The experiences of World War I from the perspectives of soldiers on the battle field and their families at home.

Jacques Tardi's graphic novel Goddamn This War! is split into six chronological chapters, one for each year of WWI, drawn in a pen-ink-and-watercolor technique, with the bold colors of the early chapters fading into a grimy near-monochrome as the war drags on. It is told, with insight, dark wit and despair, as a first-person reminiscence/narration by an unnamed soldier.

A history of World War I—told through the letters exchanged by ordinary soldiers and their families. Letters from the Trenches reveals how people really thought and felt during the Great War, and covers all social classes and groups from officers to conscripts to women at home to conscientious objectors. Voices within the book include Sgt. John Adams, 9th Royal Irish Fusiliers, who wrote in May 1917: “For the day we get our letter from home is a red letter day in the history of the soldier out here. It is the only way we can hear what is going on. The slender thread between us and the homeland.” Pvt. Stanley Goodhead, who served with one of the Manchester Pals battalion, wrote home in 1916: “I came out of the trenches last night after being in four days. You have no idea what four days in the trenches means . . . The whole time I was in I had only about two hours sleep and that was in snatches on the firing step. What dugouts there are, are flooded with mud and water up to the knees and the rats hold swimming galas in them . . . We are literally caked with brown mud and it is in all our food, tea etc.” Jacqueline Wadsworth skillfully uses these letters to tell the human story of the First World War: what mattered to Britain’s servicemen and their feelings about the war; how the conflict changed people; and how life continued on the home front.

Since ancient times, wars have inspired artists and their patrons to commemorate victories. When the United States finally entered World War I, American artists and illustrators were commissioned to paint and draw it. These artists’ commissions, however, were as captains for their patron: the US Army. The eight men—William J. Aylward, Walter J. Duncan, Harvey T. Dunn, George M. Harding, Wallace Morgan, Ernest C. Peixotto, J. Andre Smith, and Harry E. Townsent—arrived in France early in 1918 with the American Expeditionary Forces (AEF). Alfred Emile Cornebise presents here the first comprehensive account of the US Army art program in World War I. The AEF artists saw their role as one of preserving images of the entire aspect of American involvement in a way that photography could not.

In the Trenches at Petersburg, the final volume of Earl J. Hess's trilogy of works on the fortifications of the Civil War, recounts the strategic and tactical operations around Petersburg during the last ten months of the Civil War. Hess covers all aspects of the Petersburg campaign, from important engagements that punctuated the long months of siege to mining and countermining operations, the fashioning of wire entanglements and the laying of torpedo fields to impede attacks, and the construction of underground shelters to protect the men manning the works. In the Trenches at Petersburg humanizes the experience of the soldiers working in the fortifications and reveals the human cost of trench warfare in the waning days of the struggle.

Tatiana L. Dubinskaya’s autobiographical novel of life in the Russian army marked the first major work published by a female World War I soldier in the Soviet Union. Often compared to All Quiet on the Western Front, Dubinskaya’s stark and unsparing story presents a rare look at women in combat and one of the few works of fiction set on the eastern front. Zinaida, a Russian schoolgirl, runs away from home to join the army. Sent to the front, she endures the horrors of trench warfare and the hardships of military life. Undercurrents of revolutionary thinking filter into the ranks as morale begins to crumble. Zinaida must come to grips with the havoc unleashed by the czar’s overthrow and the new socialist government’s attempts to impose revolutionary reforms on the army. Destabilization and desertion follow, and her regiment joins the chaotic mass retreat of the Russian army in the summer of 1917. In addition to Dubinskaya’s original novel, this edition includes selections from her 1936 autobiographical work, Machine Gunner, which she rewrote to satisfy Stalinist censors.

"Now that the United States has declared war upon the German Empire, and that men will more than likely be conscripted into the service, I shall feel embarrassed should I fail to be among the first to go to the training camp," wrote Dae Hinson of Leesville, Louisiana, in April 1917. His World War I memoir gives a compelling account of a young man's induction into the army, basic training, friendships formed and frontline combat in France with the 156th Infantry. Hinson vividly records his daily struggles for survival in the trenches amid gas attacks, exploding shells and the constant "rattle and fuss" of machine-gun fire.

A compelling and unique collection of photographs with complementary text.

2018 SABR Baseball Research Award Winner Baseball, like the rest of the country, changed dramatically when the United States entered World War I, and Jim Leeke brings these changes to life in From the Dugouts to the Trenches. He deftly describes how the war obliterated big league clubs and largely dismantled the Minor Leagues, as many prominent players joined the military and went overseas. By the war's end more than 1,250 ballplayers, team owners, and sportswriters would serve, demonstrating that while the war was "over there," it had a considerable impact on the national pastime. Leeke tells the stories of those who served, as well as organized baseball's response, including its generosity and patriotism. He weaves into his narrative the story of African American players who were barred from the Major Leagues but who nevertheless swapped their jerseys for fatigues, as well as the stories of those who were killed in action--and by diseases or accidents--and what their deaths meant to teammates, fans, and the sport in general. From the Dugouts to the Trenches illuminates this influential and fascinating period in baseball history, as nineteen months of upheaval and turmoil changed the sport--and the world--forever.

World War I is beyond the memory of almost everyone alive today. Yet it has left as deep a scar on the imaginative landscape of our century as it has on the land where it was fought. Nowhere is that more evident than on the Western Front-the sinuous, deadly line of trenches that stretched from the coast of Belgium to the border of France and Switzerland, a narrow swath of land in which so many million lives were lost. For journalist Stephen O'Shea, the legacy of the Great War is personal (both his grandfathers fought on the front lines) and cultural. Stunned by viewing the "immense wound" still visible on the battlefield of the Somme, and feeling that "history is too important to be left to the professionals," he set out to walk the entire 450 miles through no-man's-land to discover for himself and for his generation the meaning of the war. Back to the Front is a remarkable combination of vivid history and opinionated travel writing. As his walk progresses, O'Shea recreates the shocking battles of the Western Front, many now legendary-Passchendaele, the Somme, the Argonne, Verdun-and offers an impassioned perspective on the war, the state of the land, and the cultivation of memory. His consummate skill with words and details brings alive the players, famous and faceless, on that horrific stage, and makes us aware of why the Great War, indeed history itself, still matters. An evocative fusion of past and present, Back to the Front will resonate, for all who read it, as few other books on war ever have.