Interviews with the author of Dhalgren; Babel-17; Stars in My Pocket like Grains of Sand; the Nevéryon cycle; and Times Square Red, Times Square Blue

"Samuel R. Delany is not only one of the most profound and courageous writers at work today; he is a writer of seemingly limitless range." --Michael Cunningham, Pulitzer Prize-winning author of THE HOURS "A deeply affecting chronicle of a lifelong partnership, Through the Valley of the Nest of Spiders is by turns generous, unsparing and bursting with life (and sex) in all its difficult, rousing, prismatic splendor. A truly staggering achievement, this moving novel underscores why Delany remains essential reading and why American letters would be the poorer without him." --Junot Díaz, Pulitzer Prize-winning author of The Brief Wondrous Life of Oscar Wao In 2007, days before his seventeenth birthday, Eric Jeffers meets nineteen-year-old Morgan Haskell, as well as half-a-dozen other gay men who live and work in Diamond Harbor. The boys become a couple, and for the next twenty years, labor as garbage men along the coast, sharing their lives and their lovers, learning to negotiate a committed open relationship. For a decade, they manage a rural movie theater that shows pornographic films and encourages gay activity among the audience. Finally, they become handymen for a burgeoning lesbian art colony on nearby Gilead Island, as the world moves twenty years, forty years, sixty years into a future that is fascinating, glorious, and--sometimes--terrifying. Through the Valley of the Nest of Spiders is a near-future science fiction novel published in two volumes. "Through the Valley of the Nest of Spiders is . . . one of the best novels by anyone that I have read in quite a long time. Indeed, I would go so far as to say (as I already put it on Twitter) that it is the best English-language novel that I know of, of the 21st century so far [2012]." --Steven Shaviro, DeRoy Professor of English, Wayne State University "An imposing and immersive novel punched me in the face, and kissed me, and filled my lungs this year. It is a deeply pornographic and sympathetic experience that disturbs (expect a barrage of all sorts of non-normative sex and a total re-evaluation of narrative structure), gratifies (expect an in-depth journey with a cast of characters that you will come to know and love in such a way you thought impossible in contemporary fiction), and enlightens . . . The importance of this book CANNOT be overstated. It is the best LGBT book that was published this year [2012], as well as the best book, period." --Lonely Christopher, author of Death and Disaster Series

After Chester lands, in the Times Square subway station, he makes himself comfortable in a nearby newsstand. There, he has the good fortune to make three new friends: Mario, a little boy whose parents run the falling newsstand, Tucker, a fast-talking Broadway mouse, and Tucker's sidekick, Harry the Cat. The escapades of these four friends in bustling New York City makes for lively listening and humorous entertainment. And somehow, they manage to bring a taste of success to the nearly bankrupt newsstand. Join Chester Cricket and his friends in this classic children's book by George Selden, with illustrations by Garth Williams. The Cricket in Times Square is a 1961 Newbery Honor Book.

As issues of history and memory collide in our society and in the classroom, the time is ripe to rethink the place of history in our schools. Knowing, Teaching, and Learning History represents a unique effort by an international group of scholars to understand the future of teaching and learning about the past. It will challenge the ways in which historians, teachers, and students think about teaching history. The book concerns itself first and foremost with the question, "How do students develop sophisticated historical understandings and how can teachers best encourage this process?" Recent developments in psychology, education, and historiography inform the debates that take place within Knowing, Teaching, and Learning History. This four-part volume identifies the current issues and problems in history education, then works towards a deep and considered understanding of this evolving field. The contributors to this volume link theory to practice, making crucial connections with those who teach history. Published in conjunction with the American Historical Association.

In Shorter Views, Hugo and Nebula award-winning author Samuel R. Delany brings his remarkable intellectual powers to bear on a wide range of topics. Whether he is exploring the deeply felt issues of identity, race, and sexuality, untangling the intricacies of literary theory, or the writing process itself, Delany is one of the most lucid and insightful writers of our time. These essays cluster around topics related to queer theory on the one hand, and on the other, questions concerning the paraliterary genres: science fiction, pornography, comics, and more. Readers new to Delany's work will find this collection of shorter pieces an especially good introduction, while those already familiar with his writing will appreciate having these essays between two covers for the first time.

'Delany's works have become essential to the history of science fiction' New Yorker Samuel Delany is one of the most radical and influential science fiction writers of our age, who reinvented the genre with his fearless explorations of race, class and gender. Driftglass is the definitive volume of his stories, featuring neutered space travellers, telepathy, Hells Angels and genetically modified amphibious workers. 'Delany's books interweave science fiction with histories of race, sexuality and control. In so doing, he gives readers fiction that reflects and explores the social truths of our world' The New York Times

W. G. Sebald meets Maggie Nelson in an autobiographical narrative of embodiment, visual art, history, and loss. How do the bodies we inhabit affect our relationship with art? How does art affect our relationship to our bodies? T Fleischmann uses Felix Gonzáles-Torres’s artworks—piles of candy, stacks of paper, puzzles—as a path through questions of love and loss, violence and rejuvenation, gender and sexuality. From the back porches of Buffalo, to the galleries of New York and L.A., to farmhouses of rural Tennessee, the artworks act as still points, sites for reflection situated in lived experience. Fleischmann combines serious engagement with warmth and clarity of prose, reveling in the experiences and pleasures of art and the body, identity and community.

A complete collection of the British comedy show following Rowan Atkinson's hapless, rubber-faced clown. The set includes all episodes from the original series and the animated spin-off, as well as the two 'Mr Bean' movies. In 'Bean - The Ultimate Disaster Movie' (1997), Mr Bean (Atkinson) has obtained a job as an attendant at the National Gallery in London. He enjoys the protection of the chairman, but the gallery's governors are keen to be rid of him. When the Grierson Gallery in Los Angeles asks for an expert to give a speech on the recently-purchased painting of Whistler's mother, Bean is quickly despatched. On his arrival in America he begins wreaking havoc in the art world. In 'Mr Bean's Holiday' (2007), Bean has won a church fete raffle's top prize, consisting of a trip to France, where the language barrier predictably causes our hero no end of grief until he meets Emil (Karel Roden), a Russian director on his way to judge at Cannes.