This fascinating book is the first volume in a projected cultural history of the United States, from the earliest English settlements to our own time. It is a history of American folkways as they have changed through time, and it argues a thesis about the importance for the United States of having been British in its cultural origins. While most people in the United States today have no British ancestors, they have assimilated regional cultures which were created by British colonists, even while preserving ethnic identities at the same time. In this sense, nearly all Americans are "Albion's Seed," no matter what their ethnicity may be. The concluding section of this remarkable book explores the ways that regional cultures have continued to dominate national politics from 1789 to 1988, and still help to shape attitudes toward education, government, gender, and violence, on which differences between American regions are greater than between European nations.

Beyond the witch trials provides an important collection of essays on the nature of witchcraft and magic in European society during the Enlightenment. The book is innovative not only because it pushes forward the study of witchcraft into the eighteenth century, but because it provides the reader with a challenging variety of different approaches and sources of information. The essays, which cover England, Netherlands, Spain, Italy, Germany, Scotland, Finland and Sweden, examine the experience of and attitudes towards witchcraft from both above and below. While they demonstrate the continued widespread fear of witches amongst the masses, they also provide a corrective to the notion that intellectual society lost interest in the question of witchcraft. While witchcraft prosecutions were comparatively rare by the mid-eighteenth century, the intellectual debate did no disappear; it either became more private or refocused on such issues as possession. The contributors come from different academic disciplines, and by borrowing from literary theory, archaeology and folklore they move beyond the usual historical perspectives and sources. They emphasise the importance of studying such themes as the aftermath of witch trials, the continued role of cunning-folk in society, and the nature of the witchcraft discourse in different social contexts. This book will be essential reading for those interested in the decline of the European witch trials and the continued importance of witchcraft and magic during the Enlightenment. More generally it will appeal to those with a lively interest in the cultural history of the late seventeenth and eighteenth centuries. This is the first of a two-volume set of books looking at the phenomenon of witchcraft, magic and the occult in Europe since the seventeenth century.

An Exploration of the Traditional Witchcraft Coven, its Organization and Rituals, including Initiations, Rites of Passage, Magical and Social practices. The truth is, “Old” Gerald B. Gardner had little interest in how the Traditional Witchcraft Coven had been organized and structured. So apart from an example of how it should not be done, he passed on little information about how it was meant to be organized. That knowledge of how best to organize and structure a modern Coven has had to be reclaimed from the old records and by trial and error. So too the social Rites of Passage; those of birth, marriage and death that were all long since appropriated by the religious authorities have likewise needed to be restored. As too the traditional forms of Coven Magic and Healings, whilst still keeping Witchcraft ever the religion of Dance, Fun and Mirth. After all, who said that religion is not to be enjoyed? A Witches’ Canon, Part 1, provides a fact-based referenced guide for those wishing to further explore the Religion and Celebratory Rituals of Traditional Wicca. A Witches’ Canon, Part 2, has been written to provide a practical, referenced guide to the social aspects of Traditional Wicca; of Coven Organization, Initiations, Rites and Rituals. A Witches’ Canon, Part 3, is a fact-based referenced guide to the practice of Magical Witchcraft, both nice and naughty. If it isn’t fun, then it ain’t worth doing.

An Exploration of the Magic Rites and Practices of Traditional Witchcraft, both Past and Present, Nice and Naughty. The truth is, Magic is the stuff of Witchcraft; the very life-blood that gives vibrancy in all its other aspects. We are all born with a capacity for practicing Magic, yet it is a topic that strikes fear into many for what it might actually do to them. Magic has a bad reputation, notwithstanding that it guided our ancient ancestors to initially develop the survival skills and techniques that have ultimately led to our modern-day world of science and technology. Magic means pushing the boundaries of what might just be possible. It implies change and therefore unsanctioned Magic has always been seen as a threat to the status quo. Nevertheless, it is a fascinating discipline; exploring, developing, and expanding one’s own mental powers. It entails a quest. From the Magic of Love and Sex to Witcherie with a Purpose demands skill, determination, and ability. From Astral Projection to Psychic Protection; from Magical Healing to communicating with spiritual entities from the Astral; the practice of Traditional Witchcraft demands a knowledge of Apies Magic, both the Nice and the Naughty; but best not the practice of its really naughty aspects. A Witches’ Canon, Part 1, provides a fact-based referenced guide for those wishing to further explore the Religion and Celebratory Rituals of Traditional Wicca. A Witches’ Canon, Part 2, has been written to provide a practical, referenced guide to the social aspects of Traditional Wicca; of Coven Organization, Initiations, Rites, and Rituals. A Witches’ Canon, Part 3, is a fact-based referenced guide to the practice of Magical Witchcraft, both nice and naughty. But then, if it isn’t fun, then it ain’t worth doing.

This second volume of John Rule's major two-volume portrait of Georgian England is a comprehensive and authoritative survey of eighteenth-century society, incorporating the exciting new research findings of recent years. It deals in turn with the upper class, `middling sort' and lower orders; with popular education, religion and culture; with standards of living in town and country; and with crime, punishment and protest. The book, which is as rich and varied as the age it explores, ends with an assessment of continuity and change across the century.

Prose interspersed with poetries, "Conversations" is a text which deals with the ambiguities of modern life. It is about the interactions which determine the weighing of language that creates thought in the internal life of the mind. As we live in this era of social disorder and political ideals, drugs and medication, repression and individual expression, fundamental theology and secular atheism this book attempts to resolve the conflict which not only destroys society yet seems to cause the obliteration of personal endeavour. It is representative of these dichotomies and the ironies therein that hold together the balances of existence. And yet, within this textual form of internal dialogue, this seeks to be a book of hope in that night after night follows the birth of a fresh new day.

The "Gentleman's magazine" section is a digest of selections from the weekly press; the "(Trader's) monthly intelligencer" section consists of news (foreign and domestic), vital statistics, a register of the month's new publications, and a calendar of forthcoming trade fairs.

First in a “spellbinding”* series about a coven of witches living in L.A., from Amber Benson, author of the Calliope Reaper-Jones novels. Unbeknownst to most of humankind, a powerful network of witches thrives within the shadows of society, using magic to keep the world in balance. But the witches are being eliminated—and we will all pay if their power falls… When Lyse MacAllister’s great-aunt Eleanora, the woman who raised her, becomes deathly ill, Lyse puts her life in Georgia on hold to rush back to Los Angeles. And once she returns to Echo Park, Lyse discovers her great-aunt has been keeping extraordinary secrets from her. Not only is Lyse heir to Eleanora’s Victorian house; she is also expected to take her great-aunt’s place in the Echo Park coven of witches. But accepting her destiny means placing herself in deadly peril—for the world of magic is under siege, and the battle the witches now fight may be their last…