These writings provide a unique view of the height of 17th-century French culture.

This book presents an introduction to the Characters, a collection of thirty amusing descriptions of character types who lived in Athens in the fourth century BCE. The author of the work, Theophrastus, was Aristotle's colleague, his immediate successor and head of his philosophical school for thirty-five years. Pertsinidis' lively, original and scholarly monograph introduces Theophrastus as a Greek philosopher. It also outlines the remarkable influence of the Characters as a literary work and provides a detailed discussion of the work's purpose and its connection with comedy, ethics and rhetoric.

Theophrastus' Characters is a collection of 30 short character-sketches of various types of individuals who might be met in the streets of Athens in the late fourth century BC. It is a work which had a profound influence on European literature, and this is a detailed and elaborate treatment of it. This edition presents an improved text, a translation which is designed both to be readable and to bring out fully the nuances of the very difficult Greek, and a commentary which covers every feature of the text and its interpretation and offers particularly full elucidation of the often enigmatic references to contemporary social practices and historical events. There is also a lengthy introduction, which discusses the antecedents and affiliations of the work, its date, its purpose, and the manuscript tradition. Extensive indexes are also provided, including an Index Verborum.

Theophrastus:Characters is a collection of thirty short character-sketches of various types of individuals who might be met in the streets of Athens in the late fourth century BC. It is a unique work which has had a profound influence on European literature. This edition aims to make it accessible to students, by offering a radically improved text and a commentary which brings out the meaning and nuances of the dazzling but sometimes difficult Greek and offers full elucidation of the often enigmatic references to contemporary social practices and historical events. There is also a full introduction, which discusses the antecedents and affiliations of the work, its date, its purpose, and its literary qualities.

Bryn Mawr Commentaries provide clear, concise, accurate, and consistent support for students making the transition from introductory and intermediate texts to the direct experience of ancient Greek and Latin literature. They assume that the student will know the basics of grammar and vocabulary and then provide the specific grammatical and lexical notes that a student requires to begin the task of interpretation. Hackett Publishing Company is the exclusive distributor of the Bryn Mawr Commentaries in North America, the United Kingdom, and Europe.

Reproduction of the original: Impressions of Theophrastus Such by George Eliot

Menander was renowned—and still is—for his naturalistic representations of character and emotion. However, times change, and our ideas of what is ‘natural’ change with them. To appreciate Menander’s art fully, we need to attune ourselves to the expectations of his time, and for this there is no better guide than Aristotle (along with his successor Theophrastus), who described and analysed notions of character and emotion in brilliant detail. This book examines the relevant observations of Aristotle, and explores two of Menander’s comedies in this light. It also discusses how these comedies, which have only been recovered in the past century, were adapted and performed on the Modern Greek stage, where tastes were different and Menander had been virtually unknown. The book’s comparison of the ancient originals and the modern versions sheds new light on both, as well as on cultural values then and now.

Menander (c. 341-291 BC) was the foremost innovator of Greek New Comedy, a dramatic style that moved away from the fantastical to focus upon the problems of ordinary Athenians. This collection contains the full text of 'Old Cantankerous' (Dyskolos), the only surviving complete example of New Comedy, as well as fragments from works including 'The Girl from Samos' and 'The Rape of the Locks', all of which are concerned with domestic catastrophes, the hazards of love and the trials of family life. Written in a poetic style regarded by the ancients as second only to Homer, these polished works - profoundly influential upon both Roman playwrights such as Plautus and Terence, and the wider Western tradition - may be regarded as the first true comedies of manners.

What is “character”? Since at least Aristotle’s time, philosophers, theologians, moralists, artists, and scientists have pondered the enigma of human character. In its oldest usage, “character” derives from a word for engraving or stamping, yet over time, it has come to mean a moral idea, a type, a literary persona, and a physical or physiological manifestation observable in works of art and scientific experiments. It is an essential term in drama and the focus of self-help books. In Character: The History of a Cultural Obsession, Marjorie Garber points out that character seems more relevant than ever today, omnipresent in discussions of politics, ethics, gender, morality, and the psyche. References to character flaws, character issues, and character assassination and allegations of “bad” and “good” character are inescapable in the media and in contemporary political debates. What connection does “character” in this moral or ethical sense have with the concept of a character in a novel or a play? Do our notions about fictional characters catalyze our ideas about moral character? Can character be “formed” or taught in schools, in scouting, in the home? From Plutarch to John Stuart Mill, from Shakespeare to Darwin, from Theophrastus to Freud, from nineteenth-century phrenology to twenty-first-century brain scans, the search for the sources and components of human character still preoccupies us. Today, with the meaning and the value of this term in question, no issue is more important, and no topic more vital, surprising, and fascinating. With her distinctive verve, humor, and vast erudition, Marjorie Garber explores the stakes of these conflations, confusions, and heritages, from ancient Greece to the present day.