DIVAn authoritative guide to the most significant artists, schools, and styles of street art and graffiti around the world/div

Essential reading for anyone interested in art, community, and the built environment "An around-the-world glimpse into how artists reimagine the places, spaces, landscapes, streets, and skies we share."--Nina MacLaughlin, Boston Globe A towering abstract steel sculpture in the middle of a traffic island in Spoleto, Italy. Soaring vertical gardens enhanced with digital technology in Singapore's Marina Bay. A skateboard bowl that doubles as a community pool in San Juan, Puerto Rico. These are just a few of the contemporary public artworks defining cities around the globe that are featured in The World Atlas of Public Art. The book charts a global survey of works and practices from the past six decades featuring more than 125 significant permanent and temporary public artworks by leading contemporary artists, including Ruth Asawa, Christo and Jeanne-Claude, Olafur Eliasson, Yayoi Kusama, Simone Leigh, and OSGEMEOS. Readers encounter works in chapters on six public locations: grounds, walls, structures, waters, routes, and skies. Organized geographically within these chapters, the book reveals not only where to find these artworks but also how they generate meaning from their location. Between the chapters are essays on the themes of public bodies, gatherings, platforms, services, and debates. Enlivened with more than 300 energetic and eye-catching images, this book is an exploration of how art transforms public spaces, promotes social interaction, fosters community, and provokes impassioned responses.

Collects street photographs from noted photographers of cities around the world, from New York and Sao Paolo to Paris and Sydney.

This book takes a bold look at public art and its populist appeal, offering a more inclusive guide to America's creative tastes and shared culture. It examines the history of American public art – from FDR's New Deal to Christo's The Gates – and challenges preconceived notions of public art, expanding its definition to include a broader scope of works and concepts. Expands the definition of public art to include sites such as Boston's Big Dig, Las Vegas' Treasure Island, and Disney World Offers a refreshing alternative to the traditional rhetoric and criticism surrounding public art Includes insightful analysis of the museum and its role in relation to public art

Filled with eye-catching images of 100 styles from around the globe, The World Atlas of Street Fashion is a celebration of those who dare to think differently. From the Chinese skinheads of Beijing to the feminist funkeiras of Sao Paolo, the raggare of Stockholm to the Junglists of Whistler, this is world street style as you've never seen it before. Street style exists to turn heads and create comment. The message can be one of resistance, subversion, musical affiliation, or a combination of all three. A group of likeminded individuals can create a powerful sartorial force, moving beyond fashion's mere billboards for the latest brands. Organised geographically by continent, this book examines street style in all its international diversity, by tracing the many and varied ways in which it has developed in different regions of the world. Written by acclaimed fashion historian Caroline Cox, The World Atlas of Street Fashion offers a ground-breaking portrait of world street style.

The hidden costs of artificial intelligence, from natural resources and labor to privacy and freedom What happens when artificial intelligence saturates political life and depletes the planet? How is AI shaping our understanding of ourselves and our societies? In this book Kate Crawford reveals how this planetary network is fueling a shift toward undemocratic governance and increased inequality. Drawing on more than a decade of research, award-winning science, and technology, Crawford reveals how AI is a technology of extraction: from the energy and minerals needed to build and sustain its infrastructure, to the exploited workers behind "automated" services, to the data AI collects from us. Rather than taking a narrow focus on code and algorithms, Crawford offers us a political and a material perspective on what it takes to make artificial intelligence and where it goes wrong. While technical systems present a veneer of objectivity, they are always systems of power. This is an urgent account of what is at stake as technology companies use artificial intelligence to reshape the world.

With its wealth of facts and clean, abstract design, the Metropolitan World Atlas is a must-buy. Despite the burgeoning interest in metropolitan growth and globalization there has been no way of directly comparing metropolises - until now, that is. This atlas offers a unique survey of global trade networks and their impact on metropolitan space. It documents a total of 101 metropolises, analysing them in easy-to-read ground plans. It also includes index numbers and tables regarding such aspects as population, density, pollution, travel time, data traffic, air and water travel and the size of Central Business Districts. Its unexpected combination of ground plans and statistics makes this atlas a unique work of reference where for the first time metropolitan areas like Beijing, Lagos, London, Los Angeles, Rio de Janeiro and Tokyo can be compared with one another and in terms of their position in the global urban network.

Over the last forty years, graffiti and street-art have become a global phenomenon within the visual arts. Whilst they have increasingly been taken seriously by the art establishment (or perhaps the art market), their academic and popular examination still remains within old debates which argue over whether these acts are vandalism or art, and which examine the role of graffiti in gang culture and in terms of visual pollution. Based on an in-depth ethnographic study working with some of the world’s most influential Independent Public Artists, this book takes a completely new approach. Placing these illicit aesthetic practices within a broader historical, political, and aesthetic context, it argues that they are in fact both intrinsically ornamental (working within a classic architectonic framework), as well as innately ordered (within a highly ritualized, performative structure). Rather than disharmonic, destructive forms, rather than ones solely working within the dynamics of the market, these insurgent images are seen to reface rather than deface the city, operating within a modality of contemporary civic ritual. The book is divided into two main sections, Ornament and Order. Ornament focuses upon the physical artifacts themselves, the various meanings these public artists ascribe to their images as well as the tensions and communicative schemata emerging out of their material form. Using two very different understandings of political action, it places these illicit icons within the wider theoretical debate over the public sphere that they materially re-present. Order is focused more closely on the ephemeral trace of these spatial acts, the explicitly performative, practice-based elements of their aesthetic production. Exploring thematics such as carnival and play, risk and creativity, it tracks how the very residue of this cultural production structures and shapes the socio-ethico guidelines of these artists’ lifeworlds.

A refreshingly jargon-free survey of what many consider the art movement of the twenty-first century. Whether adored or abhorred, graffiti and street art provoke passionate debate. This is the first comprehensive popular survey of the art movement around the world. Organized thematically, it explores the origins of the movement and its evolution, the relationship between street art and the urban environment, its interactions with (or rejection of) the market and the world of commercial galleries, and the culture of street art online. The book features a wide range of artists working in different media and styles across multiple countries. It explains the terms and language of street art—from tags and throwies to culture jamming and subvertising—as well as its multiple influences and sub-genres.

A marvelously illustrated look at the world’s diverse forests and their ecosystems The earth’s forests are havens of nature supporting a diversity of life. Shaped by climate and geography, these vast and dynamic wooded spaces offer unique ecosystems that shelter complex and interdependent webs of flora, fungi, and animals. The World Atlas of Trees and Forests offers a beautiful introduction to what forests are, how they work, how they grow, and how we map, assess, and conserve them. Provides the most wide-ranging coverage of the world’s forests availableTakes readers beneath the breathtaking variety of wooded canopies that span the globeProfiles a wealth of tree species, with enlightening and entertaining natural-history highlights along the wayFeatures stunning color photos, maps, and graphicsDraws on the latest cutting-edge research and technology, including satellite imagery