This book is an English translation of 565 songs of one of the greatest musician-saints, Tyagaraja. The text of the compositions is in Sanskrit. The translator of these songs, C. Ramanujachariar, wanted to take the lyrics embodying the trials and yearnings, the religious fervour and devotional experiences of Tyagaraja beyond southern India. The scheme of classification of the songs are given in two charts. The index of the songs is given in Sanskrit and English. Its preface and introductory thesis (two thirds of the book) is authored by V. Raghavan. S. Radhakrishnan, who was then the vice-president of India, has written the foreword. Ramanujachariar was an administrator, actor, musician and primarily a spiritual seeker. He was well known as the Secretary of the Ramakrishna Mission Students Home, Chennai. V. Raghavan was a Sanskrit scholar and musicologist. A recipient of the Padma Bhushan, he has authored over 120 books. The book is a treat to English-knowing readers who wish to familiarise themselves with the immortal songs of Tyagaraja which present lofty truths in simple and appealing language. For students of Carnatic Music, it can be a reference book.

On Tyagaraja, Swami, 1767-1847, Vaishnavite musician-saint from South India.

The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 07-05-1947 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 112 VOLUME NUMBER: Vol. XII, No. 10 BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 36-99 ARTICLE: 1. Indo-Siamese Cultural Links 2. In Japan Today AUTHOR: 1. P. A. Rachathon 2. Amar Lahiri KEYWORDS: 1. Sanskrit, Pali, Buddhist, Indian words, Netaji Subhas Chandra Bose 2. Hunger, Black market, Worker, Food politics, Middle class Document ID: INL-1947 (J-J) Vol-I (09)

"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener.It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 december, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio,New Delhi. From 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 05/11/1961 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 91 VOLUME NUMBER: Vol. XXVI. No. 45. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 27-89 ARTICLE: 1.Time-Theory In Hindustani Music 2. Second String To my Bow: Indian Music 3. Criticism in Music 4. Concert Tradiotion 5. Music Is Divine 6. Versatility of Tyagaraja 7. Books That Influenced me 8. Tagore- The Nationalist And Internationalist AUTHOR: 1. Smt. Geeta Mayor 2. T. L. Venkatarama Aiyer 3. Th. Jaidev Singh 4. G. N. Balasubramaniam 5. Sunil K. Bose 6. P. V. Rajamannar 7. Dr. C. P. Ramaswamy Aiyer 8. Amal Home Document ID : 19 Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals.For reproduction previous permission is essential.

The Concise Garland Encyclopedia of World Music comprises two volumes, and can only be purchased as the two-volume set.To purchase the set please go to:http://www.routledge.com/9780415972932.

The critical importance of past for the present--of music histories in local and global forms--asserts itself. The history of world music, as each chapter makes clear, is one of critical moments and paradigm shifts.

A cross-cultural encyclopedia of the most significant holy people in history, examining why people in a wide range of religious traditions throughout the world have been regarded as divinely inspired. The first reference on the subject to span all the world's major religions, Holy People of the World: A Cross-Cultural Encyclopedia examines the impact of individuals who, through personal charisma and inspirational deeds, served both as glorious examples of human potential and as envoys for the divine. Holy People of the World contains nearly 1,100 biographical sketches of venerated men and women. Written by religious studies experts and historians, each article focuses on the basic question: How did this person come to be regarded as holy? In addition, the encyclopedia features 20 survey articles on views of holy people in the major religious traditions such as Islam, Buddhism, and African religions, as well as 64 comparative articles on aspects of holiness and veneration across cultures such as awakening and conversion experiences, heredity, gender, asceticism, and persecution. Whether exploring by religion, culture, or historic period, this extensively cross-referenced resource offers a wealth of insights into one of the most revealing—and least explored—common denominators of spiritual traditions.