'Delany's works have become essential to the history of science fiction' New Yorker Samuel Delany is one of the most radical and influential science fiction writers of our age, who reinvented the genre with his fearless explorations of race, class and gender. Driftglass is the definitive volume of his stories, featuring neutered space travellers, telepathy, Hells Angels and genetically modified amphibious workers. 'Delany's books interweave science fiction with histories of race, sexuality and control. In so doing, he gives readers fiction that reflects and explores the social truths of our world' The New York Times

Eighteen essays plus four examples from the ninth annual J. Lloyd Eaton Conference on Science Fiction and Fantasy Literature at the University of California, Riverside. The concept of mindscape, Slusser and Rabkin explain, allows critics to focus on a single fundamental problem: "The constant need for a relation between mind and some being external to mind." The essayists are Poul Anderson, Wendy Doniger O'Flaherty, Ronald J. Heckelman, David Brin, Frank McConnell, George E. Slusser, James Romm, Jack G. Voller, Peter Fitting, Michael R. Collings, Pascal J. Thomas, Reinhart Lutz, Joseph D. Miller, Gary Westfahl, Bill Lee, Max P. Belin, William Lomax, and Donald M. Hassler. The book concludes with four authors discussing examples of mindscape. The participants are Jean-Pierre Barricelli, Gregory Benford, Gary Kern, and David N. Samuelson.

A father must come to terms with his son's death in the war. In Venice an architecture student commits a crime of passion. A white southern airport loader tries to do a favor for a black northern child. The ordinary stuff of ordinary fiction--but with a difference! These tales take place twenty-five, fifty, a hundred-fifty years from now, when men and women have been given gills to labor under the sea. Huge repair stations patrol the cables carrying power to the ends of the earth. Telepathic and precocious children so passionately yearn to visit distant galaxies that they'll kill to go. Brilliantly crafted, beautifully written, these are Samuel Delany's award-winning stories, like no others before or since.

Brian Aldiss William Gibson R.A. Lafferty Ursula K. Le Guin Lucius Shepard Bruce Sterling Theodore Sturgeon Howard Waldrop Connie Willis Gene Wolfe Roger Zelazny "The best stories are timeless. Long years from now the stories here may still touch someone, cause that person to blink, and put the book down for a second, and stare off through the hallow air, and shirver in wonder."

A teenager follows along as her mother moves from town to town—and man to man—in this coming-of-age novel: “Both hilarious and tragic . . . a radiant debut.” —The New York Times Book Review The inspiration for the cult-classic film starring Winona Ryder, Christina Ricci, and Cher, this novel is narrated by Charlotte Flax, a fourteen-year-old helplessly dragged by her mother from place to place, brief affair to brief affair. When they settle into a quiet New England town in 1963, the teenager yearns to stay put for once. With a convent just steps away from their home, this could be Charlotte’s chance to fulfill her dream of becoming a martyred Catholic saint—despite the fact that she’s Jewish. At the same time, the young caretaker at the convent is inspiring some unsaintly thoughts . . . “Patty Dann gives us a magnificent voice in the young Charlotte . . . Compelling and tender, touching and alive in her search to find some order in the chaos of her life.” —The New York Times Book Review “This is a really funny book about people trying to find something to hang onto in a world that keeps shifting under their feet. Patty Dann guides us through the guerilla war between mother and daughter, through the minefields that lie between being a child and being an adult, in a voice not like any we’ve heard before.” —John Sayles, director and novelist “Moments of pure gold . . . An energetic talent.” —Kirkus Reviews “Both of [the sisters’] characters are sharply etched and recognizable.” —Publishers Weekly “Poignant . . . a quirky charm.” —Booklist

This book deconstructs androcentric approaches to spacetime inherited from western modernity through its theoretical frame of the chronotropics. It sheds light on the literary acts of archival disruption, radical remapping, and epistemic marronnage by twenty-first-century Caribbean women writers to restore a connection to spacetime, expanding it within and beyond the region. Arguing that the chronotropics points to a vocation for social justice and collective healing, this pan-Caribbean volume returns to autochthonous ontologies and epistemologies to propose a poetics and politics of the chronotropics that is anticolonial, gender inclusive, pluralistic, and non-anthropocentric. This is an open access book.

The story of a truly galactic civilization with over 6,000 inhabited worlds.

A selection of the year's outstanding science fiction.