The Srutisarasamuddharanam (Extracting the Essence of the Sruti) is the major work of Totakacarya who is regarded by tradition as one of the four-principle disciples of Adi Sankara. Composed in Sanskrit, the work consists of one hundred and seventy-nine verses. The aim of these verses is to bring out the essential meaning of the Upanisads. Through an analysis of various Upanisad statements, as well by compatible reasoning, Sri Totaka shows that the Upanisads teach that Brahman is real, the world is mithya and that the essential nature of the jiva is none other than Brahman. The teaching is presented in the form of a dialogue between a student and a guru. Totaka skilfully manages to bring out the main Advaita teachings while maintaining the context of a discussion. These verses are not only valuable for what they teach, but in them we also find an accurate account of the tradition of Advaita as it existed at the time of Sankaracarya himself. Accompanying the Devanagari text of the verses is an English translation of each verse followed by a brief commentary in English to assist in understanding the verses.

The Saṅgītaśiromaṇi, "Crest-jewel of Music", is a major Sanskrit work on Indian musicology dealing with traditional musical theory and performance practice, composed in 1428 A.D. by a board of scholars.

Theory -book of Classical Hindustani Music for Madhyama Poorna Examination or All Equivalent Examinations

This is a unique work discussing the teachings of four of the great Advaita Acaryas : Gaudapada, Sankara, and histwo disciples, Suresvara and Padmapada. The first three chapters are concerned with the teachings of Gaudapada. These chapters refer to most o

The Title Collects 19 Papers Relating To The Concept Of Rationality In Modern Western Thought, Tribal Currents Of Thought, Action And Life And The Problems As They Groups. An Important Work As It Will Generate Debate The Idea Of Rational In The Context Of Tribal Thought.

Dr PurusQttama Bilimoria's book on sabdapramaIJa is an important one, and so is likely to arouse much controversy. I am pleased to be able to write a Foreword to this book, at a stage in my philosophical thinking when my own interests have been turning towards the thesis of sabdapramaIJa as the basis of Hindu religious and philosophical tradition. Dr Bilimoria offers many novel interpretations of classical Hindu theories about language, meaning, understanding and knowing. These interpretations draw upon the conceptual resources of contemporary analytic and phenomenological philosophies, without sacrificing the authentIcity that can arise only out of philologically grounded scholarship. He raises many issues, and claims to have resolved some of them. Certainly, he advances the overall discussion, and this is the best one could hope for in writing on a topic to which the best minds of antiquity and modern times have applied themselves. In this Foreword, I wish to focus on one of the issues which I have raised on earlier occasions, and on which Dr Bilimoria has several important things to say. The issue is: is sabdabodha eo ipso a linguistic knowing, i. e. , sabdapramll, or does Sabdabodha amount to knowing only when certain specifiable conditions are satisfied. It the second alternative be accepted, these additional conditions could not be the same as the familiar Ilsatti (contiguity), yogyata (semantic fitness), dka;,k~ll (expectancy) and tlltparya (intention), for these are, on the theory, conditions of sabdabodha itself.

The First Book On Srutis.

Camille Gardner is trapped in the middle when a unique Southern town collides with the 'outside world' and big oil.A talented negotiator, Camille Gardner agrees to take on one last field assignment for her uncle before she settles down to pursue her real passion---working at an art gallery. But she'd rather be anywhere than Samford, Louisiana, the small southern town where she once spent the worst weeks of her life.To fulfill the obligation she feels to her uncle, Camille needs to entice a group of rural landowners to sell their mineral rights---and allow use of their precious water for the drilling of natural gas. Instead, she finds herself drawn to the local folk art created by those same landowners and attracted to Marsh Cameron, the attorney representing the landowners.The charming residents and the traditions of this small community leave Camille conflicted about her family obligations---and her own plans for the future. Perhaps she needs to give Samford a second chance.'Christie populates her story with a varied cast of Southern small-town characters. Her tendency for unresolved suspense is occasionally unsettling, but, overall, her stories have enough warmth and humor to keep her readers coming back for more.' --- CBA Retailers + Resources