The plot pits a poor sidewalk artist against a fiendish mastermind who is not only intent on world domination, but determined to kill all white people and for reasons that are never made entirely clear, wants to create nymphs, satyrs, and other Greek and Roman demigods through the miracle of vivisection! These characteristics alone would qualify Caspar Pettifranc to take his rightful place alongside John Sunlight, Wu Fang, Doctor Death and the other great villains of the American pulps, but Goddard doesn't stop here. The author also makes Pettifranc a master of voodoo who thus can ring in zombies and the pantheon of loas. For reasons that the author allows to remain obscure, the loas are given to making odd whistling noises, hence the title of the book.

Emerging from depths comes a series of papers dealing with one of the most significant creations that reflects on and critiques human existence. Both a warning and a demonstration, the monster as myth and metaphor provides an articulation of human imagination that toys with the permissible and impermissible. Monsters from zombies to cuddly cartoon characters, emerging from sewers, from pages of literature, propaganda posters, movies and heavy metal, all are covered in this challenging, scholarly collection. This volume the third in the series presents a marvellous collection of studies on the metaphor of the monster in literature, cinema, music, culture, philosophy, history and politics. Both historical reflection and concerns of our time are addressed with clarity and written in an accessible manner providing appeal for the scholar and lay reader alike. This eclectic collection will be of interest to academics and students working in a range of disciplines, such as cultural studies, film studies, political theory, philosophy and literature studies.

Ever since she was a small child, Helma Swan, the daughter of a Northwest Coast chief, loved and learned the music of her people. As an adult she began to sing, even though traditionally Makah singers had been men. How did such a situation develop? In her own words, Helma Swan tells the unusual story of her life, her music, and how she became a singer. An excellent storyteller, she speaks of both musical and non-musical activities and events. In addition to discussing song ownership and other Makah musical concepts, she describes songs, dances, and potlatch ceremonies; proper care of masks and costumes; and changing views of Native music education. More generally, she speaks of cultural changes that have had profound effects on contemporary Makah life. Drawing on more than twenty years of research and oral history interviews, Linda J. Goodman in Singing the Songs of My Ancestors presents a somewhat different point of view-that of the anthropologist/ethnomusicologist interested in Makah culture and history as well as the changing musical and ceremonial roles of Makah men and women. Her information provides a context for Helma Swan’s stories and songs. Taken together, the two perspectives allow the reader to embark on a vivid and absorbing journey through Makah life, music, and ceremony spanning most of the twentieth century. Studies of American Indian women musicians are rare; this is the first to focus on a Northwest Coast woman who is an outstanding singer and storyteller as well as a conservator of her tribe’s cultural traditions.

Reveals the shared ancestry behind our affinity with dolphins and our shared destiny • Explains how we are both descendants of the aquatic ape and still share many physiological features with dolphins that set us apart from other primates • Explores dolphins’ communication with other species and how dolphin therapy has miraculous effects on people with autism, cancer, stroke, and depression • Explores the connections between dolphins and Atlantis and Lemuria Wild animals avoid contact with humans, but wild dolphins seek us out to play and socialize, even going so far as to voluntarily rescue people from drowning. What explains this remarkable natural affinity? Revealing the evolutionary basis for our special relationship with dolphins, Frank Joseph explains how we are both descendants of the same ancient branch of human-ity. Building upon the aquatic ape theory, he details how we both began on land but devastating floods forced our distant ancestors into the seas, where humanity developed many of the traits that set us apart from other primates, such as our instinctive diving reflex and our newborns’ ability to swim. But while some of the aquatic apes returned to land, later evolving into modern humans, some remained in the cradle of Mother Ocean and became our dolphin cousins. Integrating scientific research on dolphin intelligence, communication, and physiology with enduring myths from some of the world’s oldest cultures, such as the Aborigines, Norse, Greeks, and Celts, the author examines our physical commonalities with dolphins, including their vestigial thumbs and legs, birth processes, and body temperature. He explores dolphins’ uncanny ability to diagnose disease such as cancer in humans and how dolphin therapy has had miraculous effects on children with autism, victims of stroke, and those suffering from depression. He provides evidence for dolphins’ different attitudes toward men, women, and children, their natural affinity with cats and dogs, and their telepathic communication with other species, including ours. He explores dolphins’ mysterious role in the birth of early civilization and their connections with the Dog Star, Sirius, and Atlantis and Lemuria--a bond still commemorated by annual gatherings of millions of dolphins. As Frank Joseph shows, if we can learn to fully communicate with dolphins, accessing their millennia-old oral tradition, we may learn the truth about humanity’s origins and our shared future, when humankind may yet again quit the land for a final return to the sea.

A practical guide to connecting with your ancestors for personal, family, and cultural healing • Provides exercises and rituals to help you initiate contact with your ancestors, find ancestral guides, and assist the dead who are not yet at peace • Explains how to safely engage in lineage repair work by connecting with your more ancient ancestors before relating with the recently deceased • Explores how your ancestors can help you transform intergenerational legacies of pain and abuse and reclaim the positive spirit of the family Everyone has loving and wise ancestors they can learn to invoke for support and healing. Coming into relationship with your ancestors empowers you to transform negative family patterns into blessings and encourages good health, self-esteem, clarity of purpose, and better relationships with your living relatives. Offering a practical guide to understanding and navigating relationships with the spirits of those who have passed, Daniel Foor, Ph.D., details how to relate safely and effectively with your ancestors for personal, family, and cultural healing. He provides exercises and rituals, grounded in ancient wisdom traditions, to help you initiate contact with your ancestors, find supportive ancestral guides, cultivate forgiveness and gratitude, harmonize your bloodlines, and assist the dead who are not yet at peace. He explains how to safely engage in lineage repair work by connecting with your more ancient ancestors before relating with the recently deceased. He shows how, by working with spiritually vibrant ancestors, individuals and families can understand and transform intergenerational patterns of pain and abuse and reclaim the full blessings and gifts of their bloodlines. Ancestral repair work can also catalyze healing breakthroughs among living family members and help children and future generations to live free from ancestral burdens. The author provides detailed instructions for ways to honor the ancestors of a place, address dream visits from the dead, and work with ancestor shrines and altars. The author offers guidance on preparing for death, funeral rites, handling the body after death, and joining the ancestors. He also explains how ancestor work can help us to transform problems such as racism, sexism, homophobia, and religious persecution. By learning the fundamentals of ancestor reverence and ritual, you will discover how to draw on the wisdom of supportive ancestral guides, heal family troubles, maintain connections with beloved family after their death, and better understand the complex and interconnected relationship between the living and the dead.

An exploration of all that is known about the origin of birds and of avian flight. It draws on fossil evidence and studies of the structure and biochemistry of living birds to present knowledge and data on avian evolution and to propose a new model of this evolutionary process.

THE BORDER LINE is one of Walter S. Masterman's few supernatural thrillers and is one of his most hard to find novels -- until now. This new edition has an introduction by John Pelan and a cover by Australian artist, Gavin L. O'Keefe. It is #6 in the Dancing Tuatara Press series of supernatural horror stories.

A Teaching Memoir That Crosses the Barriers Between Worlds A shaman is one who has learned to move between two worlds: our physical reality and the realm of spirits. For John Lockley, shamanic training also meant learning to cross the immense divide of race and culture in South Africa. As a medic drafted into the South African military in 1990, John Lockley had a powerful dream. "Even though I am a white man of Irish and English descent, I knew in my bones that I had received my calling to become a sangoma, a traditional South African shaman," John writes. "I felt blessed by the ancient spirit of Africa, and I knew that I had started on a journey filled with magic and danger." His path took him from the hills of South Korea, where he trained as a student under Zen Master Su Bong, to the rural African landscape of the Eastern Cape and the world of the sangoma mystic healers, where he found his teacher in the medicine woman called MaMngwevu. In Leopard Warrior, John shares a gripping account of his experiences and the wisdom he learned over years of training. Here he invites you to discover: • Powerful insights into the spiritual tradition of the Xhosa lineage of South Africa—the tribe of Nelson Mandela and Desmond Tutu • Ubuntu—a core concept for recognizing and embracing our deep interconnection with all living things • Ancestor medicine—how we can learn to honor the blood in our veins, the heritage of our soul, and our shared humanity • Recovering our forgotten knowledge about the wisdom of our dreams, the spirits of plants and animals, and the power of the unseen world In traditional African healing circles, the leopard represents intuition, instinct, and harmony with nature and the spirit world. As John Lockley writes, "A leopard warrior is a spiritual soldier who mirrors the natural world and directs their gaze inward to answer the call of their spirit." With Leopard Warrior, he brings us an inspiring call to action—showing how we can bridge the barriers that divide us, embrace the gifts of our ancestors, and reclaim our rightful place as compassionate caretakers of our world.

In the real newspaper report dated March 25, 2015, which entered the CIA reports; It was determined that the aliens in the immediate vicinity of the landed UFOs came from the Alpha Centauri Star System and spoke Turkish among themselves. Ancient structures and inscriptions, especially the Turkish Pyramids in China; points to the Mu Civilization as the origin of Turks and Turkish Language. In the White Pyramid, besides a large statue of Oghuz Khagan; There are different mummies with surgical scars on them. There are strong opinions and indications that Oghuz Khagan is the Prophet Zulkarneyn. In the novel; events experienced by a Turkish family whose daughters are archaeologists; It is explained by integrating with historical facts. Apart from the surprising adventures of family members who come across "cognate aliens" who are said to come from a planet called “Türük” and can use their brainpower, connected to the Alpha Centauri Star System; There is also environmental protection. So much so that the alien Bartu from the same lineage, using his brainpower; a tree, stream, cat, plastic bag make our heroes talk with the layer of blackened soil around it. What about... Where was the settlement of the Turks before the Continent of Mu?..

A young man falls in love, and in so doing suddenly finds his world turned upside-down - in the most terrifying way. The events that come to pass will engage the reader to the very end. First published in 1934, 'The Shadow on the House' was the first novel by the mysterious Mark Hansom, who went on to write some of the darkest, and rarest supernatural thrillers in the genre. This is the third book under the Dancing Tuatara imprint to be published by Ramble House, and includes an introduction by John Pelan.