Christoph Hein is one of the best-known authors of the former GDR, and his works of fiction have been widely interpreted as responses to and critiques of socialist society. In this study, David Clarke undertakes a detailed analysis of all of Christoph Hein’s major works of fiction from Der fremde Freund (1928) to Willenbrock (2000) in order to explore Hein’s critique of the GDR regime, whilst also demonstrating how aspects of that critique provided a starting point for Hein’s rejection of capitalism both before and after German unification. For Hein, socialism had failed to make good its promise to create a community bound together by common values and goals, preferring instead to impose conformity upon its citizens. Capitalism, he believed, was equally unable to meet the need for community, and Hein sought to demonstrate the consequences of this state of affairs in the figure of Wörle in his first post-unification novel, Das Napoleon-Spiel (1993). After this point, Clarke argues, Hein was nevertheless forced to re-examine his criticism of capitalism, a process which ultimately led to the more differentiated and convincing portrayal to be found in Willenbrock.

The many fictional suicides in the literature of the German Democratic Republic have been greatly misunderstood. The common assumption is that authoritarian oppression in East Germany led to an anomalous abundance of real suicides, so that fictional suicides in GDR literature constitute a simple, realistic reflection of East German society. Robert Blankenship challenges this assumption by providing both a history of suicide in GDR literature and close readings of individual texts, revealing that suicides in GDR literature, rather than simply reflecting historical suicides, contain rich literary attributes such as intertextuality, haunting, epistolarity, and unorthodox narrative strategies. Such literariness offered subversive potential beyond suggesting that real people killed themselves in a communist country. This first book-length study of fictional suicides in East German literature provides insight into the complex and dynamic rhetoric of the GDR. Blankenship's underlying claim is that GDR literature ought to be read as literature, with literary methodology, not despite the country's politically and rhetorically charged nature, but precisely because of it. Suicide in East German Literature will be of interest to scholars of GDR literature, humanities-oriented scholars of suicide, and those who are interested in the complex relationship between literature and history. ROBERT BLANKENSHIP is Assistant Professor of German at California State University, Long Beach.

Unlike many writers from the former GDR, Christoph Hein's reputation and standing - and his creativity - have remained intact despite the demise of the GDR in 1989-90. Christoph Hein in Perspectivebrings together essays by both established and younger scholars from Britain, Germany and the USA which together cover a wide spectrum of his work, from the early writings of the 1970s to the play In Acht und Bannof 1999 and including his speeches and essays as well as all his major prose works. There is a marked emphasis in the volume on Hein's post-Wendeoutput, with about half the contributions focusing primarily on this period. Another feature is the diversity of perspectives from which the works are examined: historical and political viewpoints are complemented by formal and comparative studies as well as by gender-based perspectives. The volume includes additionally the first published English translation of what is for many Hein's most successful work for the stage, Die wahre Geschichte des Ah Qof 1983 ('The True Story of Ah Q'). The volume as a whole should be of interest to scholars concerned with the GDR and with contemporary German culture, to undergraduate and postgraduate students, and also the others interested in the history and culture of Germany since 1945. Six of the essays are in English and six in German.

Religiosity is one aspect without which Ethiopian society cannot be fully understood. This book aims to map out the terrain of the discourse in religion-social change nexus in Ethiopian using the notion of covenant as an interpretive tool.

Tate provides a detailed account of 'subjective authenticity' in German literature: its origins in the 1930s' exile debates, its evolution during the GDR's lifespan, and its manifestations in the work of five East German authors: Brigitte Reinmann, Franz Fühmann, Stefan Heym, Günter de Bruyn and Christa Wolf.

Detached from Shakespeare’s English, Hamlet has been rewritten numerous times in European languages, the various translations into any one language jostling with each other for dominance and spawning new Hamlets that depart decisively from Shakespeare as a source. This book focuses on the rich tradition of drawing from Hamlet in European cultures to produce new, independent works, which include Hamlet theatre, Hamlet ballet, Hamlet poetry, Hamlet fiction, Hamlet essays and Hamlet films. It examines how the myth of Hamlet has crossed back and forth over Europe’s linguistic borders for four hundred years, repeatedly reinvigorated by being bent to specific geo-political and cultural locations. The enquiries in this book show how, in the process of translation, adaptation and reinventing, Hamlet has become the common cultural currency of Europe.

Weitere Angaben Inhalt: Anthony GRENVILLE: Preface Elke SEEFRIED: 'A noteworthy contribution in the fight against Nazism': Hubertus Prinz zu Löwenstein im Exil Patricia CLAVIN: 'A Wandering Scholar' in Britain and the USA, 1933-45: The Life and Work of Moritz Bonn Wilfried WEINKE: 'England find ich gut!' Facetten aus Leben und Werk des Autors Robert Muller Steven W. LAWRIE: 'Es soll diese Spur doch bleiben...' Hans Jacobus: Exile, National Socialism and the Holocaust Gillian LATHEY: Eulenspiegel to Owlyglass: The Impact of the Work of the Exiled Illustrators Walter Trier and Fritz Wegner on British Children's Literature Ulrike WALTON-JORDAN: 'Although he is Jewish, he is M&S': Jewish Refugees from Nazism and Marks & Spencer from the 1930s to the 1960s Jennifer TAYLOR: Into Exile: Ernst Sommer in London Ursula HUDSON-WIEDENMANN: Exil in Großbritannien: Die Keramikerin Grete Loebenstein-Marks Andrea HAMMEL: Selma Kahn - A Provincial Exile Jon HUGHES: AJR Information in the Context of German-language Exile Journal Publication, 1933-1945 Anthony GRENVILLE: Listening to Refugee Voices: The Association of Jewish Refugees Information and Research on the Refugees from Hitler in Britain Index

Edited book offering a survey of recent German cinema >

Re-examines German cinema's representation of the Germans as victims during the Second World War and its aftermath.

Twenty-five essays by scholars from the UK, Ireland, Germany and Australia explore two aspects of new German-language literature. The first dozen studies focus on the variety and depth of the 'dialogue' - in the sense of reciprocal influences - between literature, photography, film, painting, architecture, and music. The remaining essays alight on 'Life-Writing' in most of its forms (diaries, memoirs, autobiographies, and autobiographical fiction) and examine its centrality in recent years in German literature, not least because of the shadow which World War Two continues to cast over national life.