Tonight It’s a World We Bury explores a range of tendencies central to black metal and uncovers their potential as critiques of capitalism. Tonight It's a World We Bury is a radical re-writing of the history and politics of black metal music. Challenging the commonly-held perception that black metal is a genre of the right — full of wannabe Vikings, Nazis, skinheads and other unsavoury characters — Tonight It's a World We Bury looks at an array of black metal artists to re-affirm the genre as radically anticapitalist, revolutionary and left-wing. Utilizing an eclectic range of black metal bands, including Darkthrone, Burzum, Liturgy and Deathspell Omega, and taking in the works of Marx, Nietzsche, Deleuze and more, Tonight It's a World We Bury is a book on black metal like no other.

Black metal is a paradox. A noisy underground metal genre brimming with violence and virulence, it has captured the world’s imagination for its harsh yet flamboyant style and infamous history involving arson, blasphemy, and murder. Today black metal is nothing less than a cultural battleground between those who claim it for nationalist and racist ends, and those who say: Nazi black metal fvck off! Black Metal Rainbows is a radical collection of writers, artists, activists, and visionaries, including Drew Daniel, Kim Kelly, Laina Dawes, Espi Kvlt, Hunter Hunt-Hendrix, Svein Egil Hatlevik, Eugene S. Robinson, Margaret Killjoy, and many more. Across essays and theory-fictions, artworks and comics, we say out loud: Long live black metal’s trve rainbow! This unique volume envisions black metal as always already open, inclusive, and unlimited: a musical genre whose vital spirit of total antagonism rebels against the forces of political conservatism. Beyond its clichés of grimness, nihilism, reaction, and signature black/white corpse-paint sneer, black metal today is a vibrant and revolutionary paradigm. This book reveals its ludic, carnival worlds animated by spirits of joy and celebration, community and care, queerness and camp, LGBTQI+ identities and antifascist, antiracist, and left-wing politics, not to mention endless aesthetic experimentation and fabulousness. From the crypt to the cloud, Black Metal Rainbows unearths black metal’s sparkling core and illuminates its prismatic spectrum: deep within the black, far beyond grimness, and over a darkly glittering rainbow!

A genre-warping, time-travelling horror novel-slash-feminist manifesto for fans of Clarice Lispector and Jeanette Winterson. Welcome to 1990s Norway. White picket fences run in neat rows and Christian conservatism runs deep. But as the Artist considers her work, things start stirring themselves up. In a corner of Oslo a coven of witches begin cooking up some curses. A time-travelling Edvard Munch arrives in town to join a death metal band, closely pursued by the teenaged subject of his painting Puberty, who has murder on her mind. Meanwhile, out deep in the forest, a group of school girls get very lost and things get very strange. And awful things happen in aspic. Jenny Hval's latest novel is a radical fusion of queer feminist theory and experimental horror, and a unique treatise on magic, writing and art. "Strange and lyrical. Hval’s writing is surreal and rich with the grotesque banalities of human existence." —Publishers Weekly "The themes of alienation, queerness, and the unsettling nature of desire align Hval with modern mainstays like Chris Kraus, Ottessa Moshfegh, and Maggie Nelson." —Pitchfork

A collection of essays and documents presented at "Hideous Gnosis," a symposium on black metal theory held in Brooklyn, December 2009.

If he had been with me everything would have been different... I wasn't with Finn on that August night. But I should've been. It was raining, of course. And he and Sylvie were arguing as he drove down the slick road. No one ever says what they were arguing about. Other people think it's not important. They do not know there is another story. The story that lurks between the facts. What they do not know—the cause of the argument—is crucial. So let me tell you...

Melancology addresses the notorious musical genre black metal as a negative form of environmental writing that ‘blackens’ the cosmos. This book conjures a new word and concept that conjoins ‘black’ and ‘ecology’: melancology, a word in which can be heard the melancholy affect appropriate to the conjunction. Black metal resounds from the abyss and it is precisely only in relation to its sonic forces that the question of intervention in the environment arises in the articulation of melancology with ethics. That is, in deciding ‘which way out’ we should take, in deciding with what surpluses to dwell, with what waste, what detritus or decay in a process of unbinding with sonic forces that traverse an earth choking in wealth and death. The book thus provides a provocative and challenging contribution both to popular and intellectual debates on ecology.

We Bury Our Dead Well By: Rachael Webb The very element that binds us to humanity is being used to divide us. Our emotions do not make us unique; they make us human. It is how you got there and what you do once you leave the particular events of your life, this is where your uniqueness comes from. Let's start loving our living with a cup of grace and the emotional bonds of humanity. Follow two public servants who leave it all on the field to help others only to be left destitute and in peril due to the actions of others. Discover how important a support network is as you embrace individuals in a parallel world and discover how we as individuals help to kill each other every day in our actions and our words. In a world where materialist items are valued over human life, let's come back to humanity and start taking care of each other. Validation is your only requirement. It is not for you to judge "good or bad." Let's see each other for the possibility, not the trials that we are currently facing alone.

Experience the thrilling journey of a wrestling superstar in this no-holds-barred memoir from the first undisputed WWE heavyweight champion. Chris Jericho is the first undisputed Heavyweight Champion of the WWE and WCW, and has been called one of the fifty greatest wrestlers of all time. Now retired, he is writing his memoir, telling the story of his journey from wrestling school in Canada to his time in leagues in Mexico and Japan to his big break in the WCW. He'll dish the dirt on how he worked his way through the ranks alongside major wrestling stars like Chris Benoit and Lance Storm to become a major superstar.

Floating Tomb: Black Metal Theory is a collaborative collection of writings in black metal theory (BMT), an amorphous ‘metallectual’ movement initiated in 2009 with the symposium Hideous Gnosis. According to its earliest formulation, BMT seeks to creatively destroy the boundary between metal and theory, to make something new in the space of their shared negativity: ‘Not black metal. Not theory. Not not black metal. Not not theory. Black metal theory. Theoretical blackening of metal. Metallic blackening of theory. Mutual blackening. Nigredo in the intoxological crucible of symposia’. This volume gathers together previously published and new work on BMT focusing onmysticism, a domain of thought and experience with deep connections both to the black metal genre and to theory (theoria, vision, contemplation). More than a topic for BMT, the mystical is here explored in terms of the continuous intersection of black metal andtheory, the ‘floating tomb’ wherein metal is elevated into the intellectual and visionary experience that it already is.