Do you usually shake your head no when offered a chance to solo? Maybe you think it's not a part of the job. After all, you didn't learn the instrument to sound like a guitarist, right? However, a bassist who avoids soloing is like a baker who refuses to frost their cakes. Sure, frosting is decoration, and too much is dangerous. But your bass playing is meant to be more than just a dry foundation. Maybe you've tried soloing and the effort fell flat. You even learned the scales, memorized patterns, followed advice, and attempted transcribing, only to produce less-than-stellar solos. What if you discovered a way to break past your limitations and solo with freedom and authentic self-expression? Topics in Jazz Bass Vol. 2: Soloing is a groundbreaking resource that can tie all of your efforts together and get you soloing with confidence. Through this book, you will: Discover powerful ear-training techniques to unlock your inner soloist. Develop a melodic, compositional approach to building a solo. Finally understand what the players around you are doing and know how to step up when called upon. Complete with audio examples and a new pick-your-path approach, this book promises to engage you wherever you're at on your musical journey. Written by Danny Ziemann, touring jazz bassist and six-time author, Soloing draws from his extensive performance history, degrees in music education from the Eastman School of Music, and years of teaching experience to provide you with expert-level training. Walk into your next gig ready to nod yes when asked to solo. Buy Topics in Jazz Bass Vol. 2: Soloing today.

The Low Down is a comprehensive jazz bass method book covering the fundamentals of bass line construction, with useful information for beginners and advanced players. The Low Down accomplishes teaching the basics of sound production, layout development, and walking line construction with clarity. A recording (downloaded online) accompanies many of the examples in the book.

(Bass). If you're new to the bass, you are probably eager to learn some songs. This book provides easy arrangements in tab with lyrics for the most popular songs bassists want to play. Includes: American Girl * Billie Jean * Blister in the Sun * Crossfire * Hey Joe * I Got You (I Feel Good) * Livin' on a Prayer * Low Rider * Money * Monkey Wrench * My Generation * Paranoid * Peter Gunn * The Pink Panther * Roxanne * Should I Stay or Should I Go * Uptown Funk * What's Going On * With or Without You * Yellow * and more!

(Berklee Guide). Learn the art of jazz bass. Whether you are new to playing jazz or wish to hone your skills, and whether you play acoustic or electric bass, this book will help you expand your basic technique to create interesting and grooving bass lines and melodically interesting solos. Included are 166 audio tracks of demonstrations and play-alongs, featuring a complete jazz combo playing bass lines and solos over standard jazz progressions.

The Jazz Rhythm Section introduces the basics of this very important part of the jazz ensemble. They are the foundation of any jazz group, so improving the rhythm section will result in a stronger sounding band. This book is intended to be a practical guide with chapters on each of the primary instruments in the rhythm section: bass, drums, piano and guitar. Key topics include: Equipment and setup issues: from drum heads to bass amps to guitar pickups to mic’ing a piano on stage, each instrument presents unique equipment issues that the director must face. Performance practice: including tips on constructing walking bass lines, learning voicings and comping rhythms and creating drummer’s setup fills. Additionally, there is a chapter on the rhythm section itself that details all of the inter-relationships, suggestions for count-offs and metronome exercises that will help improve your band. The Jazz Rhythm Section is intended for novice directors, but directors of all levels will benefit as well.

Following the pedagogy from the first book in The Low Down series, this book will help jazz bassists looking to strengthen their walking vocabulary and their understanding of the role of the bass. Inside is a thorough musical source of blues and rhythm changes bass lines in 12 keys, plus popular jazz standards, guaranteed to challenge and inspire the reader.

The Art of Solo Bass is a jumping off point, a place to glimpse the possibilities of the electric bass. This book examines the use of chords and chord/melody in performance, arranging, composing and the development and exploration of new techniques. from using chords to enhance and embellish your groovin' bass lines, to developing a comping style to perform with an ensemble and finally to create solo arrangements and compositions for practice and performance.The Art of Solo Bass will open new horizons for you, the bass player. This is a step-by-step tutorial into the techniques, theory and practical application of solo bass. the Art of Solo Bass includes actual arrangements, recordings, notation and tablature to guide you along the way.

(Jazz Instruction). A one-of-a-kind book encompassing a wide scope of jazz topics, for beginners and pros of any instrument. A three-pronged approach was envisioned with the creation of this comprehensive resource: as an encyclopedia for ready reference, as a thorough methodology for the student, and as a workbook for the classroom, complete with ample exercises and conceptual discussion. Includes the basics of intervals, jazz harmony, scales and modes, ii-V-I cadences. For harmony, it covers: harmonic analysis, piano voicings and voice leading; modulations and modal interchange, and reharmonization. For performance, it takes players through: jazz piano comping, jazz tune forms, arranging techniques, improvisation, traditional jazz fundamentals, practice techniques, and much more!

(Artist Transcriptions). A tribute to Ray Brown including 18 bass transcriptions, performance notes, photos, and a foreword by Christian McBride. Songs include: Autumn in New York * Custard Puff * Days of Wine and Roses * Easy Does It * Gravy Waltz * Have You Met Miss Jones? * How High the Moon * I'm an Old Cowhand (From the Rio Grande) * I'm Glad There Is You (In This World of Ordinary People) * Killer Joe * Love Is Here to Stay * Mack the Knife * Minor Mystery * Moten Swing * Night Train * Sometimes I'm Happy * The Surrey with the Fringe on Top * Tune Up.

Spilleteknisk, biografisk og historisk indføring i en række jazzbassisters spillestil