As German Jews emigrated in the nineteenth and early twentieth centuries and as exiles from Nazi Germany, they carried the traditions, culture, and particular prejudices of their home with them. At the same time, Germany—and Berlin in particular—attracted both secular and religious Jewish scholars from eastern Europe. They engaged in vital intellectual exchange with German Jewry, although their cultural and religious practices differed greatly, and they absorbed many cultural practices that they brought back to Warsaw or took with them to New York and Tel Aviv. After the Holocaust, German Jews and non-German Jews educated in Germany were forced to reevaluate their essential relationship with Germany and Germanness as well as their notions of Jewish life outside of Germany. Among the first volumes to focus on German-Jewish transnationalism, this interdisciplinary collection spans the fields of history, literature, film, theater, architecture, philosophy, and theology as it examines the lives of significant emigrants. The individuals whose stories are reevaluated include German Jews Ernst Lubitsch, David Einhorn, and Gershom Scholem, the architect Fritz Nathan and filmmaker Helmar Lerski; and eastern European Jews David Bergelson, Der Nister, Jacob Katz, Joseph Soloveitchik, and Abraham Joshua Heschel—figures not normally associated with Germany. Three-Way Street addresses the gap in the scholarly literature as it opens up critical ways of approaching Jewish culture not only in Germany, but also in other locations, from the mid-nineteenth century to the present.

At one point in everyone's life, he or she may face that three way street in which a decision has to be made. Whether it is right or wrong, we all have to make one. Indeed that one decision we make might turn out to be good or bad, sometimes it is out of our hands to judge. Though ourfuture mayliewithin the decision we make today, but the outcomemay have tolie within thewayfate and destinydictates itself.If one has no one elseto help him judge, no one else will be betterthan God for him to get in touch. Richard Timer

How can the world's most powerful nations cooperate despite their conflicting interests? In Three-Way Street, Joshua S. Goldstein and John R. Freeman analyze the complex intersection defined by relations among the United States, the Soviet Union, and China over the past forty years. The authors demonstrate that three major schools of international relations theory--all game-theoretic, psychological, and quantitative-empirical approaches--have all advocated a strategy that employs cooperative initiatives and reciprocal responses in order to elicit cooperation from other countries. Critics have questioned whether such approaches can model how countries actually behave, but Goldstein and Freeman provide a wealth of detailed empirical evidence showing the existence and effectiveness of strategic reciprocity among the three countries between 1948 and 1989. Specifically, they establish that relations among the three countries have improved in recent decades through a "two steps forward, one step back" pattern. Their innovative and remarkably accessible synthesis of leading theoretical perspectives brilliantly illuminates the nature and workings of international cooperation.

Tracing Germany's significance as an essential crossroads and incubator for modern Jewish culture

Many people see American cities as a radical departure in the history of town planning because of their planned nature based on the geometrical division of the land. However, other cities of the world also began as planned towns with geometric layouts so American cities are not unique. Why did the regular grid come to so pervasively characterize American urbanism? Are American cities really so different? The Syntax of City Space: American Urban Grids by Mark David Major with Foreword by Ruth Conroy Dalton (co-editor of Take One Building) answers these questions and much more by exploring the urban morphology of American cities. It argues American cities do represent a radical departure in the history of town planning while, simultaneously, still being subject to the same processes linking the street network and function found in other types of cities around the world. A historical preference for regularity in town planning had a profound influence on American urbanism, which endures to this day.

Matthew, Mark, Luke, and John give four different views of the story of our Lord and Savior, Jesus Christ. Their accounts are compelling, but they give a fragmented and scattered view of Jesus’ life. In this devotional, the author pieces together the life of Jesus within these accounts, walking readers through His life chronologically. In the process, he seeks to answer questions such as: • What would a typical day with Jesus have included? • How did Christ interact with Scripture, especially messianic prophecies? • When did the plot to kill Jesus begin, and how extensive was it? • How many witnesses were there to the resurrection? The author also examines how Jesus was first recognized as the Messiah and declared as the Son of God, whether any court declared Him innocent, and what Matthew, Mark, Luke, and John’s insights tell us about Jesus and His teachings. Thou Art the Christ provides a nonbreaking narrative of Jesus’s life, connecting it to Old Testament prophecies about God’s promise to send the Messiah for the whole world for any whosoever believing him.

"Rouge Street gives voice to an intriguing cast of characters left behind by China’s economic miracle . . . Shuang pulls no punches . . . From start to finish, his scope is close to the ground, his language sparingly emotive and unobtrusive. He never flinches. As a result, we don’t look away either." —Jing Tsu, The New York Times Book Review (Editors' Choice) Introduced by Madeleine Thien, author of the Booker finalist novel Do Not Say We Have Nothing From one of the most highly celebrated young Chinese writers, three dazzling novellas of Northeast China, mixing realism, mysticism, and noir. An inventor dreams of escaping his drab surroundings in a flying machine. A criminal, trapped beneath a frozen lake, fights a giant fish. A strange girl pledges to ignite a field of sorghum stalks. Rouge Street presents three novellas by Shuang Xuetao, the lauded young Chinese writer whose frank, fantastical short fiction has already inspired comparisons to Ernest Hemingway and Haruki Murakami. Located in China’s frigid Northeast, Shenyang, the author’s birthplace, boasts an illustrious past—legend holds that the emperor’s makeup was manufactured here. But while the city enjoyed renewed importance as an industrial hub under Mao Zedong, China’s subsequent transition from communism to a market economy led to an array of social ills—unemployment, poverty, alcoholism, domestic violence, divorce, suicide—that gritty Shenyang epitomizes. Orbiting the toughest neighborhood of a postindustrial city whose vast, inhospitable landscape makes every aspect of life a struggle, these many-voiced missives are united by Shuang Xuetao’s singular style—one that balances hardscrabble naturalism with the transcendent and faces the bleak environs with winning humor. Rouge Street illuminates not only the hidden pains of those left behind in an extraordinary economic boom but also the inspirations and grace they, nevertheless, manage to discover.

Illinois 2021 Rules of the Road handbook, drive safe!