"'My name is Jimmy Hendricks and I'm a recovering idiot' So begins John Blumenthal's third novel, the story of a small-town New England entrepreneur with a problematical name, who reacts to the abrupt dissolution of his marriage by revisiting his past. Filled with nostalgia, he finds himself gripped by memories of three former girlfriends -- Laura, Samantha and Molly -- each of whom happened to be virgins when he first met them twenty years before. But then the warm refuge of the past turns to icy reality as he recalls how maliciously he tricked, seduced and broke each of their hearts. Overcome by reality and tantalized by curiosity, he finds a way to reshape his past"--Publisher's description.

The American President, on a State Visit to Britain is giving a major address to a top-level audience in Westminster Hall. Ferocious security is provided by a joint force of the United States Secret Service and Scotland Yard. Then a stolen ambulance runs into trouble with the Parking Authorities. A hapless Member of Parliament, having mislaid his crucial pass, is barred from Westminster, his bicycle regarded as a potential lethal weapon. And a man going by the name of Jones, although born in Karachi, successfully slips through the barriers, and whole new ball game starts

First published in 1993, The Virgin Suicides announced the arrival of a major new American novelist. In a quiet suburb of Detroit, the five Lisbon sisters—beautiful, eccentric, and obsessively watched by the neighborhood boys—commit suicide one by one over the course of a single year. As the boys observe them from afar, transfixed, they piece together the mystery of the family’s fatal melancholy, in this hypnotic and unforgettable novel of adolescent love, disquiet, and death. Jeffrey Eugenides evokes the emotions of youth with haunting sensitivity and dark humor and creates a coming-of-age story unlike any of our time. Adapted into a critically acclaimed film by Sofia Coppola, The Virgin Suicides is a modern classic, a lyrical and timeless tale of sex and suicide that transforms and mythologizes suburban middle-American life.

Francis Cheetham's classic survey of English medieval alabasters includes a richly illustrated catalogue of the Victoria and Albert Museum's unparalleled collection. English alabasters represent a unique contribution to medieval art. Less sophisticated, perhaps, than other contemporary forms of religious art, they were a neglected area of study until this volume was first published in 1984. Stories from the New Testament and The Golden Legend were the most favoured subjects, and the numerous examples that survive in churches and museums throughout Europe attest to their wide and enduring appeal. FrancisCheetham examines here all aspects of their production and demonstrates how the panels and altarpieces can aid our understanding of life and devotional practice in medieval times. At the heart of this fascinating study is arichly illustrated catalogue of the 260 examples in the collection of London's Victoria and Albert Museum: a collection "so comprehensive that it would be possible to write a survey of the subject almost without recourse to pieces elsewhere," as Sir Roy Strong notes in his Foreword. Their division into subject categories is an invaluable aid to identification and classification. The late Francis Cheetham was an acknowledged expert on medieval English alabasters, and this reissue of his classic work will be welcomed by historians, art historians, collectors and dealers alike, taking its place alongside his Alabaster Images of Medieval England which was published by the Boydell Press in 2003.