Set against the breathtaking backdrop of the remote Red Lake area in northwestern Ontario, The White Ojibway Medicine Man and Other Stories is an intriguing collection of short stories based on the trials and trepidations of a young doctor treating the Ojibway from 1955 to 1963. When Joe Weinstein first saw the ad for a temporary medical position in northwestern Ontario, he had no idea that one month would stretch into the most intense and challenging seven years of his life. Thrust into a world very different from his own, Joe not only had to acclimate himself to the rugged land, but to the people, as well. Joe artfully relates his encounters with the myths and legends of the Ojibway tribes living on reservations scattered throughout the area, their conflicts with the world of the white man, and how he succeeded in becoming their medicine man. Accompanied by vivid imagery, Joe also reveals the fascinating stories behind the lumberjacks, bush pilots, missionaries, prospectors, and geologists who found their way to this remote area for one reason or another. Filled with wit and wisdom, The White Ojibway Medicine Man and Other Stories is a heartfelt tribute to the people of Red Lake. But it also shows the courage of one man to leave the familiar, enter the unknown, and make a remarkable difference in the lives of his patients.

"When Joe Weinstein first saw the ad for a temporary medical position in northwestern Ontario, he had no idea that one month would stretch into the most intense and challenging seven years of his life. Joe artfully relates his encounters with the myths and legends of the Ojibway tribes, their conflicts with the world of the white man, and how he succeeded in becoming their "medicine man.'--P. [4] of cover.

Mythologizing Norval Morrisseau examines the complex identities assigned to Anishinaabe artist Norval Morrisseau. Was he an uneducated artist plagued by alcoholism and homelessness? Was Morrisseau a shaman artist who tapped a deep spiritual force? Or was he simply one of Canada’s most significant artists? Carmen L. Robertson charts both the colonial attitudes and the stereotypes directed at Morrisseau and other Indigenous artists in Canada’s national press. Robertson also examines Morrisseau’s own shaping of his image. An internationally known and award-winning artist from a remote area of northwestern Ontario, Morrisseau founded an art movement known as Woodland Art developed largely from Indigenous and personal creative elements. Still, until his retrospective exhibition at the National Gallery of Canada in 2006, many Canadians knew almost nothing about Morrisseau’s work. Using discourse analysis methods, Robertson looks at news stories, magazine articles, and film footage, ranging from Morrisseau’s first solo exhibition at Toronto’s Pollock Gallery in 1962 until his death in 2007 to examine the cultural assumptions that have framed Morrisseau.

Throughout recorded history different civilizations ranging from the ancient Middle East and the Hellenistic world to the Renaissance and moderm times have admired youthful beauty. They have voiced their admiration in literature and art. The medical advances of the 20th century have enabled surgeons to safely restore the youthful facial features of aging individuals, as well as correcting the many bodily changes that accompany advancing age. Based on his experience as a plastic surgeon over a period of more than forty years in Israel, the author has vividly described both the benefits and hazards of cosmetic surgery in several short stories.

For young readers, the collected wisdom and traditions of Ojibway elders.