Judas Iscariot, known for his betrayal of Jesus, is a key figure in the Gospel narratives. As an insider become outsider, Judas demarcates Christian boundaries of good and evil. 'Three Versions of Judas' examines the role of Judas in Christian myth-making. The book draws on Jorge Luis Borges' "Three Versions of Judas" to present three Judases in the Gospels: a Judas necessary to the divine plan; a Judas who is a determined outsider, denying himself for God's glory; and a Judas who is demonic. Exploring the findings of biblical criticism and artistic responses to Judas, 'Three Versions of Judas' offers an analysis of the evil necessarily inherent in Christian narratives about Judas.

Forty short stories and essays have been selected as representative of the Argentine writer's metaphysical narratives.

"Two thousand years after he betrayed Messiah, Judas Iscariot is still alive, wandering a world he doesn't recognize. A world where the strangest of fictions have come true: monsters, immortals, gnome-librarians who monitor human history-they're all real. And all Judas wants to do is kill himself. So why can't he? The most transcendent story of the year is here in this all-new original graphic novel chronicling history's preeminent backstabber and his quest for suicide"--Amazon.com.

This book received The New Pinnacle Award The Gospel of Judas is the most important discovery in history. It bridges the gap between Eastern mystic teaching, Gnosticism, and the three Middle Eastern Abrahamic religions, informing all of them. Unfortunately, the Christianity-biased scholars assigned to its interpretation and those who have followed them do not understand it -- at all. They miss that Judas is the gnostic sacrifice, and that there is no traditional orthodox Jesus sacrificed - in the Gospel of Judas or in the Bible. Therefore, they miss the most important revelation of all time: that 'Jesus' didn't die to save anyone, and that he was in truth preceded and succeeded by other Masters of equal stature. Here from gnostic texts that only just recently arose from the desert sands of Egypt, phoenix-like, is the detailed story of how the New Testament canonical 'Betrayal of Jesus' became the inversion of the gnostic mastership installation story of James the Just, first-century savior. The true origin of the Christian message and its nullification of mystic Truth can now, at long last, be fully told. Connecting verses from the Gnostic Apocalypse of James to the New Testament narrative showing that Judas was James in the Canonical Inversions: First Apocalypse of James "I have given you a sign" (NHC 24:10) "gave them a sign" [the "kiss"] (Matt. 26:48). "Cup of bitterness to the sons of light" (25:15) "let this cup pass from me" (Matt. 26:39). "This is the second Master" (30:25) "Those who seek enter through you" (Second Apoc. 55:1) "I know whom I have chosen." (John 13:18). "Then the disciples dispersed, but James remained in prayer" (30:25) "he withdrew and prayed" (Luke 22:41). "I am he who was within me" (31:15) "I know whom I have chosen" and "I am he" (John 13:18-19). "You have embraced and kissed me" (32:5) "He said 'Hail Master!' and kissed him" (Matt. 26:49). "You are aware and stopped this prayer" (32:5) "Sit here while I pray" (Matt. 26:36). "The flesh is weak" (32:20) "the flesh is weak" (Matt. 26:41). "It will receive what has been ordained for it" (32:20) "thy will be done" (Matt. 26:42). "A multitude will arm themselves against you" (33:5) "band of soldiers with weapons" (John 18:3, Mark 14:43). Also by the author: The Bible says Saviors - Obadiah 1:21 from Xlibris Publishers

The biblical scholar recounts the events surrounding the discovery and handling of the Gospel of Judas, and provides an overview of its content, in which Judas is portrayed as a faithful disciple.

Jorge Luis Borges's Labyrinths is a collection of short stories and essays showcasing one of Latin America's most influential and imaginative writers. This Penguin Modern Classics edition is edited by Donald A. Yates and James E. Irby, with an introduction by James E. Irby and a preface by André Maurois. Jorge Luis Borges was a literary spellbinder whose tales of magic, mystery and murder are shot through with deep philosophical paradoxes. This collection brings together many of his stories, including the celebrated 'Library of Babel', whose infinite shelves contain every book that could ever exist, 'Funes the Memorious' the tale of a man fated never to forget a single detail of his life, and 'Pierre Menard, Author of the Quixote', in which a French poet makes it his life's work to create an identical copy of Don Quixote. In later life, dogged by increasing blindness, Borges used essays and brief tantalising parables to explore the enigma of time, identity and imagination. Playful and disturbing, scholarly and seductive, his is a haunting and utterly distinctive voice. Jorge Luis Borges (1899-1986) was born in Buenos Aires, Argentina. A poet, critic and short story writer, he received numerous awards for his work including the 1961 International Publisher's Prize (shared with Samuel Beckett). He has a reasonable claim, along with Kafka and Joyce, to be one of the most influential writers of the twentieth century. If you enjoyed Labyrinths, you might like Franz Kafka's Metamorphosis and Other Stories, also available in Penguin Modern Classics. 'His is the literature of eternity'Peter Ackroyd, The Times 'One of the towering figures of literature in Spanish'James Woodall, Guardian 'Probably the greatest twentieth-century author never to win the Nobel Prize'Economist

Uses film and literature to engage the biblical texts and demonstrates the ways that the boundaries of canons are artificial and unhelpful. >

This book about Flavia Julia Helena Augusta, mother of Constantine the Great, deals with the historical facts of Helena's life and investigates the origin and function of the legends concerning the discovery of the True Cross by Helena, which were developed in the 4th and 5th centuries.

This book sets out to provide a matrix for surveying the literary treatment of biblical tropes. It supplies an overview of the literary reception of the Bible from the earliest times right through to contemporary writers such as Jeanette Winterson and Colm Tóibín, traces the literary reception and treatment of the Book of Job; the figure of Uriah in the narrative of David and Bathsheba; the figure of Lilith; and Angels of Death and of Mercy. These are all handled as specimen histories. This is followed by an examination of the output of several specific early and later Twentieth-Century rewriters of the Bible. In the last chapters, three sets of other writers under particular headings ("the Great Disrupters" etc.) are grouped together with a view to finding common characteristics as well as unique features in their approach to biblical tropes and provide conclusions and suggestions for further research.

Addendum: Unorthodox, Ontological Analogy Concerning Existence and Reality, is meant as an introduction to metaphysics; a word coined my Aristotle to express a reality other than the physical. We begin with a focus on consciousness, followed by an emphasis on ancient Greek wisdom. At times we will wander in rivulets to other topics along the way. The scope of this treatises is, as said and introduction to the ancient metaphysical wisdoms, but also a plunge into the fathomless ocean of esoterism. Our journey into the perception of reality is two-fold and is analogues to the dichotomy of Newtonian physics versus Quantum. In this work, the dichotomy is between perception and observation i.e. Duality and Oneness.