This book sets out to provide a matrix for surveying the literary treatment of biblical tropes. It supplies an overview of the literary reception of the Bible from the earliest times right through to contemporary writers such as Jeanette Winterson and Colm Tóibín, traces the literary reception and treatment of the Book of Job; the figure of Uriah in the narrative of David and Bathsheba; the figure of Lilith; and Angels of Death and of Mercy. These are all handled as specimen histories. This is followed by an examination of the output of several specific early and later Twentieth-Century rewriters of the Bible. In the last chapters, three sets of other writers under particular headings ("the Great Disrupters" etc.) are grouped together with a view to finding common characteristics as well as unique features in their approach to biblical tropes and provide conclusions and suggestions for further research.

In Between Biblical Criticism and Poetic Rewriting, Samuel Tongue offers an account of the aesthetic and critical tensions inherent in the development of the Higher Criticism of the Bible. Different ‘types’ of Bible are created through the intellectual and literary pressures of Enlightenment and Romanticism and, as Tongue suggests, it is this legacy that continues to orientate the approaches deemed legitimate in biblical scholarship. Using a number of ancient and contemporary critical and poetic rewritings of Jacob’s struggle with the ‘angel’ (Gen 32:22-32), Tongue makes use of postmodern theories of textual production to argue that it is the ‘paragesis’, a parasitical form of writing between disciplines, that best foregrounds the complex performativity of biblical interpretation.

First Published in 1996. This study provides a political viewpoint on Israel and the Bible. It covers reading the Bible politically as well as considering if it has political reality. Part II extends to discuss Moses as a political leader and David as a builder of a state. Part III focuses more on the modern relevance of Biblical politics, Jewish vitality and the Case of Jerusalem.

The rise of the Christian Right took many writers and literary critics by surprise, trained as we were to think that religions waned as societies became modern. In If God Meant to Interfere, Christopher Douglas shows that American writers struggled to understand and respond to this new social and political force. Religiously inflected literature since the 1970s must be understood in the context of this unforeseen resurgence of conservative Christianity, he argues, a resurgence that realigned the literary and cultural fields. Among the writers Douglas considers are Marilynne Robinson, Barbara Kingsolver, Cormac McCarthy, Thomas Pynchon, Ishmael Reed, N. Scott Momaday, Gloria Anzaldúa, Philip Roth, Carl Sagan, and Dan Brown. Their fictions engaged a wide range of topics: religious conspiracies, faith and wonder, slavery and imperialism, evolution and extraterrestrial contact, alternate histories and ancestral spiritualities. But this is only part of the story. Liberal-leaning literary writers responding to the resurgence were sometimes confused by the Christian Right’s strange entanglement with the contemporary paradigms of multiculturalism and postmodernism —leading to complex emergent phenomena that Douglas terms "Christian multiculturalism" and "Christian postmodernism." Ultimately, If God Meant to Interfere shows the value of listening to our literature for its sometimes subterranean attention to the religious and social upheavals going on around it.

Readers may be surprised at the complex course that many biblical texts traveled between original composition and inclusion in the Jewish or Christian canons of Scripture. Four different patterns of development are examined and evaluated in this study.

The present volume is one of the first to concentrate on a specific theme of biblical interpretation in the Dead Sea Scrolls, namely the book of Genesis. In particular the volume is concerned with the links displayed by the Qumranic biblical interpetation to the inner-biblical interpretation and the final shaping of the Hebrew scriptures. Moshe Bar-Asher studies cases of such inner biblical interpretative comments; Michael Segal deals with the Garden of Eden story in the scrolls and other contemporary Jewish sources; Reinhard Kratz analizes the story of the Flood as preamble for the lives of the Patriarchs in the Hebrew Bible; Devorah Dimant examines this theme in the Qumran scrolls; Roman Viehlhauer explores the story of Sodom and Gomorrah; George Brooke and Atar Livneh discuss aspects of Jacob’s career; Harald Samuel review the career of Levi; Liora Goldman examines the Aramaic work the Visions of Amram; Lawrence Schiffman and Aharon Shemesh discuss halakhic aspects of stories about the Patriarchs; Moshe Bernstein provides an overview of the references to the Patriarchs in the Qumran scrolls.

Analyses Solomon's birth, rise, and temple-building within scriptural, archaeological and historical contexts.

Exalted for centuries as a hero and author of the Bible, Moses is inseparable from biblical tradition itself. Moses is also an inherently ambiguous figure and a perennial focus of controversy, from ancient disputes of priestly rivalry to modern issues of class, gender and race. In Rewriting Moses, Brian Britt analyses elements of polemic and ideology in the Moses of the Bible, of film, novel, visual art and scholarship. He argues that the biblical Moses lives within writing, while the post-biblical Moses lives more often in biography. Yet later rewritings of Moses refract biblical traditions of writing in surprising ways. Rewriting Moses provides an original account of the Freudian insight that traditions preserve what they repress. This is volume 14 in the Gender, Cutlure, Theory series and is volume 402 in the Journal for the Study of the Old Testament Supplements series.

The bestselling author of The Know-It-All takes on history's most influential book.