called 'zero hour' for German literature and proceeds into the 21st century, concluding in 2008. This is done through a list of acronyms and abbreviations, a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on writers, such as Nobel Prize-winners Heinrich Bsll, GYnter Grass, Elias Canetti, Elfriede Jelinek, and W. G. Sebald. There are also entries on individual works, genres, movements, literary styles, and forms.

In this critical introduction to the poetry and fiction of Johannes Bobrowski (1917-1965), David Scrase elucidates the literary subtleties of one of the most prominent writers to live and work in the German Democratic Republic. Despite the fact that Bobrowski won such prestigious accolades as the Heinrich Mann Prize and Charles Veillon Prize and held an important position in the literature of postwar Germany, very little English-language scholarship has been published about his work. Scrase fills this gap by exploring the heralded writer's novels, poems, and short stories. Contending that Bobrowski's writing can be understood only by those who appreciate the ethos that pervaded East Prussia during the writer's childhood, Scrase begins by reviewing the region's history and profiling the diverse ethnic and religious communities that Bobrowski encountered there. In looking at a representative sampling of Bobrowski's work, Scrase exposes the writer's attempts to come to terms with Germany's destructive role in eastern Europe. Scrase offers close readings of selected Bobrowski poems, most of which depict the landscape of Sarmatia, its rural traditions, and the daily tasks of its people. He also reviews Bobrowski's two novels, Levin's Mill and Lithuanian Pianos, and explains how to read Bobrowski's short stories.

Obwohl die DDR nunmehr ein abgeschlossenes Kapitel in der deutschen Geschichte geworden ist, halt die Auseinandersetzung um das, was von ihr bleibt, auch im Abstand von mehr als zehn Jahren an. Selbst nach dem deutsch-deutschen Literaturstreit unmittelbar nach der Wende, der seinerseits schon Ruckblicken und Bilanzierungen ausgesetzt wurde, bleibt der Stellenwert der Literatur in und aus der DDR ein umstrittenes Terrain. Ungeachtet dessen, dass es Einhelligkeit in literarischen Fragen ohnehin nicht geben kann, sind die Urteile zur Literatur der DDR naturlich auch von den Erfahrungen und Erlebnissen mit der DDR gepragt. In diesem Band haben wir uns fur eine Sicht von aussen und von innen gleichermassen interessiert.

Only recently freed from communism, an East German businessman enjoys the delights of capitalism as a used car dealer, until a string of seemingly unrelated accidents begins to cause his new life to unravel.

Set in 1968 Leipzig, Christoph Hein's novel is the story of Dallow, an apolitical academic who has just returned to civilian life after serving twenty-one months in prison. His crime: he was the substitute piano player in a student cabaret in which seditious verses were sung. Dallow returns to a life in of loveless sex, police harassment, and brutality, revealing how a corrupt system perverts all human interaction, and how lives are ruined by malicious caprice.

This book explores how writers adhered to, played with, and subverted the formulaic precepts of educational transformation in the German Democratic Republic.

This book begins to recover the global history of solidarity as a principle of authorship, taking Anna Seghers (1900-1983) as an exemplar and reading her alongside prominent contemporaries: Brecht, Carpentier, and Spivak.