Being the new girl at school is rough. But when the popular girls choose Kerry as the newest member of their ultra-exclusive clique, she thinks her troubles are finally finished. When her three new friends are killed in a horrifying car crash, her life seems over as well. But then the texts begin. . . . Richard Peck returns to his contemporary teen- and ghost-story roots in this suspenseful page-turner with a subtle commentary on peer pressure that fans of television dramas such as Pretty Little Liars and Vampire Diaries will devour.

A motivational novel by a young author Danny Osipenko «Tree quarters dead» without movement, life is only a lethargy dream.

A tale of intrigue, a murdered god, and the business of necromancy: an urban fantasy set in an alternate reality

In 1887, the social-climbing Cranstons voyage from New York to London, where they hope to find a husband for their awkward older daughter, secretly accompanied by Helena and her mouse siblings, for whom the journey is both terrifying and wondrous as they meet an array of titled humans despite their best efforts to remain hidden. By a Newbery Medalist and multiple award-winning author.

Melanie Thernstrom's senior thesis was entitled Mistakes of Metaphor, an account of the mysterious disappearance and murder of her best friend, Bibi Lee. That thesis, reworked as The Dead Girl, was published by Pocket Books in 1990 to major critical acclaim. Berkeley student Roberta (Bibi) Lee went running with her lover Bradley Page on a Sunday in 1984. He came back alone. When she failed to return police mounted one of the largest missing–person searches in California history. Five weeks later Roberta's battered body was found and within hours, Page had confessed to Roberta's murder—a confession he was later to recant. With its enduring themes of innocence and evil, truth and uncertainty, human motives and emotions, The Dead Girl is a complex exploration of the nature of reality and the frail, shifting and suspect ways in which we respond to it.

Explosive, street-savvy, and authentic, acclaimed columnist Denis Hamill's novels are drawn in the gritty ink that can only flow from the pen of a native New Yorker...and a superbly talented writer. Now, blending sinuous prose with a hair-trigger delivery, Hamill etches a novel set in a mercenary New York—where friends become enemies, cops are corrupted, and some must die, all for the sake of Bobby Emmet was a desperate man, an honest New York City cop, framed for the murder of his fiancée, and given one last chance to save himself—by an unlikely benefactor. Bobby didn't murder his fiancee, Dorothea Dubrow, and then cremate the body—but he has an idea who is responsible. His murder trial interrupted his investigation of a police medical pension scam—and revealed how little he really knew about Dorothea. Now suddenly free, he is imprisoned in a web of corruption, lies, and the kind of secrets people kill for. Beginning his search for the truth at a shady security firm that employs able-bodied ex-cops, all of whom have mysteriously qualified for medical pensions—equal to a cool three-quarters of their salaries—he stumbles upon a startling discovery: the cremated remains that led to his conviction didn't really belong to Dorothea. Bobby has a few allies: his policeman brother, his hacker daughter, his flamboyantly unprincipled lawyer, a cop or two who stood by him through the trial. But the same forces that landed him in jail more than a year before are putting a smothering squeeze on him now—and all roads lead to a powerful politician who will let nothing get between himself and the governor's mansion. As the struggle to find the truth—and Dorothea—intensifies, Bobby begins to suspect that those around him are not as loyal as they appear. His liberty and very life depend on whether or not he can discover how high—and how near—the conspiracy goes before the trap closes on him. At once lyrical and riveting, Three Quarters crackles in its electric setting, reverberating with a "relentless energy" (Lawrence Block) fueled by Hamill's intimate knowledge of and intense passion for New York City.

The world’s most beloved detective, Hercule Poirot—the legendary star of Agatha Christie’s Murder on the Orient Express and most recently The Monogram Murders and Closed Casket—returns in a stylish, diabolically clever mystery set in the London of 1930. “We Agatha Christie fans read her stories--and particularly her Poirot novels--because the mysteries are invariably equal parts charming and ingenious, dark and quirky and utterly engaging. Sophie Hannah had a massive challenge in reviving the beloved Poirot, and she met it with heart and no small amount of little grey cells. I was thrilled to see the Belgian detective in such very, very good hands. Reading The Monogram Murders was like returning to a favorite room of a long-lost home.” — Gillian Flynn, author of Gone Girl Hercule Poirot returns home after an agreeable luncheon to find an angry woman waiting to berate him outside his front door. Her name is Sylvia Rule, and she demands to know why Poirot has accused her of the murder of Barnabas Pandy, a man she has neither heard of nor ever met. She is furious to be so accused, and deeply shocked. Poirot is equally shocked, because he too has never heard of any Barnabas Pandy, and he certainly did not send the letter in question. He cannot convince Sylvia Rule of his innocence, however, and she marches away in a rage. Shaken, Poirot goes inside, only to find that he has a visitor waiting for him — a man called John McCrodden who also claims also to have received a letter from Poirot that morning, accusing him of the murder of Barnabas Pandy... Poirot wonders how many more letters of this sort have been sent in his name. Who sent them, and why? More importantly, who is Barnabas Pandy, is he dead, and, if so, was he murdered? And can Poirot find out the answers without putting more lives in danger?

In the #1 New York Times–bestselling author’s first book, the troublemaking team of Bruno and Boots wages war—and school will never be the same. The basis for the movie now streaming on TubiTV Bruno and Boots are always in trouble. So the Headmaster, aka “The Fish” decides it would be best to separate them. Bruno must now room with ghoulish Elmer Dimsdale, plus his plants, goldfish, and ants. And Boots is stuck with nerdy, preppy, paranoid George Wexford-Smyth III. Of course, this means war. Because Bruno and Boots are determined to get their old room back, no matter what it takes. Praise for the Bruno & Boots series “Korman has a unique talent for creating genuinely funny, roll-on-the-floor, laugh-out-loud books. All of his many books are bestsellers, a testament to his popularity with kids.” —Quill & Quire “A hilarious series.” —Booklist “Korman’s vibrant dialogue and breakneck action are the highlights of this merry romp . . . Laughs are as plentiful as [Bruno and Boots’s] misadventures.” —Publishers Weekly

In 1927, Oxford University Press published the first western-language translation of a collection of Tibetan funerary texts (the Great Liberation upon Hearing in the Bardo) under the title The Tibetan Book of the Dead. Since that time, the work has established a powerful hold on the western popular imagination, and is now considered a classic of spiritual literature. Over the years, The Tibetan Book of the Dead has inspired numerous commentaries, an illustrated edition, a play, a video series, and even an opera. Translators, scholars, and popular devotees of the book have claimed to explain its esoteric ideas and reveal its hidden meaning. Few, however, have uttered a word about its history. Bryan J. Cuevas seeks to fill this gap in our knowledge by offering the first comprehensive historical study of the Great Liberation upon Hearing in the Bardo, and by grounding it firmly in the context of Tibetan history and culture. He begins by discussing the many ways the texts have been understood (and misunderstood) by westerners, beginning with its first editor, the Oxford-educated anthropologist Walter Y. Evans-Wentz, and continuing through the present day. The remarkable fame of the book in the west, Cuevas argues, is strikingly disproportionate to how the original Tibetan texts were perceived in their own country. Cuevas tells the story of how The Tibetan Book of the Dead was compiled in Tibet, of the lives of those who preserved and transmitted it, and explores the history of the rituals through which the life of the dead is imagined in Tibetan society. This book provides not only a fascinating look at a popular and enduring spiritual work, but also a much-needed corrective to the proliferation of ahistorical scholarship surrounding The Tibetan Book of the Dead.

Conniff tells the story of bold adventurers who risked death to discover strange life forms in the farthest corners of planet Earth.