Tregenna Hill: Altars and Allegories are love poems cutting through and across the many layers of love: personal, historical, religious, and philosophical; an elegy to the beginnings and ends, to the untranslatable moments in time which contain all that is Good and Beautiful. At the altar before God and human intimacy, there remains the gentle yet brutal yoking of eros and agape with innocence, ecstasy, confession, newness, temporality, death, and surrender.

The story of Pembroke Dock is one of triumph and disaster, of hope and terrible failure. Nearly three hundred ships were built in the yards, including some of the most powerful ships in Queen Victoria’s navy – as well as four famous Royal Yachts. Then in 1926, the dockyard was suddenly closed, leaving the town without reason for existence. What followed was a brutal battle for survival. The history of Pembroke Dock is a fascinating social study, taking a community from its raw beginnings to full and accepted standing in the world. It makes compulsive reading for anyone who has an interest in history. Accent Press was founded in Pembroke Dock in 2003. Our first quayside offices overlooked the Gun Tower in the dock which is known as one of Palmerston’s Follies.

Fans of Rosamunde Pilcher, Maeve Binchy and Fiona Valpy will love this beautifully moving and evocative novel from multi-million copy seller and Sunday Times bestselling author Susan Sallis. Can one place and one woman really make a family whole? 'Love this book - I've read it several times' -- ***** Reader review 'Excellent story - true Susan Sallis' -- ***** Reader review 'A great read' -- ***** Reader review 'This book kept my interest up to the last page' -- ***** Reader review 'Captures the reader so thoroughly that you just cannot put it down' -- ***** Reader review *********************************************************** ONE FAMILY, ONE PLACE AND THE WOMAN WHO HELD THEM TOGETHER... Madge was four years old when she first saw the Cornish sea and fell in love with it, and it was there that her family grew and suffered and loved. It was there she and her mother went to recover from a heartrending family tragedy; there she was forced reluctantly into marriage; there she fell into a wild and passionate wartime love. And it was there she saw her children grow and love and cope with the secret legacies the years had left them, until finally they became more than just summer visitors.

The late Jean-Louis Chretien's responsorial and polyphonic style of thinking is nothing less than a performance of gratitude, which manifests the many ways and manners that our wounded finitude is graced and blessed along the peregrine path of human existence. Finitude's Wounded Praise: Responses to Jean-Louis Chretien is a receptive celebratory response to the immense fecundity and potential of Chretien's "thank you" of gratitude. This volume gathers leading Chretien scholars and thinkers to explicate, explore, think with, and commemorate his thought. The essays in the volume engage Chretien's work from three primary fields: phenomenological, literary/poetic, and theological. Finitude's Wounded Praise is a diverse, exploratory, and impressive testament to the expansive and enduring richness of Chretien's oeuvre.

The Irish philosopher William Desmond is one of the most compelling and adventurous Christian thinkers of our time. The essays gathered here undertake a journey through the Bible with Desmond that ranges across biblical theology, philosophy of religion, metaphysics, ethics, aesthetics, political theory, and literary studies. Some of the essays examine the place of the Bible in Desmond's thought, considering his readings of the creation, the Abraham cycle, and the Beatitudes. Other essays bring Desmond's ideas to bear on broad questions that emerge from the Bible about philosophy and revelation, exegesis, theopoetics, eschatology, and tyranny. Still others bring Desmond into conversation with influential philosophers who engage (or conspicuously do not engage) the Bible, such as Hegel, Schopenhauer, Kierkegaard, Heidegger, and Tillich. Together, these essays show the rich possibilities of approaching the Bible with Desmond. All take their bearings from Desmond's "metaxological" approach, which does not seek to claim the final word, which attends to the text rather than simply imposing on it, and which allows for an ongoing dialogue. / Contributors: Ryan G. Duns, SJ / Caitlin Smith Gilson / Joseph K. Gordon / William Christian Hackett / Steven E. Knepper / Renee Kohler-Ryan / Andrew Kuiper / Brendan Thomas Sammon / Terence Sweeney / Ethan Vanderleek / Erik van Versendaal / Robert Wyllie

The Rough Guide to Devon & Cornwall is the ultimate handbook for discovering the region, from the wilds of Dartmoor to the rocky Atlantic coast, and from Lundy Island to the "English Riviera" of Torbay. For outdoor activities enthusiasts or beach bums, The Rough Guide to Devon & Cornwall tells you everything you need to know for a weekend away or an extended break. Discover the best walks, rides, dives and surf breaks in Devon and Cornwall together with biking and hiking trails and specialist holiday operators. Foodies are directed to the regions best restaurants and most authentic pubs with all the region's diverse food and drink highlights explored and explained, not to mention festivals and local fairs. Whether you're looking for the best camping or the most stylish hotels rely on accommodation suggestions for every budget and taste. You'll find practical advice on travelling around the region from bus routes to rail passes as well as the clearest maps of any guide. Explore all corners of this region with authoritative background on everything from Devon & Cornwall's varied landscapes and diverse wildlife to its literary connections. Make the most of your holiday with The Rough Guide to Devon & Corwall

Since his death in 1942, St Ives has become marinated in the spirit of the naive painter, Alfred Wallis. Naum Gabo, the Russian Constructivist, felt that Wallis's gift as an artist was that he never knew he was one. His unconventional approach and the innocence of his personal method of making art marked Alfred Wallis, even after his death, as a crucial figure in the modernist movement. The art scene in St Ives during World War II is depicted vividly in The Alfred Wallis Factor which illustrates the birth of modernism in the small fishing port in the far south-west of England. With dominant personalities like Sven Berlin, Ben Nicholson, Barbara Hepworth, Adrian Stokes, Bernard Leach, Terry Frost, Peter Lanyon, Wilhelmina Barns-Graham and Patrick Heron, it was inevitable that personal relationships would both form and fracture. Though causes would range from the banal to the bizarre, David Wilkinson never loses focus on the high stakes for which these characters were playing: the creation of their work, and reputations, of lasting significance. Their passion was strong and their ambition even stronger. The Alfred Wallis Factor tells the story of this extraordinary painter's long-lasting influence on - and beyond - modernism: David Wilkinson expounds the events around and following the artist's death, assessing the roles of friends and rivals in making Alfred Wallis a benchmark of modern British art. The Alfred Wallis Factor is a comprehensive examination of a troubled era, in which life met war and changed the destiny of the art world.