Did you know…? • 36% of Bob Dylan’s songs published between 1961 and 1968 had biblical references, including his 1964 hit “The Times They Are A-Changin.’” • The book of Ecclesiastes has been a great inspiration on popular music including the song “Turn, Turn, Turn” by The Birds, the Pink Floyd album The Dark Side of the Moon, and “Desperado,” the 1973 hit by The Eagles, among others. • Paul Simon once advised a young prospective lyricist to raid the Bible for memorable phrases. “Just steal them,” he said, “That’s what they’re there for.” There’s no question that Scripture has influenced music since the first ever song was penned. In Turn! Turn! Turn! author and music connoisseur, Steve Turner, takes an in-depth look at the lyrics and cultural context of 100 of the greatest songs from the 1930s to today to reveal an often overlooked or ignored strand of influence in popular music—the Bible. Indeed, some of the “greats”—including Bob Dylan, Leonard Cohen, Bono, Johnny Cash, Sting, and others—have repeatedly returned to the Bible for such sustenance, as well as musical inspiration and a framework with which they can better understand themselves. “I hope the book prompts, provokes, and intrigues as it reveals this often-hidden history,” writes Steve Turner. You’ll never listen to your favorite song or popular tune the same way again after discovering how the Bible has influenced music.

A portrait of folk rock cites its role as a vehicle for musical and social change, chronicling its evolution in the 1960s while profiling its major contributors and milestones, such as Bob Dylan, the Byrds, Simon and Garfunkel, the Newport Folk Festival, and Woodstock. Original.

The publication of the King James version of the Bible, translated between 1603 and 1611, coincided with an extraordinary flowering of English literature and is universally acknowledged as the greatest influence on English-language literature in history. Now, world-class literary writers introduce the book of the King James Bible in a series of beautifully designed, small-format volumes. The introducers' passionate, provocative, and personal engagements with the spirituality and the language of the text make the Bible come alive as a stunning work of literature and remind us of its overwhelming contemporary relevance.

E. B. White Read-Aloud winner Mac Barnett celebrates individuality in a story told with tenderness and subtlety. It’s John’s big day at school today—a performance for Sharing Gifts time. His bag is carefully packed and prepared, his classmates are ready, and the curtain is waiting to open. John is nervous, looking out at all the other children staring back at him. But he takes a big breath and begins. Mac Barnett’s compassionate text and Kate Berube’s understated and expressive art tell the story of a kid who finds the courage to show others his talent for dancing.

42 of the best songs of a halcyon period in American music, richly varied in mood, sentiment and musical character, including classics by Edward MacDowell, Charles Ives, Amy Beach, Carrie Jacobs-Bond, Oley Speaks, Ethelbert Nevin, John Philip Sousa, Charles Wakefield Cadman and 14 other composers. Reprinted from rare original song sheets in full piano and vocal arrangements.

This classic song, drawn from the book of Ecclesiastes, is vibrantly brought to life with stunning illustrations that capture the many ways we interact with the amazing world around us.

Some lines should never be crossed. Police corruption, an investigation that ends in tragedy, and the mystery of a little girl’s silence—three unconnected events that will prove to be linked by one small town. While Detective Cormac Reilly faces enemies at work and trouble in his personal life, Garda Peter Fisher is relocated out of Galway with the threat of prosecution hanging over his head. But even that is not as terrible as having to work for his overbearing father, the local copper for the pretty seaside town of Roundstone. For some, like Anna and her young daughter, Tilly, Roundstone is a refuge from trauma. But even this village on the edge of the sea isn’t far enough to escape from the shadows of evil men.

The well-known folksinger explores the appeal, traditions, significance and performers of folk music from America, Asia, Europe, and Africa

When the hail starts to fall, Atina Diffley doesn’t compare it to golf balls. She’s a farmer. It’s “as big as a B-size potato.” As her bombarded land turns white, she and her husband Martin huddle under a blanket and reminisce: the one-hundred-mile-per-hour winds; the eleven-inch rainfall (“that broccoli turned out gorgeous”); the hail disaster of 1977. The romance of farming washed away a long time ago, but the love? Never. In telling her story of working the land, coaxing good food from the fertile soil, Atina Diffley reminds us of an ultimate truth: we live in relationships—with the earth, plants and animals, families and communities. A memoir of making these essential relationships work in the face of challenges as natural as weather and as unnatural as corporate politics, her book is a firsthand history of getting in at the “ground level” of organic farming. One of the first certified organic produce farms in the Midwest, the Diffleys’ Gardens of Eagan helped to usher in a new kind of green revolution in the heart of America’s farmland, supplying their roadside stand and a growing number of local food co-ops. This is a story of a world transformed—and reclaimed—one square acre at a time. And yet, after surviving punishing storms and the devastating loss of fifth-generation Diffley family land to suburban development, the Diffleys faced the ultimate challenge: the threat of eminent domain for a crude oil pipeline proposed by one of the largest privately owned companies in the world, notorious polluters Koch Industries. As Atina Diffley tells her David-versus-Goliath tale, she gives readers everything from expert instruction in organic farming to an entrepreneur’s manual on how to grow a business to a legal thriller about battling corporate arrogance to a love story about a single mother falling for a good, big-hearted man.

Most of the essays in this book were solicited for the tenth anniversary of the journal 19th Century Music, which has sought to encourage innovative writing about music--musicological, theoretical, and/or critical writing--since its founding in 1977. We invited former contributors and some others to submit articles on the general question of the relations between nineteenth-century music and music of the early twentieth century. Responses to our invitation were published in two special issues in the spring and summer of 1987. The breadth and scope of these articles, and their collective cogency, sparked the idea of reissuing them under a single cover, as a book. --From the Preface This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990.