Ever since she was a small child, Helma Swan, the daughter of a Northwest Coast chief, loved and learned the music of her people. As an adult she began to sing, even though traditionally Makah singers had been men. How did such a situation develop? In her own words, Helma Swan tells the unusual story of her life, her music, and how she became a singer. An excellent storyteller, she speaks of both musical and non-musical activities and events. In addition to discussing song ownership and other Makah musical concepts, she describes songs, dances, and potlatch ceremonies; proper care of masks and costumes; and changing views of Native music education. More generally, she speaks of cultural changes that have had profound effects on contemporary Makah life. Drawing on more than twenty years of research and oral history interviews, Linda J. Goodman in Singing the Songs of My Ancestors presents a somewhat different point of view-that of the anthropologist/ethnomusicologist interested in Makah culture and history as well as the changing musical and ceremonial roles of Makah men and women. Her information provides a context for Helma Swan’s stories and songs. Taken together, the two perspectives allow the reader to embark on a vivid and absorbing journey through Makah life, music, and ceremony spanning most of the twentieth century. Studies of American Indian women musicians are rare; this is the first to focus on a Northwest Coast woman who is an outstanding singer and storyteller as well as a conservator of her tribe’s cultural traditions.

'Wondering and wonderful. The nature book of the year.' JOHN LEWIS-STEMPEL 'This lovely book is almost as thrilling as the bird's immortal song - balm for a troubled soul and a glimpse of paradise.' JOANNA LUMLEY ______________________________ Come to the forest, sit by the fireside and listen to intoxicating song, as Sam Lee tells the story of the nightingale. Every year, as darkness falls upon woodlands, the nightingale heralds the arrival of Spring. Throughout history, its sweet song has inspired musicians, writers and artists around the world, from Germany, France and Italy to Greece, Ukraine and Korea. Here, passionate conservationist, renowned musician and folk expert Sam Lee tells the story of the nightingale. This book reveals in beautiful detail the bird's song, habitat, characteristics and migration patterns, as well as the environmental issues that threaten its livelihood. From Greek mythology to John Keats, to Persian poetry and 'A Nightingale Sang in Berkeley Square', Lee delves into the various ways we have celebrated the nightingale through traditions, folklore, music, literature, from ancient history to the present day. The Nightingale is a unique and lyrical portrait of a famed yet elusive songbird. ______________________________ 'Sam Lee has brought the poetic magic that has long enchanted so many of his musical fans into the written word. Allow yourself to glimpse the world Sam sees, to be part of his love affair with the nightingale, and you will no doubt be delighted.' LILY COLE 'A wonderful book.' STEPHEN MOSS 'A magical marriage of the lyrical and practical: a book that makes us want to seek out the nightingale and then reveals how we can.' TRISTAN GOOLEY

In a conversation about his teaching and preaching style, Michael Curry notes with a laugh that hymns and songs of faith were always a part of the mix. “I learned what I believed in the songs I heard my family—especially my grandmother—sing. We sang our faith every day.” Out of that strong foundation, Bishop Curry shares the music of his childhood—the songs that have grown with him to shape an adult and vibrant faith.

An intimate portrait of the diverse music-making at the center of Amish faith and life. Singing occurs in nearly every setting of Amish life. It is a sanctioned pleasure that frames all Amish rituals and one that enlivens and sanctifies both routine and special events, from household chores, road trips by buggy, and family prayer to baptisms, youth group gatherings, weddings, and “single girl” sings. But because Amish worship is performed in private homes instead of public churches, few outsiders get the chance to hear Amish people sing. Amish music also remains largely unexplored in the field of ethnomusicology. In Why the Amish Sing, D. Rose Elder introduces readers to the ways that Amish music both reinforces and advances spiritual life, delving deep into the Ausbund, the oldest hymnal in continuous use. This illuminating ethnomusicological study demonstrates how Amish groups in Wayne and Holmes Counties, Ohio—the largest concentration of Amish in the world—sing to praise God and, at the same time, remind themselves of their 450-year history of devotion. Singing instructs Amish children in community ways and unites the group through common participation. As they sing in unison to the weighty words of their ancestors, the Amish confirm their love and support for the community. Their singing delineates their common journey—a journey that demands separation from the world and yielding to God's will. By making school visits, attending worship services and youth sings, and visiting private homes, Elder has been given the rare opportunity to listen to Amish singing in its natural social and familial context. She combines one-on-one interviews with detailed observations of how song provides a window into Amish cultural beliefs, values, and norms.

Ancestry is big business these days, but mere biological genealogy fails to tap into our spiritual roots. The shamans of indigenous cultures have known for millennia how to do this. In this comprehensive cross-cultural survey, Dr. David Kowalewski, scholar and practicing shaman, offers several techniques for engaging the Old Ones the old-fashioned way. Although modern people have largely lost this tradition, the ancestors are coming back strong, along with the shamans—a welcome happening that may reverse our ancestor-deficit disorder. Drawing on a global survey of ethnographic reports, direct teachings from shamans of many continents, and experiences from his own shamanic practice, the author presents a wealth of useful ways that shamans have developed, around the world and across the ages, to connect with ancestors in both our realm and theirs. These include spirit-plates; effigies; pilgrimages; walkabouts; and trips with plant-spirits. Using these ancient techniques, indigenous peoples receive a variety of gifts from their Old Ones, including destiny guidance, healing, protection, and wisdom teachings. Yet some ancestors may behave like hooligans, causing psychological distress and physical woes, and even curses against a whole lineage. But these maladies are both prevented and countered by shamanic methods such as home cleansing, disposal of the deceased’s property, severance ceremonies, and the like. The author ends with practical takeaways—lessons from the lineages so to speak—showing how you and your ancestors, through concerted spiritual action, can co-evolve to higher spiritual planes. As a team.

Explore the depths of love and loss across three generations of women Hummingbird is a spiritual memoir about the connection between three generations of women--the author, her mother and her beloved maternal grandmother whose wisdoms taught the author how to exist in the world by following her intuition and listening to her heart. Follow Diana on a journey of more than five decades as an author, nurse, research psychologist, teacher, cancer survivor, and more. With insightful prompts, the reader is also invited to explore their own ancestral connections. "...Raab offers poignant and thoughtful insights to help us heal intergenerational trauma. Raab rightly reminds us that our ancestors live on in us and we are invited to call on them anytime we need help..." -- SONIA CHOQUETTE, New York Times bestselling author, The Answer is Simple and Ask Your Guides "Diana Raab knows the terrain of the human heart... she invites readers to reflect upon their own life's journeys and to use writing and journaling to navigate a pathway for healing..." -- TERRA TREVOR, author of We Who Walk the Seven Ways "Hummingbird is not only a poignant spiritual memoir, it is an invitation. Raab is accessible and authentic... She opens hearts and deftly offers insightful prompts, sweetly encouraging the reader's collaboration." -- MARILYN KAPP, author of Love is Greater Than Pain "With disarming honesty, Raab slows down our jittery minds to share the intimacies of experiencing trauma and healing self-care in a way that they feel as normal as sleeping and eating... A safety net for the reader to explore their own path to hope." -- TRISTINE RAINER, author of Your Life as Story, and The New Diary Learn more at www.DianaRaab.com

Elilal, exile, is the condition of thousands of Mayas who have fled their homelands in Guatemala to escape repression and even death at the hands of their government. In this book, Victor Montejo, who is both a Maya expatriate and an anthropologist, gives voice to those who until now have struggled in silence--but who nevertheless have found ways to reaffirm and celebrate their Mayaness. Voices from Exile is the authentic story of one group of Mayas from the Kuchumatan highlands who fled into Mexico and sought refuge there. Montejo's combination of autobiography, history, political analysis, and testimonial narrative offers a profound exploration of state terror and its inescapable human cost.

The Gift of Song: Performing Exchange in Western Arnhem Land tells the story of the return of physical and digital cultural materials through song and dance. Drawing on extensive, first-person ethnographic fieldwork in western Arnhem Land, Australia, Brown examines how Bininj/Arrarrkpi (Aboriginal people of this region) enact change and innovate their performance practices through ceremonial exchange. As Indigenous communities worldwide confront new social and environmental challenges, this book addresses the questions: How do Indigenous communities come to terms with legacies of taking and collecting? How are cultural materials in digital formats received and ritualised? How do traditional forms of exchange continue to mediate relationships? Combining ethnomusicological analysis and linguistically and historically informed ethnography, this book reveals how multilingualism and musical diversity are maintained through kun-borrk/manyardi, a major genre of Indigenous Australian song and dance. It retheorises the core anthropological concept of ‘exchange’ and enriches understanding of repatriation as a process of re-embedding tangible objects through intangible practices of ceremony and language.

"While 9/11 and its aftermath created a traumatic turning point for most of the writers in this book, it is telling that none of their essays begin with that moment. These young people were living, probing, and shifting their Muslim identities long before 9/11.... I've heard it said that the second generation never asks the first about its story, but nearly all the essays in this book include long, intimate portrayals of Muslim family life, often going back generations. These young Muslims are constantly negotiating the differences between families for whom faith and culture were matters of honor and North America's youth culture, with its emphasis on questioning, exploring, and inventing one’s own destiny."—from the Introduction by Eboo PatelIn Growing Up Muslim, Andrew Garrod and Robert Kilkenny present fourteen personal essays by college students of the Muslim faith who are themselves immigrants or are the children of immigrants to the United States. In their essays, the students grapple with matters of ethnicity, religious prejudice and misunderstanding, and what is termed Islamophobia. The fact of 9/11 and subsequent surveillance and suspicion of Islamic Americans (particularly those hailing from the Middle East and the Asian Subcontinent) have had a profound effect on these students, their families, and their communities of origin.