'Exquisite, powerful . . . I can think of no better way of commemorating British exploration's culminating triumph.' Simon Winchester? Coronation Everest offers a breathtakingly intimate evocation of the most famous of all mountaineering exploits - and of perhaps the last great old-fashioned Fleet Street scoop. 'It was Morris who broke the news that a British-led expedition had conquered Mount Everest the day before the Queen's coronation in 1953 . . . Allied to physical courage in getting down the mountain and a dogged resourcefulness in getting the news home, Morris scooped the world and was launched on one of the most remarkable literary careers in the second half of the twentieth century.' Guardian Jan Morris's collection of travel writing and reportage spans over five decades and includes such titles as Venice, Coronation Everest, Hong Kong, Spain, Manhattan '45, A Writer's World and the Pax Britannica Trilogy. Hav, her novel, was shortlisted for the Booker Prize and the Arthur C. Clarke Award.

This book is the first major attempt to examine the cultural manifestations of the demise of imperialism as a social and political ideology in post-war Britain. Far from being a matter of indifference or resigned acceptance as is often suggested, the fall of the British Empire came as a profound shock to the British national imagination, and resonated widely in British popular culture. The sheer range of subjects discussed, from the satire boom of the 1960s to the worlds of sport and the arts, demonstrates how profoundly decolonisation was absorbed into the popular consciousness. Offers an extremely novel and provocative interpretation of post-war British cultural history, and opens up a whole new field of enquiry in the history of decolonisation.

A breathtakingly vivid guide to our greatest cosmopolitan cities and culturesfrom Manhattan to Venice and from Baghdad to Barbados, this book assembles 50years of Morris's finest travel writing.

CLICK HERE to download a sample from Everest 1953 In the only book to tell the real story of Everest 1953, Mick Conefrey reveals that what has gone down in history as a supremely well-planned attempt was in fact beset by crises -- both on and off the mountain. To succeed, team leader Colonel John Hunt and his team had to draw on unimaginable skill and determination, as well as sheer British ingenuity. Everest 1953 is not only a gripping true story of courage and adventure, but a fascinating window into the media contest to cover this seminal event in coronation year. The Times had exclusive access to the team, but the Daily Mail and other papers used subterfuge and shenanigans to get their scoops. Revealing the answers to long-enduring controversies -- did Tenzing or Hillary actually reach the top first? -- and exploring the legacy of this great ascent, it is the perfect way to commemorate a year of British sporting triumph.

The Everest Effect is an accessibly written cultural history of how nature, technology, and culture have worked together to turn Mount Everest into a powerful and ubiquitous physical measure of Western values.

Perched impossibly on a ridge overlooking a 10,000-foot drop into Tibet, Sano Babu Sunuwar and Lakpa Tsheri Sherpa wait. Heel to toe, connected at the waist by a pair of carabineers that’s connected to nothing else, they stare down the North Face of Mount Everest, a red and white nylon tandem paragliding wing fluttering behind them. They know that jumping off the top of the world marks only the beginning of a longer, more audacious journey. And they know that the two-mile ride down Everest will be the easiest part. If the jump doesn’t kill them. In April 2011 the two unsponsored Nepalis set out on an unprecedented expedition to climb Everest, paraglide from its peak, and paddle nearly 400 miles to the ocean. Little problems wouldn’t stop them. Like the fact that Babu had no technical climbing experience. And that Lakpa had never been kayaking—or swimming. But after summiting, surviving their flight off the world’s tallest mountain, and being arrested, robbed, and nearly drowned—repeatedly—the two friends discovered their adventure had only just begun.

Women and resistance in Iran; cowboy songs; fetal alcohol syndrome; the conquest of Everest; women settlers in Natal. What do these topics have in common? The study of what used to be called Commonwealth literature, or the new literatures, has by now come to be known as postcolonial study. This collection of essays investigates the status of postcolonial studies today. The contributors come from three generations: the pioneers who introduced study of the “new” literatures into university English departments, the next generation who refined and developed many of the theoretical positions embodied in postcolonial study, and the next, much younger, generation, who use the established practices of the discipline to investigate the application of this theory in a wide range of cultural contexts. Although the authors write from such different starting points, a surprisingly similar set of images, phrases and topics of concern emerge in their essays. They return constantly to issues of difference and similarity, the re-examination of categories that often appear to be too rigidly defined in current postcolonial practices, and to concepts of sharing: experience, ideas of home, and even the use of land. Postcolonizing the Commonwealth: Studies in Literature and Culture offers an intriguing analysis of the state of postcolonial criticism today and of the application of postcolonial methods to a variety of texts and historical events. It is an invaluable contribution to the current debate in both literary and cultural studies.

"Traveling Genius surveys the half century of work by British writer Jan Morris, including more than fifty books and thousands of essays and reviews, from 1950s America via Oxford, Venice, Trieste, Sydney, and Hong Kong to her home in Wales. Internationally known as a travel writer, she has also distinguished herself across many other genres by writing history, autobiographies and biographies, and literary fiction and essays." "Existing accounts of Morris's work are largely confined to reviews and magazine essays, and often concentrate on James Morris's sex change and transformation into Jan Morris. This is of course significant to the writing, and some critics detect a change of tone and style afterward, but a detailed analysis of how her writing works has not yet been undertaken. In Traveling Genius, Gillian Fenwick fills that gap in the scholarship with the first study to explore the depths of Morris's complete body of work, utilizing close readings and archival research."--BOOK JACKET.

At some 1500 miles long and 250 miles at its widest the Himalaya range is home to the fourteen greatest mountain peaks on the planet each of which towers over 8,000 metres. Celebrated by the region�s early ancient kingdoms, many of these peaks remain sacred in both the Hindu and Buddhist religions and have additionally inspired western explorers and adventurers for some 300 years. Himalaya examines the geographical origins of the region, its earliest peoples and the onward western discovery and exploration commencing with the Jesuits, progressing through myriad nineteenth century gentlemen surveyors, culminating in Edmund Hilary and Tensing Norgay�s ascent of Everest in 1953 and continuing to the present day with extreme mountaineers and adventure tourists. However the book does not solely deal with the attempts to summit the majestic Everest. Its broader brief, and chronological structure, allows the inclusion of narrative and journal extracts from the equally heroic pioneering ascents of Himalayan peaks including K2 (1954), Nanga Parbat (1953), Annapurna (1950), Kangchenjunga (1955), and Lhotse (1956) as well as subsequent new frontiers, peaks, routes and mountaineering techniques. The volume includes specially commissioned pieces where legendary climbers reflect on their intrepid experiences and heroism on the highest mountains on earth. These accounts are set beside stunning commissioned cartography, historical photographs, newly shot stills of ephemera and artifacts as well as the most recent Himalayan work from some of the world�s leading adventure photographers.

An important study on the making of molecular biology and its cultural contexts.