A young boy and his Norwegian grandmother, who is an expert on witches, together foil a witches' plot to destroy the world's children by turning them into mice.

The Pulitzer Prize-winning author of Cleopatra, the #1 national bestseller, unpacks the mystery of the Salem Witch Trials. It began in 1692, over an exceptionally raw Massachusetts winter, when a minister's daughter began to scream and convulse. It ended less than a year later, but not before 19 men and women had been hanged and an elderly man crushed to death. The panic spread quickly, involving the most educated men and prominent politicians in the colony. Neighbors accused neighbors, parents and children each other. Aside from suffrage, the Salem Witch Trials represent the only moment when women played the central role in American history. In curious ways, the trials would shape the future republic. As psychologically thrilling as it is historically seminal, THE WITCHES is Stacy Schiff's account of this fantastical story-the first great American mystery unveiled fully for the first time by one of our most acclaimed historians.

Roald Dahl's darkly funny masterpiece, The Witches, now available as a graphic novel from Eisner Award-winning artist Penelope Bagieu! Witches are real, and they are very, very dangerous. They wear ordinary clothes and have ordinary jobs, living in ordinary towns all across the world -- and there's nothing they despise more than children. When an eight-year-old boy and his grandmother come face-to-face with the Grand High Witch herself, they may be the only ones who can stop the witches' latest plot to stamp out every last child in the country!This full-color graphic novel edition of Roald Dahl's The Witches, adapted and illustrated by Eisner Award winner Penelope Bagieu, is the first-ever Dahl story to appear in this format. Graphic novel readers and Roald Dahl fans alike will relish this dynamic new take on a uniquely funny tale.

The second powerful novel in the Five Crowns of Okrith fantasy series brings us into a new part of the world as the fae princess Rua joins forces with a truly unlikely ally—all with the same romance and adventure readers have come to expect from A.K. Mulford’s viral sensation! A magic sword. A powerful curse. An untested fae princess. And a continent on fire... Eighteen-year-old Ruadora Dammacus now possesses the Immortal Blade, a powerful artifact that might be enough to overthrow the cruel oppression threatening the land. Yet when Rua discovers the Northern Court King’s uncle is not only alive but has cast a spell on the blue witch army, she realizes that the battle is just beginning. Venturing into the Northern Court, Rua finds herself working closely with the young Northern King. Her problems are mounting, and the handsome—and perhaps evil—king is only one of them. With the eyes of her newfound family on her, can Rua prove herself worthy of the Immortal Blade and break the curse over the blue witches, or will its magic be too difficult to control? And, perhaps even more dangerous, is her growing connection to the Northern King and what that means for her people…and her heart.

This celebrated study of witchcraft in Europe traces the worship of the pre-Christian and prehistoric Horned God from paleolithic times to the medieval period. Murray, the first to turn a scholarly eye on the mysteries of witchcraft, enables us to see its existence in the Middle Ages not as an isolated and terrifying phenomenon, but as the survival of a religion nearly as old as humankind itself, whose devotees held passionately to a view of life threatened by an alien creed. The findings she sets forth, once thought of as provocative and implausible, are now regarded as irrefutable by folklorists and scholars in related fields. Exploring the rites and ceremonies associated with witchcraft, Murray establishes the concept of the "dying god"--the priest-king who was ritually killed to ensure the country and its people a continuity of fertility and strength. In this light, she considers such figures as Thomas a Becket, Joan of Arc, and Gilles de Rais as spiritual leaders whose deaths were ritually imposed. Truly a classic work of anthropology, and written in a clear, accessible style that anyone can enjoy, The God of the Witches forces us to reevaluate our thoughts about an ancient and vital religion.

Orphaned at the age of four, Drucilla finally has a place she can call home with her new family, the Putnams, of Salem Village. But when a new reverend and his family move into town with their servant Tituba, life takes a strange and dangerous turn as accusations of witchcraft swirl. Dru is overwhelmed by the fervor of lies and the power of groupthink among the other girls in town; reluctant to turn her back on the Putnams, she utters her own accusations. Only her best friend Gabe sees through the deceit, but it may be too late for Dru to protect the truth, and innocent people will pay the ultimate price. Guiding readers through the confusion of this frightening historical event, Anna Myers weaves a compelling story that will captivate teen readers.

In this wickedly funny cultural critique, the author of the critically acclaimed memoir and Hulu series Shrill exposes misogyny in the #MeToo era. This is a witch hunt. We're witches, and we're hunting you. From the moment powerful men started falling to the #MeToo movement, the lamentations began: this is feminism gone too far, this is injustice, this is a witch hunt. In The Witches Are Coming, firebrand author of the New York Times bestselling memoir and now critically acclaimed Hulu TV series Shrill, Lindy West, turns that refrain on its head. You think this is a witch hunt? Fine. You've got one. In a laugh-out-loud, incisive cultural critique, West extolls the world-changing magic of truth, urging readers to reckon with dark lies in the heart of the American mythos, and unpacking the complicated, and sometimes tragic, politics of not being a white man in the twenty-first century. She tracks the misogyny and propaganda hidden (or not so hidden) in the media she and her peers devoured growing up, a buffet of distortions, delusions, prejudice, and outright bullsh*t that has allowed white male mediocrity to maintain a death grip on American culture and politics-and that delivered us to this precarious, disorienting moment in history. West writes, "We were just a hair's breadth from electing America's first female president to succeed America's first black president. We weren't done, but we were doing it. And then, true to form—like the Balrog's whip catching Gandalf by his little gray bootie, like the husband in a Lifetime movie hissing, 'If I can't have you, no one can'—white American voters shoved an incompetent, racist con man into the White House." We cannot understand how we got here‚—how the land of the free became Trump's America—without examining the chasm between who we are and who we think we are, without fact-checking the stories we tell ourselves about ourselves and each other. The truth can transform us; there is witchcraft in it. Lindy West turns on the light.

Based on the richest archive of witchcraft trials found in Europe, this book paints a vivid picture of life amongst the people of a small duchy on the border of France. Robin Briggs' examination of their beliefs in phenomena such as shapeshifting and werewolves proves a vital contribution to historical understanding of witchcraft.

Imagine a large, battered old leather folder stuffed full of sheets of paper of various sizes and thicknesses - on the front, "Stories of the Witches of Old Allbyon" in curly letters, underneath there is a face. The hair and beard are made of leaves. Leaves are growing out of its mouth, and nostrils. Inside the folder, the stories - some written in round loopy handwriting on thick paper with wobbly edges. Some had been typed on a mechanical typewriter. Others were printouts from dot matrix printers, and some from more recent computer printers. All these stories were read to me when I was young. I didn't know it then, but the roots of everything that happened to us are in these stories, as the events in "The Last Wizard", grew out of what happened in "The Last Witch" - Maybe all stories begin in other stories. Who I am - who we are - I will leave for now. For now, we start with some of the tales of Old Allbyon.

Founded in 1971 by Elizabeth Pepper, the long-time art director of Gourmet magazine, The Witches’ Almanac is a witty, literate, and sophisticated publication that appeals to general readers as well as hard-core Wiccans and magicians. On one level, it is a pop reference that will fascinate anyone interested in folklore, mythology, and culture, but on another, it is the most sophisticated and wide-ranging annual guide available today for occultists and mysticism enthusiasts. Modeled after the Old Farmers’ Almanac, it includes information related to the annual moon calendar (weather forecasts and horoscopes), as well as legends, rituals, herbal secrets, mystic incantations, interviews, and many a curious tale of good and evil. Although it is an annual publication, only about 15 percent of the content is specific to the date range of each issue. The theme of Issue 38 (Spring 2019 to Spring 2020) is Animals: Friends and Familiars. Also included are the following articles: “Beer and Witches,” “Gargoyles,” “Horseshoes,” “Transgender in the Craft,” and “Coefficient of Weirdness, Part 3.” New authors include Sorita d’Este, Lon Milo DuQuette, David Rankine, and Mat Auryn.