The astonishing untold story of a woman who tried to stop the rise of Fascism and change the course of history At 11 a.m. on Wednesday, April 7, 1926, a woman stepped out of the crowd on Rome's Campidoglio Square. Less than a foot in front of her stood Benito Mussolini. As he raised his arm to give the Fascist salute, the woman raised hers and shot him at point-blank range. Mussolini escaped virtually unscathed, cheered on by practically the whole world. Violet Gibson, who expected to be thanked for her action, was arrested, labeled a "crazy Irish spinster" and a "half-mad mystic"—and promptly forgotten. Now, in an elegant work of reconstruction, Frances Stonor Saunders retrieves this remarkable figure from the lost historical record. She examines Gibson's aristocratic childhood in the Dublin elite, with its debutante balls and presentations at court; her engagement with the critical ideas of the era—pacifism, mysticism, and socialism; her completely overlooked role in the unfolding drama of Fascism and the cult of Mussolini; and her response to a new and dangerous age when anything seemed possible but everything was at stake. In a grand tragic narrative, full of suspense and mystery, conspiracy and backroom diplomacy, Stonor Saunders vividly resurrects the life and times of a woman who sought to forestall catastrophe, whatever the cost.

Ruth Ben-Ghiat provides the first in-depth study of feature and documentary films produced under the auspices of Mussolini’s government that took as their subjects or settings Italy’s African and Balkan colonies. These "empire films" were Italy's entry into an international market for the exotic. The films engaged its most experienced and cosmopolitan directors (Augusto Genina, Mario Camerini) as well as new filmmakers (Roberto Rossellini) who would make their marks in the postwar years. Ben-Ghiat sees these films as part of the aesthetic development that would lead to neo-realism. Shot in Libya, Somalia, and Ethiopia, these movies reinforced Fascist racial and labor policies and were largely forgotten after the war. Ben-Ghiat restores them to Italian and international film history in this gripping account of empire, war, and the cinema of dictatorship.

A vividly written portrait of Benito Mussolini, whose passion for the theatre profoundly shaped his ideology and actions as head of fascist Italy This consistently illuminating book transforms our understanding of fascism as a whole, and will have strong appeal to readers in both theatre studies and modern Italian history.

A master historian illuminates the tumultuous relationship of Il Duce and his young lover Claretta, whose extraordinarily intimate diaries only recently have become available Few deaths are as gruesome and infamous as those of Benito Mussolini, Italy’s fascist dictator, and Claretta (or Clara) Petacci, his much-younger lover. Shot dead by Italian partisans after attempting to flee the country in 1945, the couple’s bodies were then hanged upside down in Milan’s main square in ignominious public display. This provocative book is the first to mine Clara’s extensive diaries, family correspondence, and other sources to discover how the last in Mussolini’s long line of lovers became his intimate and how she came to her violent fate at his side. R. J. B. Bosworth explores the social climbing of Claretta’s family, her naïve and self-interested commitment to fascism, her diary’s graphically detailed accounts of sexual life with Mussolini, and much more. Brimful of new and arresting information, the book sheds intimate light not only on an ordinary-extraordinary woman living at the heart of Italy’s totalitarian fascist state but also on Mussolini himself.

NATIONAL BESTSELLER • A BEST BOOK OF THE YEAR • AN O, THE OPRAH MAGAZINE #1 TERRIFIC READ • In an age of bolters—women who broke the rules and fled their marriages—one woman was the most celebrated of them all. • “Even today Lady Idina Sackville could get tongues wagging."—NPR "Sackville’s passion lights up the page.” —Entertainment Weekly • An engaging, definitive final look back at those naughty people who, between the wars, took their bad behavior off to Kenya and whose upper-class delinquency became gilded with unjustified glamour.” —Financial Times • “Intoxicating.” —People Idina Sackville's relentless affairs, wild sex parties, and brazen flaunting of convention shocked high society and inspired countless writers and artists, from Nancy Mitford to Greta Garbo. But Idina’s compelling charm masked the pain of betrayal and heartbreak. Now Frances Osborne explores the life of Idina, her enigmatic great-grandmother, using letters, diaries, and family legend, following her from Edwardian London to the hills of Kenya, where she reigned over the scandalous antics of the “Happy Valley Set.” Dazzlingly chic yet warmly intimate, The Bolter is a fascinating look at a woman whose energy still burns bright almost a century later.

Il Duce and His Women charts the main events in Mussolini’s private and public life, from his humble beginnings in Romagna as the son of a blacksmith to his years as the director of a leading Socialist newspaper and his irresistible rise to power, with a particular focus on his renowned appetite for women, and the lesser-known influence they had on his decision-making. The result is a riveting account that will shock and haunt its readers for a long time.

From the bestselling author of A Train in Winter, the story of the Rosselli family, whose courage standing up to Mussolini's fascism helped define the path of Italy in the years between the World Wars. "I had a house: they destroyed it. I had a newspaper: they closed it. I had a university chair: I was forced to abandon it. I had—as I still do—dreams, dignity, ideals: to defend them I was sent to prison. I had teachers: they murdered them." —Carlo Rosselli on Italy's fascist regime Italy's Rosselli family were members of the cosmopolitan, cultural elite in Florence at the start of the twentieth century. Led by their fierce matriarch, Amelia Rosselli, they were also vocal anti-fascists. As Mussolini rose to power in Italy following WWI, the Rossellis took leading roles in the rebellion against him, a stance that few in their class would risk. And when Mussolini established a police state whose tactics grew more brutal, the Rossellis and their anti-fascist friends transformed from debaters and critics into activists. As punishment for their participation in revolutionary activities, the Rossellis' homestead was ransacked, one after another of their number was imprisoned, others in the family fled the country to escape a similar fate, and two were eventually assassinated on the orders of Mussolini's government. After the outbreak of WWII, Amelia fled with the remaining members of the Rosselli family to New York City. Their visas were arranged by Eleanor Roosevelt herself. Through the stories of these brave people and their friends, renowned historian Caroline Moorehead delivers an immersive picture of Italy in the first half of the twentieth century. She reveals the rise and fall of Mussolini and his black-shirted Squadristi; the ambivalence of many prominent Italian families to Mussolini and their seduction by his promises; and the bold, fractured anti-fascist movement, so many of whose members died at Mussolini's hands. Continuing "The Resistance Quartet" she began with A Train in Winter and continued with Village of Secrets, Moorehead once again shows us the faces of those who helped the world hold on to its humanity at a time when it seemed all might be lost.

'Exquisite, powerful . . . I can think of no better way of commemorating British exploration's culminating triumph.' Simon Winchester? Coronation Everest offers a breathtakingly intimate evocation of the most famous of all mountaineering exploits - and of perhaps the last great old-fashioned Fleet Street scoop. 'It was Morris who broke the news that a British-led expedition had conquered Mount Everest the day before the Queen's coronation in 1953 . . . Allied to physical courage in getting down the mountain and a dogged resourcefulness in getting the news home, Morris scooped the world and was launched on one of the most remarkable literary careers in the second half of the twentieth century.' Guardian Jan Morris's collection of travel writing and reportage spans over five decades and includes such titles as Venice, Coronation Everest, Hong Kong, Spain, Manhattan '45, A Writer's World and the Pax Britannica Trilogy. Hav, her novel, was shortlisted for the Booker Prize and the Arthur C. Clarke Award.

During the Cold War, freedom of expression was vaunted as liberal democracy’s most cherished possession—but such freedom was put in service of a hidden agenda. In The Cultural Cold War, Frances Stonor Saunders reveals the extraordinary efforts of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West were working for or subsidized by the CIA—whether they knew it or not. Called "the most comprehensive account yet of the [CIA’s] activities between 1947 and 1967" by the New York Times, the book presents shocking evidence of the CIA’s undercover program of cultural interventions in Western Europe and at home, drawing together declassified documents and exclusive interviews to expose the CIA’s astonishing campaign to deploy the likes of Hannah Arendt, Isaiah Berlin, Leonard Bernstein, Robert Lowell, George Orwell, and Jackson Pollock as weapons in the Cold War. Translated into ten languages, this classic work—now with a new preface by the author—is "a real contribution to popular understanding of the postwar period" (The Wall Street Journal), and its story of covert cultural efforts to win hearts and minds continues to be relevant today.

A teenage boy in 1940s Italy becomes part of an underground railroad that helps Jews escape through the Alps, but when he is recruited to be the personal driver for a powerful Third Reich commander, he begins to spy for the Allies.