How did the most powerful nation on earth come to embrace terror as the organizing principle of its security policy? In The Theater of Operations, Joseph Masco locates the origins of the present-day U.S. counterterrorism apparatus in the Cold War's "balance of terror." He shows how, after the attacks of 9/11, the U.S. global War on Terror mobilized a wide range of affective, conceptual, and institutional resources established during the Cold War to enable a new planetary theater of operations. Tracing how specific aspects of emotional management, existential danger, state secrecy, and threat awareness have evolved as core aspects of the American social contract, Masco draws on archival, media, and ethnographic resources to offer a new portrait of American national security culture. Undemocratic and unrelenting, this counterterror state prioritizes speculative practices over facts, and ignores everyday forms of violence across climate, capital, and health in an unprecedented effort to anticipate and eliminate terror threats—real, imagined, and emergent.

This exhibition catalogue, accompanying the major building-wide exhibition Theater of Operations: The Gulf Wars 1991-2011, includes four new commissioned texts by scholars of Iraqi art Zainab Bahrani, Rijin Sahakian, and Nada Shabout, as well as a media-focused critique from McKenzie Wark. The book will also feature essays from our curators Ruba Katrib and Peter Eleey, as well as critical reproductions from contemporaneous media artifacts, ranging from the Baghdad Diaries--the personal diaries during Iraqi occupation and sanction of artist Nuha Al-Radi--as well as entries from the still-anonymous blogger Riverbend's Baghdad Burning blog chronicling her time living under occupation, as well as texts from Serge Daney, Jean Baudrillard. As this conflict was the first to disseminate via a 24hr televised news cycle, this publication examines the impact of this period of ongoing conflict and its pervasive effects on visual culture.

This assured debut novel from acclaimed Chilean author Andrea Jeftanovic explores the devastating psychological effects of the conflict in the Balkans on a family who flee to South America to build a new life. It is told from the perspective of the young Tamara, as she tries to make sense of growing up haunted by a distant conflict. Yet the ghosts of war re-emerge in their new land – which has its own traumatic past – to tear the family apart.Staging scenes from childhood as if the characters were rehearsing for a play, the novel uses all the imaginary resources of theatre director, set paint- er and lighting designer to pose the question: how can Tamara salvage an identity as an adult from the ruins of memory, and rediscover the ability to love? With themes that echo Elif Shafak’s The Bastard of Istanbul , a sensitive narrator recalling Eimear McBride’s A Girl is a Half-Formed Thing , and a focus on the body in the style of Elfriede Jelinek, this is an artfully construct- ed, widely praised work from one of the most exciting novelists at work in Latin America today.

Operations of the First U.S. Army from 1 July through 10 September 1944 and of the Third U.S. Army from 1 August through 31 August 1944, including the "battle of the hedgerows," the Mortain counterattack, the reduction of Brest, and the liberation of Paris.

Doctrine provides a military organization with unity of effort and a common philosophy, language, and purpose. This manual, "Theater Army Operations" (FM3-93), discusses the organization and operations of the theater army headquarters, including its role as the Army Service component command (ASCC) to the geographic combatant commander (GCC) and the relationships between the theater army headquarters and the theater enabling commands. The manual also discusses theater army responsibilities for setting the theater, Title 10 functions and responsibilities, generally referred to as the combatant commander's daily operations requirements, as well as the operational employment of the theater army's contingency command post (CCP) to directly mission command limited types of operations.

The outbreak of World War II set in motion a massive expansion of the United States Marine Corps, leading to a 24-fold increase in size by August 1945. This book is the first of several volumes to examine the Corps's meteoric wartime expansion and the evolution of its units. It covers the immediate pre-war period, the rush to deploy defense forces in the war's early months, and the Marines' first combat operations on Guadalcanal, New Georgia, and Bougainville. It focuses on the 1st, 2d, and 3d Marine Divisions (MarDivs) and the provisional 1st, 2d, and 3d Marine Brigades (MarBdes).

This book looks at several troop categories based on primary function and analyzes the ratio between these categories to develop a general historical ratio. This ratio is called the Tooth-to-Tail Ratio. McGrath's study finds that this ratio, among types of deployed US forces, has steadily declined since World War II, just as the nature of warfare itself has changed. At the same time, the percentage of deployed forces devoted to logistics functions and to base and life support functions have increased, especially with the advent of the large-scale of use of civilian contractors. This work provides a unique analysis of the size and composition of military forces as found in historical patterns. Extensively illustrated with charts, diagrams, and tables. (Originally published by the Combat Studies Institute Press)