'Engaging … gripping … more than a biography' — Independent (SA) 'Fascinating story of an outsider … excellent' — The Witness (SA) 'Full of facts' — Sunday Times (SA) 'Gorelik has produced a book that gathers together a wealth of information, raising interesting points on many quite contentious issues' — De Arte 'Enthralling … highly recommended' — Historical Novel Society 'This book is highly recommended' — Dimitri Tretchikoff Vladimir Tretchikoff's Chinese Girl is one of the most famous images of all time. Known as the 'Green Lady', it has been reproduced countless times, appearing everywhere from mugs and T-shirts to pop videos and blockbuster films. Tretchikoff lived a life as colourful as his instantly recognizable paintings. Born to a deeply religious Siberian family, he fought poverty, tragedy, captivity and near death to become one of the most celebrated artists of his time. Loathed by the critics yet loved by the public, he defied misfortune and a dismissive art establishment to enjoy phenomenal success in Britain, South Africa, Canada and the United States. Coinciding with the centenary of his birth, Incredible Tretchikoff tells the enthralling story of this flamboyant artist from his humble beginnings to the spectacular highs and lows of his later career. We hear thrilling accounts of his early years as a Russian orphan in Manchuria and his efforts to make his way as a young man in a strange land. In Singapore in the 1930s, he was accepted into the social elite and his art became talk of the town. Meanwhile, he secretly worked for the British Ministry of Information producing anti-Axis propaganda. But his high living was brought to an abrupt end by the war. He was nearly killed when the Japanese sank the boat on which he was trying to escape; taken prisoner, he was forced to use his artistic skills for the enemy. Accused by his captors of being a spy, he somehow survived, and was eventually reunited with his wife and daughter in Cape Town after the war. Within years, through sheer determination and despite the hostility of the local art community, Tretchikoff had become South Africa's best-selling artist and his fame had spread across the globe. With the pace and suspense of a novel, Incredible Tretchikoff matches the drama of its subject's extraordinary life. It reveals the adventures that lie behind his most famous pictures, while presenting recently uncovered information and previously unseen photographs. This fascinating and gripping book is a fitting record of one of the most popular and controversial painters of the twentieth century.

"While Vladimir Tretchikoff (1913-2006) is undoubtedly one of South Africa's most controversial artists, much maligned in the 1960s and onwards by several members of the established arts community, there can be no doubt that he has become a cultural icon and remains a favourite artist to many South Africans. Despite this, there has been almost no serious assessment of Tretchikoff’s legacy. In his heyday Tretchikoff's exhibitions drew record audiences at his home and abroad and he was considered to be one of the richest artists, with earnings comparable to Picasso. He pioneered the idea of selling affordable copies of his works, enabling working class people to own art which they proudly displayed above their mantelpieces. This retrospective exhibition aims to examine Tretchikoff anew and place him in contemporary perspective. Many iconic works such as the Chinese Girl and The Dying Swan will be on display."--Publisher website.

ÿ The experience of the divine has been referred to by many artists over the centuries, whether their subject was the human figure, landscape, still life or indeed religious or biblical themes. Art therefore requires a kind of openness; a willingness to mediate rather than to control. This sensitivity can best be described as humility, an obeisance to something we are part of. Therefore, to 'see' the 'unseen' in visual arts brings about awe and requires 'iconic viewing'. The spiritual realm, as portrayed by icons, has a healing quality in a world where the news and the arts are so full of tragedy and where the church's message so often sounds escapist or na‹ve.

American English File Second Edition retains the popular methodology developed by world-renowned authors Christina Latham-Koenig and Clive Oxenden: language + motivation = opportunity. With grammar, vocabulary, and pronunciation practice in every lesson, students are equipped with a solid foundation for successful speaking. Plus - an array of digital resources provides even more choice and flexibility. Students can learn in the classroom or on the move with Online Practice. language assessment. The first goal is to explore the difference between fairness and justice in language assessment. The authors distinguish internal and external dimensions of the equitable and just treatment of individuals taking language tests which are used as gatekeeping devices to determine access to education and employment, immigrant status, citizenship, and other rights. The second goal is to show how the extent of test fairness can be demonstrated and improved using the tools of psychometrics, in particular the models collectively known as Rasch measurement. “This book will have an enormous impact on the field of language assessment. Using Rasch analysis models to explore and identify sources of unfairness, the authors make a compelling case for fairness in the design and implementation of language assessment instruments and for justice in the interpretation and use of test results. A real strength of the book is that it guides readers through analytical techniques in an accessible way.” Dan Douglas, Professor Emeritus, Applied Linguistics Program, Iowa State University.

Just Above the Mantelpiece is the first serious look at mass-produced, affordable art from the late 1950s that today is highly collectable.

In South Africa, with its highly contested and changing understandings of national identity, its National Gallery is no less a contested space. A History of the Iziko South African National Gallery considers questions of artistic and cultural identity, from the late 19th century to the present day. It explores how the gallery has understood its function and its public, as a ‘national’ gallery from 1930 and, before that, the chief gallery of the Cape Colony. This question is investigated through a study of the gallery’s administration, collection and exhibition practices over the last 150 years. What is understood by and expected of a national gallery varies considerably worldwide. Should it regard itself as part of a broad international cultural discourse, or should it be representative of a specifically national – or even regional – identity? The gallery is a microcosm of the greater debate: how the South African nation relates to the larger world and how, if at all, it understands the concept of a shared culture. In the last 20 years, Museum Studies have become a major part of the field of Cultural Studies. There is a vast literature on what might be called the ‘history’ museum, but far less on the art museum or gallery. To date, there has been no large-scale historical inquiry into the Iziko SANG, the country’s national gallery. The absence of such a history marks a serious gap in the literature, which this study aims to fill.

An encyclopedia of North American medicinal plants, this classic herbalist’s guide goes inside Native American herbalism and other natural healing traditions around the world For more than twenty years, this pioneering work had served as a bible for herbalists throughout the world. It is an illustrated encyclopedic guide to more than two hundred medicinal plants found in North America, with descriptions of each plant’s appearance and uses, and directions for methods of use and dosage. Native American traditions are compared with traditional uses of the same plants among other cultures where the science of herbs has flourished, particularly in Russia and China. Included is an annotated bibliography of pertinent books and periodicals.

"Speaking from firsthand knowledge and with an intimate understanding of the situation, the author takes us beyond the media hype that so dominated Western television screens to answer some of the most vital questions concerning the apartheid era ...bringing to light little known facts concerning historical detail and providing the reader with eyewitness accounts of day-to-day life in one of the most dangerous countries in the world". (back cover)

For two decades he was the most famous painter in the world. Millions of people in Britain, the United States, Canada, Australia, New Zealand and South Africa flocked to see and buy his exotic pictures. Celebrities queued up to be painted by him and to buy his works. Paintings such as Chinese Girl the Green Lady quickly became iconic images, reproduced countless times and appearing everywhere from suburban living rooms to blockbuster films. Vladimir Tretchikoff was the first popstar artist. He lived a life as colourful as his instantly recognizable paintings. Born to a deeply religious Siberian family, he fought poverty, tragedy, captivity and near death to become one of the most celebrated artists of his time. Loathed by the critics yet loved by the public, he defied misfortune and a dismissive art establishment to enjoy phenomenal success across the English-speaking world.