In 1963 comic duo Flanders and Swann composed Slow Train - a lament for some of the many railway lines proposed for closure by Dr Beeching. Among the destinations listed in their song is the refrain “from St Erth to St Ives”. Constructed in 1877 as the last broad gauge line to be built in the UK, the St Ives branch did not close in the 1960s and survives to this day – now widely regarded as one of the most scenic railways in Europe. How did it escape closure, and how did it come to be built in the first place? Why did the war departments of the world have their eyes on St Ives in the years before the First World War? How did a town once renowned for the inescapable smell of fish become one of the most popular tourist resorts in the UK? Did the Great Western Railway invent the Cornish Riviera? Why was a heliport proposed for St Erth? Where did a 32-ton ballast digger end-up in 2008? And how did two young men find themselves four miles from the nearest station in 1860...? Containing over 100 images, mostly in color and many never published before, this book sets out to answer these and many more questions.

Excerpt from A History of the Parishes of St. Ives, Lelant, Towednack and Zennor: In the County of Cornwall Whatever be the imperfections of this book, it has at least the distinction of being the first printed history of the parishes which form what we have called the Saint Ives District, save a few brief notices contained in works treating of the entire county of Corn wall. It is true that in the last century Mr. John Hicks, of Saint Ives, wrote a history of his native town, and that many extracts from his work have been handed down to us in the volumes of the county topographers; but Hicks' manuscript, valuable as no doubt it was, was never published, and has long been lost. The author therefore claims from his readers the indulgence which Should be readily Shown towards the man who is first in the field as the historian of his locality. To write a history is, in the present day, a very different undertaking from what it was fifty years ago, before the jewel mines of our public records had been opened Up. Time was when a parish Church could be dismissed as 'a mediaeval structure in the Gothick style, dedicated to St Mary and when a history of England was not so much a record of facts, as an essay on the providential development of our happy constitution in Church and State. But nowadays people read history with the Simple desire to obtain accurate information upon all points connected both with the public and private life of their fore fathers, and demand rather a digest of authentic records than a literary essay. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Cornwall, the land of sandy beaches, pretty fishing coves, historic fishing ports, tin mining, mansions and gardens, quaint thatched cottages, atmospheric moors, art galleries, writers and picturesque towns? All of that is true but there is so much more to Cornwall and its influence on the rest of Britain and many parts of the world is often forgotten or unknown but yet continues. The county has seen political intrigue; religious upheavals; financial scandals. It has produced political radicals, slaves and slave owners; artists, writers and musicians; renowned engineers, mineralogists and scientists and was the first to introduce compulsory education. Cornwall was the birthplace of the discoverers of chemical elements, the planet Neptune and solar power and has been hugely significant in radio, electrical telegraphy and television. Cornish people have been influential across the centuries, the world and an incredible number of disciplines.

Quarterly accession lists; beginning with Apr. 1893, the bulletin is limited to "subject lists, special bibliographies, and reprints or facsimiles of original documents, prints and manuscripts in the Library," the accessions being recorded in a separate classified list, Jan.-Apr. 1893, a weekly bulletin Apr. 1893-Apr. 1894, as well as a classified list of later accessions in the last number published of the bulletin itself (Jan. 1896)

A wise, lyrical memoir about the power of literature to help us read our own lives—and see clearly the people we love most. “Transcendent.”—The Washington Post • “You’d be hard put to find a more moving appreciation of Woolf’s work.”—The Wall Street Journal NAMED ONE OF THE BEST BOOKS OF THE YEAR BY TOWN & COUNTRY Katharine Smyth was a student at Oxford when she first read Virginia Woolf’s modernist masterpiece To the Lighthouse in the comfort of an English sitting room, and in the companionable silence she shared with her father. After his death—a calamity that claimed her favorite person—she returned to that beloved novel as a way of wrestling with his memory and understanding her own grief. Smyth’s story moves between the New England of her childhood and Woolf’s Cornish shores and Bloomsbury squares, exploring universal questions about family, loss, and homecoming. Through her inventive, highly personal reading of To the Lighthouse, and her artful adaptation of its groundbreaking structure, Smyth guides us toward a new vision of Woolf’s most demanding and rewarding novel—and crafts an elegant reminder of literature’s ability to clarify and console. Braiding memoir, literary criticism, and biography, All the Lives We Ever Lived is a wholly original debut: a love letter from a daughter to her father, and from a reader to her most cherished author. Praise for All the Lives We Ever Lived “This searching memoir pays homage to To the Lighthouse, while recounting the author’s fraught relationship with her beloved father, a vibrant figure afflicted with alcoholism and cancer. . . . Smyth’s writing is evocative and incisive.”—The New Yorker “Like H Is for Hawk, Smyth’s book is a memoir that’s not quite a memoir, using Woolf, and her obsession with Woolf, as a springboard to tell the story of her father’s vivid life and sad demise due to alcoholism and cancer. . . . An experiment in twenty-first century introspection that feels rooted in a modernist tradition and bracingly fresh.”—Vogue “Deeply moving – part memoir, part literary criticism, part outpouring of longing and grief… This is a beautiful book about the wildness of mortal life, and the tenuous consolations of art.”—The Times Literary Supplement “Blending analysis of a deeply literary novel with a personal story... gently entwining observations from Woolf's classic with her own layered experience. Smyth tells us of her love for her father, his profound alcoholism and the unpredictable course of the cancer that ultimately claimed his life.”—Time

The Memory of the People is a major study of popular memory in the early modern period.