Being the new girl at school is rough. But when the popular girls choose Kerry as the newest member of their ultra-exclusive clique, she thinks her troubles are finally finished. When her three new friends are killed in a horrifying car crash, her life seems over as well. But then the texts begin. . . . Richard Peck returns to his contemporary teen- and ghost-story roots in this suspenseful page-turner with a subtle commentary on peer pressure that fans of television dramas such as Pretty Little Liars and Vampire Diaries will devour.

Explosive, street-savvy, and authentic, acclaimed columnist Denis Hamill's novels are drawn in the gritty ink that can only flow from the pen of a native New Yorker...and a superbly talented writer. Now, blending sinuous prose with a hair-trigger delivery, Hamill etches a novel set in a mercenary New York—where friends become enemies, cops are corrupted, and some must die, all for the sake of Bobby Emmet was a desperate man, an honest New York City cop, framed for the murder of his fiancée, and given one last chance to save himself—by an unlikely benefactor. Bobby didn't murder his fiancee, Dorothea Dubrow, and then cremate the body—but he has an idea who is responsible. His murder trial interrupted his investigation of a police medical pension scam—and revealed how little he really knew about Dorothea. Now suddenly free, he is imprisoned in a web of corruption, lies, and the kind of secrets people kill for. Beginning his search for the truth at a shady security firm that employs able-bodied ex-cops, all of whom have mysteriously qualified for medical pensions—equal to a cool three-quarters of their salaries—he stumbles upon a startling discovery: the cremated remains that led to his conviction didn't really belong to Dorothea. Bobby has a few allies: his policeman brother, his hacker daughter, his flamboyantly unprincipled lawyer, a cop or two who stood by him through the trial. But the same forces that landed him in jail more than a year before are putting a smothering squeeze on him now—and all roads lead to a powerful politician who will let nothing get between himself and the governor's mansion. As the struggle to find the truth—and Dorothea—intensifies, Bobby begins to suspect that those around him are not as loyal as they appear. His liberty and very life depend on whether or not he can discover how high—and how near—the conspiracy goes before the trap closes on him. At once lyrical and riveting, Three Quarters crackles in its electric setting, reverberating with a "relentless energy" (Lawrence Block) fueled by Hamill's intimate knowledge of and intense passion for New York City.

Steve Fiffer has a limitless future until he fractures his fifth cervical vertebra in a wrestling accident and the doctors say he will never walk again. But they have not counted on Steve's formidable will, defiant spirit, and relentless courage. Remarkably, within nine months he is out of his wheelchair, onto crutches, and off for his freshman year at Yale. Though schoolwork proves easier than getting off the crutches or feeling whole, Steve never loses his wisecracking sense of humor or his hunger for all that life has to offer. His tempestuous relationship with his father forms the emotional heart of the book: as he moves into adulthood the two forge a bond that carries them through unforeseen crises. Eventually Steve also finds another father figure who helps him with his grueling rehabilitation, a manic former pro football player who creates a workout that tests him mentally and physically, and propels him off his crutches for good. Three Quarters, Two Dimes, and a Nickel affirms how the ordinary joys of life can triumph in extraordinary circumstances.

Custody of children becomes a major issue when a couple divorces. Worse, these issues can linger long after the settlement in the form of parent alienation—when one parent seeks to keep the other parent from being active and involved with the children they share. In Parental-Alienation Playbook and Three-Quarters Custody, author Julian Andrews presents an overview of parent-alienation syndrome (PAS), how you can recognize when it's happening to you, and how to speak out to defend you and your children. Based on his personal experiences with his ex-wife and their three children, Andrews illustrates how the outdated court system facilitates PAS, but also shows how an alienated parent can directly speak out through the legal and court systems. Andrews proposes the concept of three-quarter shared physical custody as a national solution and a bridge against parental alienation forces in the twenty-first century. Parental-Alienation Playbook and Three-Quarters Custody promotes momentum toward three-quarter custody arrangements so parental alienation can become a condition of the past, and children and parents can be free of the divisive nature and consequences that PAS creates.

The world’s most beloved detective, Hercule Poirot—the legendary star of Agatha Christie’s Murder on the Orient Express and most recently The Monogram Murders and Closed Casket—returns in a stylish, diabolically clever mystery set in the London of 1930. “We Agatha Christie fans read her stories--and particularly her Poirot novels--because the mysteries are invariably equal parts charming and ingenious, dark and quirky and utterly engaging. Sophie Hannah had a massive challenge in reviving the beloved Poirot, and she met it with heart and no small amount of little grey cells. I was thrilled to see the Belgian detective in such very, very good hands. Reading The Monogram Murders was like returning to a favorite room of a long-lost home.” — Gillian Flynn, author of Gone Girl Hercule Poirot returns home after an agreeable luncheon to find an angry woman waiting to berate him outside his front door. Her name is Sylvia Rule, and she demands to know why Poirot has accused her of the murder of Barnabas Pandy, a man she has neither heard of nor ever met. She is furious to be so accused, and deeply shocked. Poirot is equally shocked, because he too has never heard of any Barnabas Pandy, and he certainly did not send the letter in question. He cannot convince Sylvia Rule of his innocence, however, and she marches away in a rage. Shaken, Poirot goes inside, only to find that he has a visitor waiting for him — a man called John McCrodden who also claims also to have received a letter from Poirot that morning, accusing him of the murder of Barnabas Pandy... Poirot wonders how many more letters of this sort have been sent in his name. Who sent them, and why? More importantly, who is Barnabas Pandy, is he dead, and, if so, was he murdered? And can Poirot find out the answers without putting more lives in danger?