Black metal is a paradox. A noisy underground metal genre brimming with violence and virulence, it has captured the world’s imagination for its harsh yet flamboyant style and infamous history involving arson, blasphemy, and murder. Today black metal is nothing less than a cultural battleground between those who claim it for nationalist and racist ends, and those who say: Nazi black metal fvck off! Black Metal Rainbows is a radical collection of writers, artists, activists, and visionaries, including Drew Daniel, Kim Kelly, Laina Dawes, Espi Kvlt, Hunter Hunt-Hendrix, Svein Egil Hatlevik, Eugene S. Robinson, Margaret Killjoy, and many more. Across essays and theory-fictions, artworks and comics, we say out loud: Long live black metal’s trve rainbow! This unique volume envisions black metal as always already open, inclusive, and unlimited: a musical genre whose vital spirit of total antagonism rebels against the forces of political conservatism. Beyond its clichés of grimness, nihilism, reaction, and signature black/white corpse-paint sneer, black metal today is a vibrant and revolutionary paradigm. This book reveals its ludic, carnival worlds animated by spirits of joy and celebration, community and care, queerness and camp, LGBTQI+ identities and antifascist, antiracist, and left-wing politics, not to mention endless aesthetic experimentation and fabulousness. From the crypt to the cloud, Black Metal Rainbows unearths black metal’s sparkling core and illuminates its prismatic spectrum: deep within the black, far beyond grimness, and over a darkly glittering rainbow!

"Black Metal - Beyond the Darkness aims to look past the much-discussed Second Wave spearheaded by groups and artists such as Mayhem, Burzum, Darkthrone and Emperor, with a new focus on a number of the form's lesser-reported international scenes; developments in the selling and distribution of Black Metal through labels, stores and distros; idiosyncratic aesthetics and inherent notions of theatricality; Black Metal's relationship with the world of Fine Art; and oral recollections of the genre's development, amongst other topics."--Publisher's description.

Here is the most comprehensive history yet of this fascinating offshoot of extreme heavy metal.

"Out Our Way is a treasury of oral history-in-the-making. It was born of the author's 27,000 kilometre journey through every province and territory of Canada, and more than three hundred intimate, face-to-face conversations with lesbians and gay men, aged fifteen to eighty-one, including people of the First Nations, people living with HIV and AIDS, individuals, couples, people living in communes, and a rainbow of self-defined families. With wit and insight Riordon relates the richly varied experience of real people who are making their way, and their mark, in rural communities they've chosen. Enormously entertaining, Out Our Way will appeal to readers of all orientations."--Page 4 of cover.

Uses pictures in various mediums created by Navajo children to help explain Navajo culture and history. Suggests activities for the reader to do relating to family and feelings.

Toronto has long been a place that people of colour move to in order to join queer of colour communities. Yet the city’s rich history of activism by queer and trans people who are Black, Indigenous, or of colour (QTBIPOC) remains largely unwritten and unarchived. While QTBIPOC have a long and visible presence in the city, they always appear as newcomers in queer urban maps and archives in which white queers appear as the only historical subjects imaginable. The first collection of its kind to feature the art, activism, and writings of QTBIPOC in Toronto, Marvellous Grounds tells the stories that have shaped Toronto’s landscape but are frequently forgotten or erased. Responding to an unmistakable desire in QTBIPOC communities for history and lineage, this rich volume allows us to imagine new ancestors and new futures.

Doomed to Fail explores the heaviest music the world has ever heard, tracing doom, sludge, and post-metal as their own distinct (and incredibly loud) traditions. Anselmi covers the bands and musicians that have impacted those styles most--Black Sabbath, Candlemass, Melvins, Eyehategod, Godflesh, Neurosis, Saint Vitus, and many others--while diving into the cultural doom that has spawned such music, from the bombing of Birmingham and hurricane devastation of New Orleans to glaring economic inequality, industrial alienation, climate change, and widespread addiction. Along the way, Anselmi interweaves the musical experiences that have led him to proudly identify as one of the doomed.

In 1990, Anna-Marie left her disappointing Midwestern childhood behind and moved to Los Angeles at the age of 18 to pursue her heavy metal dreams on the Sunset Strip. Bands like Mötley Crüe, Megadeth, and Guns N' Roses were at the height of their popularity, and she landed right in the middle of the heavy-metal music scene. Welcomed by sunshine and possibilities, her California adventure began the very first day she arrived in magical Laurel Canyon. Soon, she was working in the music industry, and then for Metal Blade Records. Working with her favorite bands and witnessing music history was a dream come true. But - things were not all as they seemed. Grunge music had arrived from Seattle, and it was taking over the metal scene. Los Angeles turned into a dark force, forcing her to make tough choices in order to survive. This is a story of big magic, following your heart, and starting over. Anna-Marie is a real-life librarian, and a lifelong fan of heavy metal and rock music. This is Adventures of a Metalhead Librarian.

Black Metal Rainbows is a radical collection of writers, artists, activists, and visionaries, including Drew Daniel, Kim Kelly, Laina Dawes, Espi Kvlt, Hunter Hunt-Hendrix, Svein Egil Hatlevik, Eugene S. Robinson, Margaret Killjoy, and many more. Across essays and theory-fictions, artworks and comics, we say out loud: Long live black metal's trve rainbow!