Fortune Not Fame is a poetry book that describes real-life events. From love to lust, physical abuse, mental abuse, verbal abuse, depression, suicide, murder, revenge, etc., its also a book that one can relate to and find the courage to love oneself again. If you dont believe in yourself, Then who would take you serious? If you dont get up and work for it, Then how would you get it? -Shantise

An unfiltered, unapologetic, hilarious, and sometimes obscene assemblage of tales from the down-and-dirty traveling comedy circuit, with a foreword by Drew Pinsky, MD Doug Stanhope has been drunkenly stumbling down the back roads and dark alleys of stand-up comedy for over a quarter of a century, roads laden with dank bars, prostitutes, cheap drugs, farm animals, evil dwarfs, public nudity, menacing third-world police, psychotic breaks, sex offenders, and some understandable suicides. You know, just for levity. While other comedians were seeking fame, Stanhope was seeking immediate gratification, dark spectacle, or sometimes just his pants. Not to say he hasn't rubbed elbows with fame. He's crashed its party, snorted its coke, and jumped into its pool naked, literally and often repeatedly--all while artfully dodging fame himself. In This Is Not Fame, Doug spares no legally permissible detail, and his stories couldn't be told any other way. They're weird, uncomfortable, gross, disturbing, and fucking funny. By no means a story of overcoming a life of excess, immorality, and reckless buffoonery, this is an outright celebration of it. For Stanhope, the party goes on.

Einstein said the best scientists have always approached science as a sacred activity that could yield "the secrets of the Old One," Ravi Ravindra points out. This eloquent book at once affirms scientific exploration and addresses the failure of science to deal with the inner life. We all want to know why things happen and how we can control certain outcomes; but we also rightly wonder about meaning and purpose: Does the earth need people? What about me personally? What is my place? Why am I here? Coming from the East, this Western physicist offers a rare hybrid view on such topics as: Perception in yoga and physics; The moral responsibility of scientific power; Science as a spiritual path; Healing the soul: truth, love, and God. "Each of us is an artist of our own life," Ravindra says. "Starting from the raw material of our self, we sculpt something which corresponds to our aspirations, our understanding, our skill and sensitivity...This work of transformation is an imperative of our human existence."

A New York Times BEST BOOK OF THE SUMMER A CrimeReads & Book and Film Globe BEST BOOK OF THE YEAR A Tor.com BEST BOOK OF JUNE “Truly bewitching.” —David Mitchell It is no small matter, after all, to create something—to make it so only by setting down the words. We forget the magnitude, sometimes, of that miracle. In the dead of night, shots ring out over the grounds of a sprawling English estate. The world-weary butler Eustace recognizes the gunman—his longtime employer, Mr. Crowe—and knows he must think and act quickly. Who is the man lying dead on the lawn? Who is the woman in his company? Can he clean up his master’s mess like he always has before? Or will this bring a new kind of reckoning? Mr. Crowe was once famed for his gifts—unaccountable gifts, known only to the members of a secretive order. Protected and privileged, he was courted by countesses and great men of letters. But he has long since retreated from that glittering world, living alone but for Eustace and Clara, his mysterious young ward. He has been content to live quietly, his great library gathering dust and his once magnificent gardens growing wild. He has left the past behind. Until now. Because there are rules, even for Mr. Crowe and his kind, that cannot be broken. And this single night of passion and violence will have consequences, stirring shadows from the past and threatening those he now cares for. He and the faithful Eustace will be tested as never before. So too will Clara, whose own extraordinary gifts remain hidden, even from herself. If she is to save them all, she must learn to use them quickly and unlock the secret of who she is. It is a secret beyond imagining. A secret that will change everything.

Ethics has to do with moral code, values and principles. While a code of conduct can be discussed and documented, the standards of ethics itself does not provide the power to keep them. The power to adhere to moral values and principles comes from within each individual. As Christian ministers, our power to walk morally upright comes from our dependence on the Lord Himself and through the grace He provides. No code of conduct, no teaching on ethics, no wise counsel or set of guidelines can help a Christian minister who does not take his/her personal walk with God seriously. In the Church today, where many of us are pressing in to more of the manifestation of God's power, anointing, signs and wonders, miracles and healings, prophetic and the supernatural - a call to godly standards of life and conduct may not be very popular. Preachers and ministers are sought after, mom for what they can manifest in one hour behind the pulpit, than for the life they live off it. It is time for us as ministers of Christ to re-establish standards of serving "God acceptably with reverence and godly fear." (Hebrews 12:28). That is what this book is about - an easy-to-read collection of ethical values, godly standards and practical wisdom for men and women in Christian ministry. Your life and ministry is sure to be enriched, if you will read this book. This book will be a useful resource for Bible Colleges, Seminaries, Bible Training Centers and wherever men and women are being trained for Christian ministry. This will also be a good handbook to teach at Pastors' Conferences and Seminars. Pastors and other ministry leaders will find it useful to use this resource as they train and prepare their ministry teams. Watch our online Sunday Church service live stream every Sunday at 10:30am (Indian Time, GMT+5:30). Spirit filled, anointed worship, Word and ministry for healing, miracles and deliverance. YOUTUBE: https://youtube.com/allpeopleschurchbangalore WEBSITE: https://apcwo.org/live Our other websites and free resources: CHURCH: https://apcwo.org FREE SERMONS: https://apcwo.org/sermons FREE BOOKS: https://apcwo.org/books DAILY DEVOTIONALS: https://apcwo.org/resources/daily-devotional JESUS CHRIST: https://examiningjesus.com BIBLE COLLEGE: https://apcbiblecollege.org E-LEARNING: https://apcbiblecollege.org/elearn COUNSELING: https://chrysalislife.org MUSIC: https://apcmusic.org MINISTERS FELLOWSHIP: https://pamfi.org CHURCH APP: https://apcwo.org/app CHURCHES: https://apcwo.org/ministries/churches This book may be freely used by individuals, small groups, churches, and ministries, for non-commercial purposes. These are not to be sold and must be distributed freely.

Ancient and medieval labyrinths embody paradox, according to Penelope Reed Doob. Their structure allows a double perspective—the baffling, fragmented prospect confronting the maze-treader within, and the comprehensive vision available to those without. Mazes simultaneously assert order and chaos, artistry and confusion, articulated clarity and bewildering complexity, perfected pattern and hesitant process. In this handsomely illustrated book, Doob reconstructs from a variety of literary and visual sources the idea of the labyrinth from the classical period through the Middle Ages. Doob first examines several complementary traditions of the maze topos, showing how ancient historical and geographical writings generate metaphors in which the labyrinth signifies admirable complexity, while poetic texts tend to suggest that the labyrinth is a sign of moral duplicity. She then describes two common models of the labyrinth and explores their formal implications: the unicursal model, with no false turnings, found almost universally in the visual arts; and the multicursal model, with blind alleys and dead ends, characteristic of literary texts. This paradigmatic clash between the labyrinths of art and of literature becomes a key to the metaphorical potential of the maze, as Doob's examination of a vast array of materials from the classical period through the Middle Ages suggests. She concludes with linked readings of four "labyrinths of words": Virgil's Aeneid, Boethius' Consolation of Philosophy, Dante's Divine Comedy, and Chaucer's House of Fame, each of which plays with and transforms received ideas of the labyrinth as well as reflecting and responding to aspects of the texts that influenced it. Doob not only provides fresh theoretical and historical perspectives on the labyrinth tradition, but also portrays a complex medieval aesthetic that helps us to approach structurally elaborate early works. Readers in such fields as Classical literature, Medieval Studies, Renaissance Studies, comparative literature, literary theory, art history, and intellectual history will welcome this wide-ranging and illuminating book.