How did the most powerful nation on earth come to embrace terror as the organizing principle of its security policy? In The Theater of Operations, Joseph Masco locates the origins of the present-day U.S. counterterrorism apparatus in the Cold War's "balance of terror." He shows how, after the attacks of 9/11, the U.S. global War on Terror mobilized a wide range of affective, conceptual, and institutional resources established during the Cold War to enable a new planetary theater of operations. Tracing how specific aspects of emotional management, existential danger, state secrecy, and threat awareness have evolved as core aspects of the American social contract, Masco draws on archival, media, and ethnographic resources to offer a new portrait of American national security culture. Undemocratic and unrelenting, this counterterror state prioritizes speculative practices over facts, and ignores everyday forms of violence across climate, capital, and health in an unprecedented effort to anticipate and eliminate terror threats—real, imagined, and emergent.

This exhibition catalogue, accompanying the major building-wide exhibition Theater of Operations: The Gulf Wars 1991-2011, includes four new commissioned texts by scholars of Iraqi art Zainab Bahrani, Rijin Sahakian, and Nada Shabout, as well as a media-focused critique from McKenzie Wark. The book will also feature essays from our curators Ruba Katrib and Peter Eleey, as well as critical reproductions from contemporaneous media artifacts, ranging from the Baghdad Diaries--the personal diaries during Iraqi occupation and sanction of artist Nuha Al-Radi--as well as entries from the still-anonymous blogger Riverbend's Baghdad Burning blog chronicling her time living under occupation, as well as texts from Serge Daney, Jean Baudrillard. As this conflict was the first to disseminate via a 24hr televised news cycle, this publication examines the impact of this period of ongoing conflict and its pervasive effects on visual culture.

This assured debut novel from acclaimed Chilean author Andrea Jeftanovic explores the devastating psychological effects of the conflict in the Balkans on a family who flee to South America to build a new life. It is told from the perspective of the young Tamara, as she tries to make sense of growing up haunted by a distant conflict. Yet the ghosts of war re-emerge in their new land – which has its own traumatic past – to tear the family apart.Staging scenes from childhood as if the characters were rehearsing for a play, the novel uses all the imaginary resources of theatre director, set paint- er and lighting designer to pose the question: how can Tamara salvage an identity as an adult from the ruins of memory, and rediscover the ability to love? With themes that echo Elif Shafak’s The Bastard of Istanbul , a sensitive narrator recalling Eimear McBride’s A Girl is a Half-Formed Thing , and a focus on the body in the style of Elfriede Jelinek, this is an artfully construct- ed, widely praised work from one of the most exciting novelists at work in Latin America today.

In late June 2005, media sources recounted the tragic story of nineteen U.S. special operations personnel who died at the hands of insurgent / terrorist leader Ahmad Shah- and the lone survivor of Shah's ambush-deep in the Hindu Kush Mountains of Afghanistan. The harrowing events of Operation Red Wings marked an important-yet widely misreported-chapter in the Global War on Terror, the full details of which the public burned to learn. In Victory Point, globally published author and photographer Ed Darack reveals the complete, as-yet untold, story of Operation Red Wings (often mis-referenced as "Operation Redwing"), and the follow-on mission, Operation Whalers. Together, these two U.S. Marine Corps operations (that in the case of Red Wings utilized Navy SEALs for its opening phase) unfurl not as a mission gone terribly wrong, but of a complex and difficult campaign that ultimately saw the demise of Ahmad Shan and his small army of barbarous fighters. Due to the valor, courage and commitment of the 2nd Battalion of the 3rd Marine Regiment in the summer of 2005, Afghanistan was able to hold free elections that Fall. Here is the inspiring true account of heroism, duty, and brotherhood between Marines fighting the War on Terror.

The outbreak of World War II set in motion a massive expansion of the United States Marine Corps, leading to a 24-fold increase in size by August 1945. This book is the first of several volumes to examine the Corps's meteoric wartime expansion and the evolution of its units. It covers the immediate pre-war period, the rush to deploy defense forces in the war's early months, and the Marines' first combat operations on Guadalcanal, New Georgia, and Bougainville. It focuses on the 1st, 2d, and 3d Marine Divisions (MarDivs) and the provisional 1st, 2d, and 3d Marine Brigades (MarBdes).

Operations of the First U.S. Army from 1 July through 10 September 1944 and of the Third U.S. Army from 1 August through 31 August 1944, including the "battle of the hedgerows," the Mortain counterattack, the reduction of Brest, and the liberation of Paris.

Doctrine provides a military organization with unity of effort and a common philosophy, language, and purpose. This manual, "Theater Army Operations" (FM3-93), discusses the organization and operations of the theater army headquarters, including its role as the Army Service component command (ASCC) to the geographic combatant commander (GCC) and the relationships between the theater army headquarters and the theater enabling commands. The manual also discusses theater army responsibilities for setting the theater, Title 10 functions and responsibilities, generally referred to as the combatant commander's daily operations requirements, as well as the operational employment of the theater army's contingency command post (CCP) to directly mission command limited types of operations.

Discusses the Allied invasion of Normandy, with extensive details about the planning stage, called Operation Overlord, as well as the fighting on Utah and Omaha Beaches.