The experiences of World War I from the perspectives of soldiers on the battle field and their families at home.

This moving book about peace, understanding, and unity is based on the real-life World War I event known as the Christmas Truce. It is cold and clear on Christmas Eve night in 1914. Suddenly, a strange sound pierces the darkness. Someone is singing a Christmas carol in German. Francis Tolliver and his fellow British soldiers are holed up in muddy trenches along the Western Front. Their enemies—German soldiers—lie in wait just across a field known as "No Man's Land." As the Germans' carol ends, Tolliver and the other British soldiers sing "God Rest Ye Merry Gentlemen." Soon carols are being sung back and forth. Then a figure emerges in the dark, carrying a small Christmas tree with lighted candles. The British and German soldiers slowly leave their trenches—and the war—behind to stand together in the open field. This haunting story is adapted by award-winning songwriter John McCutcheon from his song of the same name. Henri Sørensen's traditional, full-color oil paintings reinforce the emotional power and dignity of the story. Back matter provides more information about the historical event, and a CD featuring readings of the story and recordings of "Silent Night" and "Christmas in the Trenches" is included.

The urban crisis of the 1960s revived a dormant social activism whose protagonists placed their hoped for radical change and political effectiveness in community action. Ironically, the insurgents chose the local community as their terrain for a political battle that in reality involved a few strictly local issues. They failed to achieve their goals, Ira Katznelson argues, not so much because they had chosen their ground badly but because the deep split of the American political landscape into workplace politics and community politics defeats attempts to address grievances or raise demands that break the rules of bread-and-butter unionism on the one hand or of local politics on the other. A fascinating record of the encounter between today’s reformers—the community activists—and the powers they challenge. City Trenches is also a probing analysis of the causes of urban instability. Katznelson anatomizes the unique workings of the American urban system which allow it to contain opposition through “machine” politics and, as a last resort, institutional innovation and co-optation, for example, the authorities’ own version of decentralization used in the 1960s as a counter to a “community control.” Washington Heights–Inwood, a multi-ethnic working-class community in northern Manhattan, provides the setting for an absorbing close-up view of the historical evolution of local politics: the challenge to the system in the 1960s and its reconstitution in the 1970s.

In the Trenches at Petersburg, the final volume of Earl J. Hess's trilogy of works on the fortifications of the Civil War, recounts the strategic and tactical operations around Petersburg during the last ten months of the Civil War. Hess covers all aspects of the Petersburg campaign, from important engagements that punctuated the long months of siege to mining and countermining operations, the fashioning of wire entanglements and the laying of torpedo fields to impede attacks, and the construction of underground shelters to protect the men manning the works. In the Trenches at Petersburg humanizes the experience of the soldiers working in the fortifications and reveals the human cost of trench warfare in the waning days of the struggle.

This comprehensive, illustrated survey of the latest in battlefield archaeology reveals “intimate insight into the realities of life” during WWI (Current Archaeology). Modern methods of archaeological, historical, and forensic research have transformed our understanding of the Great War. In Digging the Trenches, battlefield archaeologists Andrew Robertshaw and David Kenyon introduce the reader to this exciting new field and explore many of the remarkable projects that have been undertaken. Robertshaw and Kenyon show how archaeology can be used to reveal the positions of trenches, dugouts and other battlefield features, as well as what life on the Western Front was really like. They also show how individual soldiers are coming into focus as forensic investigation is so highly developed that individuals can be identified and their fates discovered. “An excellent introduction to the subject…Digging the Trenches is essential reading.”—Gary Sheffield, Military Illustrated “What a splendid book this is.”—Neil Faulkner, Current Archaeology

NEW YORK TIMES BESTSELLER • From the pages of Vogue to the runways of Paris, this “captivating” (Time) memoir by a legendary style icon captures the fashion world from the inside out, in its most glamorous and most cutthroat moments. “The Chiffon Trenches honestly and candidly captures fifty sublime years of fashion.”—Manolo Blahnik NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • Fortune • Garden & Gun • New York Post During André Leon Talley’s first magazine job, alongside Andy Warhol at Interview, a fateful meeting with Karl Lagerfeld began a decades-long friendship with the enigmatic, often caustic designer. Propelled into the upper echelons by his knowledge and adoration of fashion, André moved to Paris as bureau chief of John Fairchild’s Women’s Wear Daily, befriending fashion's most important designers (Halston, Yves Saint Laurent, Oscar de la Renta). But as André made friends, he also made enemies. A racially tinged encounter with a member of the house of Yves Saint Laurent sent him back to New York and into the offices of Vogue under Grace Mirabella. There, he eventually became creative director, developing an unlikely but intimate friendship with Anna Wintour. As she rose to the top of Vogue’s masthead, André also ascended, and soon became the most influential man in fashion. The Chiffon Trenches offers a candid look at the who’s who of the last fifty years of fashion. At once ruthless and empathetic, this engaging memoir tells with raw honesty the story of how André not only survived the brutal style landscape but thrived—despite racism, illicit rumors, and all the other challenges of this notoriously cutthroat industry—to become one of the most renowned voices and faces in fashion. Woven throughout the book are also André’s own personal struggles that impacted him over the decades, along with intimate stories of those he turned to for inspiration (Diana Vreeland, Diane von Fürstenberg, Lee Radziwill, to name a few), and of course his Southern roots and faith, which guided him since childhood. The result is a highly compelling read that captures the essence of a world few of us will ever have real access to, but one that we all want to know oh so much more about.

The IT management profession is not for the faint of heart. Anyone who has worked in this field is familiar with the unique (and borderline impossible) challenges of keeping pace with technological innovation while maintaining legacy systems, reskilling existing staff members and operating on shrinking budgets. Truth from the Trenches passes on the hard-won leadership lessons that six-time CIO Mark Settle gained over years of working in IT management. Settle describes the key constituencies that an IT leader needs to influence, seduce, leverage, and manage to be successful. His practical recommendations will allow readers to improve their organizational impact and accelerate their career advancement. In a sector where competency stems not from formal certification but on-the-job learning, Truth from the Trenches is a valuable and unique resource that is based on Settle’s deep experience working in a wide variety of industries. By applying Settle’s strategies, IT leaders will be able to avoid common pitfalls, save themselves from wasting time and on hopeless initiatives, and successfully do battle with the people issues, financial challenges, customer problems and technology opportunities they confront on a daily basis.

Part of the million-selling MY STORY series that brings the past into the real world, giving it a truly human touch. TRENCHES is set in 1917 and is the story of Billy Stevens, a telegraph operator, stationed near Ypres. The Great War has been raging for three years when Billy finds himself taking part in the deadly Big Push. But he is shocked to discover that the bullets of his fellow soldiers aren't just aimed at the enemy. Vividly imagined and historically accurate, readers are taken on a first-hand journey of danger and peril.

Since ancient times, wars have inspired artists and their patrons to commemorate victories. When the United States finally entered World War I, American artists and illustrators were commissioned to paint and draw it. These artists’ commissions, however, were as captains for their patron: the US Army. The eight men—William J. Aylward, Walter J. Duncan, Harvey T. Dunn, George M. Harding, Wallace Morgan, Ernest C. Peixotto, J. Andre Smith, and Harry E. Townsent—arrived in France early in 1918 with the American Expeditionary Forces (AEF). Alfred Emile Cornebise presents here the first comprehensive account of the US Army art program in World War I. The AEF artists saw their role as one of preserving images of the entire aspect of American involvement in a way that photography could not.

Lloyd and David Allenby are two brothers with little in common, except the will to survive World War I. When they arrive in the trenches of the Western Front, they have no idea of the misery and violence that awaits them. Can an aloof Major be the father figure and guiding force in their desperate battle for survival? Or will the estranged brothers be swallowed up before they can come to terms with each other?