"While Vladimir Tretchikoff (1913-2006) is undoubtedly one of South Africa's most controversial artists, much maligned in the 1960s and onwards by several members of the established arts community, there can be no doubt that he has become a cultural icon and remains a favourite artist to many South Africans. Despite this, there has been almost no serious assessment of Tretchikoff’s legacy. In his heyday Tretchikoff's exhibitions drew record audiences at his home and abroad and he was considered to be one of the richest artists, with earnings comparable to Picasso. He pioneered the idea of selling affordable copies of his works, enabling working class people to own art which they proudly displayed above their mantelpieces. This retrospective exhibition aims to examine Tretchikoff anew and place him in contemporary perspective. Many iconic works such as the Chinese Girl and The Dying Swan will be on display."--Publisher website.

In Indians in Color, noted cultural critic Norman K. Denzin addresses the acute differences in the treatment of artwork about Native America created by European-trained artists compared to those by Native artists. In his fourth volume exploring race and culture in the New West, Denzin zeroes in on painting movements in Taos, New Mexico over the past century. Part performance text, part art history, part cultural criticism, part autoethnography, he once again demonstrates the power of visual media to reify or resist racial and cultural stereotypes, moving us toward a more nuanced view of contemporary Native American life. In this book, Denzin-contrasts the aggrandizement by collectors and museums of the art created by the early 20th century Taos Society of Artists under railroad sponsorship with that of indigenous Pueblo painters;-shows how these tensions between mainstream and Native art remains today; and-introduces a radical postmodern artistic aesthetic of contemporary Native artists that challenges notions of the “noble savage.”