First published in 1999, the groundbreaking Exile and Pride is essential to the history and future of disability politics. Eli Clare's revelatory writing about his experiences as a white disabled genderqueer activist/writer established him as one of the leading writers on the intersections of queerness and disability and permanently changed the landscape of disability politics and queer liberation. With a poet's devotion to truth and an activist's demand for justice, Clare deftly unspools the multiple histories from which our ever-evolving sense of self unfolds. His essays weave together memoir, history, and political thinking to explore meanings and experiences of home: home as place, community, bodies, identity, and activism. Here readers will find an intersectional framework for understanding how we actually live with the daily hydraulics of oppression, power, and resistance. At the root of Clare's exploration of environmental destruction and capitalism, sexuality and institutional violence, gender and the body politic, is a call for social justice movements that are truly accessible to everyone. With heart and hammer, Exile and Pride pries open a window onto a world where our whole selves, in all their complexity, can be realized, loved, and embraced.

Phallos is a 2004 novel by the acclaimed novelist and critic Samuel R. Delany. Taking the form of a gay pornographic novella, with the explicit sex omitted, Phallos is set during the reign of the second-century Roman emperor Hadrian, and circles around the historical account of the murder of the emperor's favorite, Antinous. The story moves from Syracuse to Egypt, from the Pillars of Hercules to Rome, from Athens to Byzantium, and back. Young Neoptolomus searches after the stolen phallus of the nameless god of Hermopolis, crafted of gold and encrusted with jewels, within which are reputedly the ancient secrets of science and society that will lead to power, knowledge, and wealth. Vivid and clever, the original novella has been expanded by nearly a third. Appended to the text are an afterword by Robert F. Reid-Pharr and three astute speculative essays by Steven Shaviro, Kenneth R. James, and Darieck Scott.

"Samuel R. Delany is not only one of the most profound and courageous writers at work today; he is a writer of seemingly limitless range." --Michael Cunningham, Pulitzer Prize-winning author of THE HOURS "A deeply affecting chronicle of a lifelong partnership, Through the Valley of the Nest of Spiders is by turns generous, unsparing and bursting with life (and sex) in all its difficult, rousing, prismatic splendor. A truly staggering achievement, this moving novel underscores why Delany remains essential reading and why American letters would be the poorer without him." --Junot Díaz, Pulitzer Prize-winning author of The Brief Wondrous Life of Oscar Wao In 2007, days before his seventeenth birthday, Eric Jeffers meets nineteen-year-old Morgan Haskell, as well as half-a-dozen other gay men who live and work in Diamond Harbor. The boys become a couple, and for the next twenty years, labor as garbage men along the coast, sharing their lives and their lovers, learning to negotiate a committed open relationship. For a decade, they manage a rural movie theater that shows pornographic films and encourages gay activity among the audience. Finally, they become handymen for a burgeoning lesbian art colony on nearby Gilead Island, as the world moves twenty years, forty years, sixty years into a future that is fascinating, glorious, and--sometimes--terrifying. Through the Valley of the Nest of Spiders is a near-future science fiction novel published in two volumes. "Through the Valley of the Nest of Spiders is . . . one of the best novels by anyone that I have read in quite a long time. Indeed, I would go so far as to say (as I already put it on Twitter) that it is the best English-language novel that I know of, of the 21st century so far [2012]." --Steven Shaviro, DeRoy Professor of English, Wayne State University "An imposing and immersive novel punched me in the face, and kissed me, and filled my lungs this year. It is a deeply pornographic and sympathetic experience that disturbs (expect a barrage of all sorts of non-normative sex and a total re-evaluation of narrative structure), gratifies (expect an in-depth journey with a cast of characters that you will come to know and love in such a way you thought impossible in contemporary fiction), and enlightens . . . The importance of this book CANNOT be overstated. It is the best LGBT book that was published this year [2012], as well as the best book, period." --Lonely Christopher, author of Death and Disaster Series

Have pride in history. A rich and sweeping photographic history of the Queer Liberation Movement, from the creators and curators of the massively popular Instagram account LGBT History. “If you think the fight for justice and equality only began in the streets outside Stonewall, with brave patrons of a bar fighting back, you need to read We Are Everywhere right now.”—Anderson Cooper Through the lenses of protest, power, and pride, We Are Everywhere is an essential and empowering introduction to the history of the fight for queer liberation. Combining exhaustively researched narrative with meticulously curated photographs, the book traces queer activism from its roots in late-nineteenth-century Europe—long before the pivotal Stonewall Riots of 1969—to the gender warriors leading the charge today. Featuring more than 300 images from more than seventy photographers and twenty archives, this inclusive and intersectional book enables us to truly see queer history unlike anything before, with glimpses of activism in the decades preceding and following Stonewall, family life, marches, protests, celebrations, mourning, and Pride. By challenging many of the assumptions that dominate mainstream LGBTQ+ history, We Are Everywhere shows readers how they can—and must—honor the queer past in order to shape our liberated future.

From the hotspots of commercial sex through to the suburbia of twitching curtains, urban life and sexualities appear inseparable. Cities are the source of our most familiar images of sexual practice, and are the spaces where new understandings of sexuality take shape. In an era of global business and tourism, cities are also the hubs around which a global sex trade is organised and where virtual sex content is obsessively produced and consumed. Detailing the relationships between sexed bodies, sexual subjectivities and forms of intimacy, Cities and Sexualities explores the role of the city in shaping our sexual lives. At the same time, it describes how the actions of urban governors, city planners, the police and judiciary combine to produce cities in which some sexual proclivities and tastes are normalised and others excluded. In so doing, it maps out the diverse sexual landscapes of the city - from spaces of courtship, coupling and cohabitation through to sites of adult entertainment, prostitution, and pornography. Considering both the normative geographies of heterosexuality and monogamy, as well as urban geographies of radical/queer sex, this book provides a unique perspective on the relationship between sex and the city. Cities and Sexualities offers a wide overview of the state-of-the-art in geographies and sociologies of sexuality, as well as an empirically-grounded account of the forms of desire that animate the erotic city. It describes the diverse sexual landscapes that characterise both the contemporary Western city as well as cities in the global South. The book features a wide range of boxed case studies as well as suggestions for further reading at the end each chapter. It will appeal to undergraduate students studying Geography, Urban Studies, Gender Studies and Sociology.

A complete collection of the British comedy show following Rowan Atkinson's hapless, rubber-faced clown. The set includes all episodes from the original series and the animated spin-off, as well as the two 'Mr Bean' movies. In 'Bean - The Ultimate Disaster Movie' (1997), Mr Bean (Atkinson) has obtained a job as an attendant at the National Gallery in London. He enjoys the protection of the chairman, but the gallery's governors are keen to be rid of him. When the Grierson Gallery in Los Angeles asks for an expert to give a speech on the recently-purchased painting of Whistler's mother, Bean is quickly despatched. On his arrival in America he begins wreaking havoc in the art world. In 'Mr Bean's Holiday' (2007), Bean has won a church fete raffle's top prize, consisting of a trip to France, where the language barrier predictably causes our hero no end of grief until he meets Emil (Karel Roden), a Russian director on his way to judge at Cannes.

Imagine shuffling down Broadway through the hustle and bustle right into the nonstop, neon heart of New York City: 42nd Street. Once a quiet neighborhood of brownstones and churches, the area wastransformed in the early 1900s into an entertainment hub unlike any in theworld. No place has ever evoked the glamour and romantic possibility of bigcity nightlife as vividly as did 42nd Street. It was the dazzle of "naughty, bawdy, gaudy" 42nd Street that put Times Square on the map and turned the Broadway theater district into the Great White Way. Ghosts of 42nd Street stirs your imagination as it takes you on a historical journey of this glamorized strip still known today as the Crossroads of the World. From the bold innovations of Oscar Hammerstein and Florenz Ziegfeld through the porn-laden 1960s and 1970s to the present-day "Disneyfication" of New York's bright lights district, Ghosts of 42nd Street is as fascinating as a tabloid frozen in time.

Mixing documents, interviews, fiction, theory, poetry, psychiatry and anthropology, "Polysexuality" became the encyclopedia sexualis of a continent that is still emerging. Originally conceived as a special Semiotext(e) issue on homosexuality at the end of the 70s, “Polysexuality" quickly evolved into a more complex and iconoclastic project whose intent was to do away with recognized genders altogether, considered far too limitative. The project landed somewhere between humor, anarchy, science-fiction, utopia and apocalypse. In the few years that it took to put it together, it also evolved from a joyous schizo concept to a darker, neo-Lacanian elaboration on the impossibility of sexuality. The tension between the two, occasionally perceptible, is the theoretical subtext of the issue. Upping the ante on gender distinctions, "Polysexuality" started by blowing wide open all sexual classifications, inventing unheard-of categories, regrouping singular features into often original configurations, like Corporate Sex, Alimentary Sex, Soft or Violent Sex, Discursive Sex, Self- Sex, Animal Sex, Child Sex, Morbid Sex, or Sex of the Gaze. Mixing documents, interviews, fiction, theory, poetry, psychiatry and anthropology, "Polysexuality" became the encyclopedia sexualis of a continent that is still emerging. What it displayed in all its forms could be called, broadly speaking, the Sexuality of Capital. (Actually the issue being rather hot, it was decided to cool it off somewhat by only using “capitals” throughout the issue. It was also the first issue for which we used the computer). The "Polysexuality" issue was attacked in Congress for its alleged advocation of animal sex. Includes work by Alain Robbe-Grillet, Félix Guattari, Paul Verlaine, William S. Burroughs, Georges Bataille, Pierre Klossowski, Roland Barthes, Paul Virilio, Peter Lamborn Wilson, and more.

Twentieth anniversary edition of a landmark book that cataloged a vibrant but disappearing neighborhood in New York City In the two decades that preceded the original publication of Times Square Red, Times Square Blue, Forty-second Street, then the most infamous street in America, was being remade into a sanitized tourist haven. In the forced disappearance of porn theaters, peep shows, and street hustlers to make room for a Disney store, a children’s theater, and large, neon-lit cafes, Samuel R. Delany saw a disappearance, not only of the old Times Square, but of the complex social relationships that developed there. Samuel R. Delany bore witness to the dismantling of the institutions that promoted points of contact between people of different classes and races in a public space, and in this hybrid text, argues for the necessity of public restrooms and tree-filled parks to a city's physical and psychological landscape. This twentieth anniversary edition includes a new foreword by Robert Reid-Pharr that traces the importance and continued resonances of Samuel R. Delany’s groundbreaking Times Square Red, Times Square Blue.

As issues of history and memory collide in our society and in the classroom, the time is ripe to rethink the place of history in our schools. Knowing, Teaching, and Learning History represents a unique effort by an international group of scholars to understand the future of teaching and learning about the past. It will challenge the ways in which historians, teachers, and students think about teaching history. The book concerns itself first and foremost with the question, "How do students develop sophisticated historical understandings and how can teachers best encourage this process?" Recent developments in psychology, education, and historiography inform the debates that take place within Knowing, Teaching, and Learning History. This four-part volume identifies the current issues and problems in history education, then works towards a deep and considered understanding of this evolving field. The contributors to this volume link theory to practice, making crucial connections with those who teach history. Published in conjunction with the American Historical Association.