TRUMP was a lavish color satire magazine Harvey Kurtzman created for Hugh Hefner after leaving MAD magazine acrimoniously in 1956. With a star-studded cast (Mel Brooks, Will Elder, Jack Davis, Wally Wood, Al Jaffee) and Playboy's money and clout, TRUMP should have been huge. But for complex financial reasons, Hefner pulled the plug while the third issue was in production. For six long decades, the legendary TRUMP has never been collected . . . until now. With never-before-seen art, including the surviving contents of ithe third issue, this long overdue collection will blow the minds of fans of Kurtzman, satire, and 1950s American pop culture.

Harvey Kurtzman's Jungle Book is widely regarded as one of the greatest comic books of all time, and was voted into the 'Top 100 Comics of the 20th Century' by The Comics Journal. Written and illustrated by Kurtzman in 1959, Jungle Book takes a satirical swipe at the cultural monoliths of the day: detective shows, Western movies and the publishing industry in general. Equally unafraid to take on social issues, Kurtzman also satirises the lynch-hungry mobs still prevalent in the South, and the nascent rise of the Freudian movement within popular culture.

Launched in January 1957 by Harvey Kurtzman and Playboy publisher Hugh Hefner, Trump partnered Kurtzman with many of his "usual gang of idiots" from his time at MAD - famous humor artists such as Jack Davis, Al Jaffee, and Wally Wood. They were joined by such dynamic humorists as Arnold Roth, comedians Mel Brooks and Doodles Weaver, and TV writer and novelist Max Shulman (creator of the character Dobie Gillis, who appeared in dozens of stories, a movie, and the popular TV series The Many Loves of Dobie Gillis). Though it lasted only two issues, this first effort after Kurtzman's historic split from MAD was the breeding ground for the magazines Humbug and Help! - and would ultimately lead to the more than thirty year run of Kurtzman and Will Elder's landmark character Little Annie Fanny in the pages of Playboy magazine.

This biography reveals the true story of Mad creator Harvey Kurtzman―the man who revolutionized humor in America; it features new interviews with his colleagues Hugh Hefner, Robert Crumb, and others. Harvey Kurtzman created Mad, and Mad revolutionized humor in America. Kurtzman was the original editor, artist, and sole writer of Mad, one of the greatest publishing successes of the 20th century. But how did Kurtzman invent Mad, and why did he leave it shortly after it burst, nova-like, onto the American scene? For this heavily researched biography, Bill Schelly conducted new interviews with Kurtzman’s colleagues, friends and family, including Hugh Hefner, R. Crumb, Jack Davis, and many others, and examined Kurtzman’s personal archives. The result is the true story of one the 20th century’s greatest humorists: Kurtzman's family life, the details of the FBI's investigation during the McCarthy Era, his legal battles with William M. Gaines (publisher of Mad), are all revealed for the first time. Rich with anecdotes, this book traces Kurtzman’s life from his Brooklyn beginnings to his post-Mad years, when his ceaseless creativity produced more innovations: new magazines, a graphic novel, and Little Annie Fanny inPlayboy.

Dark Horse concludes its complete reprinting of Playboy's legendary Little Annie Fanny strip, with an even bigger second volume, at the same price as the first. Picking up where the first volume left off, this collection follows the strip through to its end in 1988. Ralph Nader, the women's movement, Star Wars, and Arnold Schwarzenegger all fall victim to the merciless and masterful satire of Kurtzman and Elder.

The definitive anthology of the pioneering cartoonist and creator of Mad magazine, featuring 100s of classic and never-before-seeen illustrations. It’s difficult to overstate Harvey Kurtzman’s influence on pop culture. He discovered Robert Crumb and gave Gloria Steinem her first job in publishing. Terry Gilliam also started at his side, where he met John Cleese, and the genesis of Monty Python was formed. And Art Spiegelman has stated on record that he owes his career to him. Harvey Kurtzman was an astonishingly talented and influential artist, writer, editor, and satirist. The creator of MAD and Playboy’s “Little Annie Fanny” was called, “One of the most important figures in postwar America” by the New York Times. Kurtzman’s groundbreaking “realistic” war comics of the early ’50s and various satirical publications (MAD, Trump, Humbug, and Help!) had an immense impact on popular culture, inspiring a generation of underground cartoonists and comedians. The Art of Harvey Kurtzman includes hundreds of never-before-seen illustrations, paintings, pencil sketches, newly discovered lost E.C. Comics layouts, color compositions, illustrated correspondence, and vintage photos from the rich Kurtzman archives.

You know MAD. Do you know Humbug? Harvey Kurtzman changed the face of American humor when he created the legendary MAD comic. As editor and chief writer from its inception in 1952, through its transformation into a slick magazine, and until he left MAD in 1956, he influenced an entire generation of cartoonists, comedians, and filmmakers. In 1962, he co-created the long-running Little Annie Fanny with his long-time artistic partner Will Elder forPlayboy, which he continued to produce until his virtual retirement in 1988. Between MAD and Annie Fanny, Kurtzman’s biographical summaries will note that he created and edited three other magazines―Trump, Humbug, and Help!―but, whereas his MAD and Annie Fanny are readily available in reprint form, his major satirical work in the interim period is virtually unknown. Humbug, which had poor distribution, may be the least known, but to those who treasure the rare original copies, it equals or even exceeds MAD in displaying Kurtzman’s creative genius. Humbug was unique in that it was actually published by the artists who created it: Kurtzman and his cohorts from MAD, Will Elder, Jack Davis, and Al Jaffee, were joined by universally acclaimed cartoonist Arnold Roth. With no publisher above them to rein them in, this little band of creators produced some of the most trenchant and engaging satire of American culture ever to appear on American newsstands.

This book collects Wood's early gag cartoons for men's magazines, including his wicked takes on Alice in Wonderland and the Wizard of Oz plus his raunchy version of Snow White. Wood, who garnered international fame as a premier parodist for Mad, also takes aim at comic-book icons in such stories as 'Prince Violate', 'Stuporman Meets Blunder Woman', and 'Flasher Gordon'. Wood's cartoon commentaries on sex and society are included too. Other rarities include The Marquis de Sade Coloring Book, amongst other things.

WINNER OF THE BETTY TRASK PRIZE 'BEST GRAPHIC NOVEL OF 2021' Guardian and Irish Times 'Starts as a charming romantic comedy and turns into something tender and affecting about our need for connection. I loved this one. ' David Nicholls 'Beautiful, bittersweet portrait of modern life . . . his tragicomedy will also make the heart swell.' Guardian 'Brilliant.' Candice Carty-Williams 'This is a miraculous book.' Joe Dunthorne Nick, a young illustrator, can't connect with people. Whether it's the barista down the street, his own family or Wren, an oncologist whose life becomes painfully tangled with his, Nick can't shake the feeling that there is some hidden realm of human interaction beyond his reach. He staggers through meaningless conversations and haunts lookalike, vacuous coffee shops in the hope that he will find it there. But it isn't until Nick learns to stop performing and speak about the things that really matter that the complex and colourful worlds of the people he meets are finally revealed to him. Illustrated in both colour and black-and-white in McPhail's instantly recognisable style, In is poignant, fresh and hilarious. McPhail transforms the graphic novel with a heart-wrenching compassion uncannily appropriate for our isolated times.

by Will Elder The trade paperback version of this book was offered months ago and has already received great notice - so Fantagraphics just had to make it even more special by printing a limited hardcover version and a signed hardcover version! Included are stories from the original MAD comic, Humbug, Help!, and Little Annie Fanny pages shot directly from the original painted artwork! Also included is commentary by Hugh Hefner, Harvey Kurtzman, and Jerry Garcia, who describe the impact that Elder's work had on satire and comic art in the second half of the 20th Century. Get this special edition NOW! Introduction by Daniel Clowes HC, 9x12, 300pg, FC