The Art of Solo Bass is a jumping off point, a place to glimpse the possibilities of the electric bass. This book examines the use of chords and chord/melody in performance, arranging, composing and the development and exploration of new techniques. from using chords to enhance and embellish your groovin' bass lines, to developing a comping style to perform with an ensemble and finally to create solo arrangements and compositions for practice and performance.The Art of Solo Bass will open new horizons for you, the bass player. This is a step-by-step tutorial into the techniques, theory and practical application of solo bass. the Art of Solo Bass includes actual arrangements, recordings, notation and tablature to guide you along the way.

Presents the essential elements of bop drumming demonstrated through concise exercises and containing ideas to help understand what to play and how to play it and why, as well as an explanation of how the drummer functions in a group.

Classical and Contemporary Studies for Bass Guitar combines essential studies from 19th century composer Giovanni Bottesini; the "Paganini of bass", with contemporary studies by Gilbert Isbin; one of the leading European composers for guitar, lute and bass. These 33 studies will help build not just your technique, but reading abilities and overall musicianship. The material is intended for serious bass students and can be played on a fretted or fretless bass. While Bottesini's works lie firmly in the classical genre, Isbin's studies bring in elements of classical, jazz and world music. All the studies are written in standard bass clef notation as well as tablature. Includes access to online audio recorded by Rob MacKillop for each study.

Illustrated throughout

Music Theory for the Bass Player is a comprehensive and immediately applicable guide to making you a well-grounded groover, informed bandmate and all-around more creative musician. Included with this book are 89 videos that are incorporated in this ebook. This is a workbook, so have your bass and a pen ready to fill out the engaging Test Your Understanding questions! Have you always wanted to learn music theory but felt it was too overwhelming a task? Perhaps all the books seem to be geared toward pianists or classical players? Do you know lots of songs, but don't know how the chords are put together or how they work with the melody? If so, this is the book for you! • Starting with intervals as music's basic building blocks, you will explore scales and their modes, chords and the basics of harmony. • Packed with fretboard diagrams, musical examples and exercises, more than 180 pages of vital information are peppered with mind-bending quizzes, effective mnemonics, and compelling learning approaches. • Extensive and detailed photo demonstrations show why relaxed posture and optimized fingering are vital for good tone, timing and chops. • You can even work your way through the book without being able to read music (reading music is of course a vital skill, yet, the author believes it should not be tackled at the same time as the study of music theory, as they are different skills with a different practicing requirement. Reading becomes much easier once theory is mastered and learning theory on the fretboard using diagrams and patterns as illustrations, music theory is very accessible, immediately usable and fun. This is the definitive resource for the enthusiastic bassist! p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Helvetica} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Helvetica; min-height: 16.0px} This book and the 89 free videos stand on their own and form a thorough source for studying music theory for the bass player. If you'd like to take it a step further, the author also offers a corresponding 20 week course; this online course works with the materials in this book and practices music theory application in grooves, fills and solos. Information is on the author's blog.

This book will give bassists insight into many of the scales used in jazz. Each scale is presented with standard notation, tablature, and fingering patterns for both one octave and two octaves. the book starts with the basic major scales, then delves into the modes (Lydian, Phrygian, etc.), altered scales, bebop scales, pentatonic scales, blues scales, and symmetric scales (diminished scales, whole-tone scales, and chromatic scales). If you are not familiar with these terms, don't fear; they are explained clearly in the book. Along the way, the authors offer advice and exercises to help you use the scales in improvisation. While not going into great depth or giving numerous examples for each scale, this book will give the bassist a thorough understanding of the wide variety of scales available for improvising. Plan to spend some time practicing and working out your own patterns once you have mastered the ones in the book. the scale fingerings presented are applicable to both electric and upright bass. Recordings of the chord progressions and etudes have been provided so the student can hear how these scales may be used in real life situations. Another useful feature of the book is a glossary of chord symbols. Clear enough for a beginner working slowly, there is also plenty of material here to keep an intermediate player busy.

(Bass Instruction). Legendary jazz bassist Ray Brown reveals his lessons and teaching philosophy in this in-depth book. Includes: solo exercises and arpeggios; music fundamentals; right- and left-hand positions; scales; chords; exercises in tenths; rhythm patterns with "drops"; diminished chords; runs and variations; blues patterns; extension scales; and much more.

Do you usually shake your head no when offered a chance to solo? Maybe you think it's not a part of the job. After all, you didn't learn the instrument to sound like a guitarist, right? However, a bassist who avoids soloing is like a baker who refuses to frost their cakes. Sure, frosting is decoration, and too much is dangerous. But your bass playing is meant to be more than just a dry foundation. Maybe you've tried soloing and the effort fell flat. You even learned the scales, memorized patterns, followed advice, and attempted transcribing, only to produce less-than-stellar solos. What if you discovered a way to break past your limitations and solo with freedom and authentic self-expression? Topics in Jazz Bass Vol. 2: Soloing is a groundbreaking resource that can tie all of your efforts together and get you soloing with confidence. Through this book, you will: Discover powerful ear-training techniques to unlock your inner soloist. Develop a melodic, compositional approach to building a solo. Finally understand what the players around you are doing and know how to step up when called upon. Complete with audio examples and a new pick-your-path approach, this book promises to engage you wherever you're at on your musical journey. Written by Danny Ziemann, touring jazz bassist and six-time author, Soloing draws from his extensive performance history, degrees in music education from the Eastman School of Music, and years of teaching experience to provide you with expert-level training. Walk into your next gig ready to nod yes when asked to solo. Buy Topics in Jazz Bass Vol. 2: Soloing today.

A Caldecott Honor Book! A joyous celebration of family, community, and the unifying power of music, perfect for fans of Last Stop on Market Street. Nic is an aspiring musician whose life spans two different worlds--his suburban school where he wows his friends in orchestra, and the busy city streets of his home where he's jostled by the crowd. Nic makes his way home from a busy day at school with a double bass on his back, the symphony of his surroundings in his heart, and a sweet surprise for the reader at the end of his journey. This is a sweet, melodious picture book about how dedication, music, and family can overcome any obstacle.