Mirages have long astonished travelers of the sea and beguiled thirsty desert voyagers. Traditional Chinese and Japanese poetry and art depict the above-horizon, superior mirage, or fata morgana, as exhalations of clam-monsters. Indian sources relate mirages to the “thirst of gazelles,” a metaphor for the futility of desire. Starting in the late eighteenth century, mirages became a symbol in the West of Oriental despotism—a negative, but also enchanted, emblem. But the mirage motif is rarely simply condemnatory. More often, our obsession with mirages conveys a sense of escape, of fascination, of a desire to be deceived. The Waterless Sea is the first book devoted to the theories and history of mirages. Christopher Pinney navigates a sinuous pathway through a mysterious and evanescent terrain, showing how mirages have impacted politics, culture, science, and religion—and how we can continue to learn from their sublimity.

This second book in the captivating Chanters of Tremaris fantasy series follows Calwyn and her friends to the desolate desert lands of Merithos in search of a group of kidnapped children who have the gift of chantment.

Story, told in beautiful poetic prose, of the training of a present-day Navajo Indian boy who feels a vocation to become a medicine man.

Calwyn has never been beyond the high ice-wall that guards the sisters of Antaris from the world of Tremaris. She knows only the rounds of her life as a novice ice priestess, tending her bees, singing her ice chantments, and dreaming. But then Calwyn befriends Darrow, a mysterious Outlander who appears inside the Wall and warns of an approaching danger. To help Darrow, to see the world, and perhaps to save it, Calwyn will leave the safety of the Wall for a journey with a man she barely knows--and an adventure as beautiful and dangerous as the music of chantment itself.

YA. A dark secret is tearing Tremaris apart. From the frozen Bay of Sardi to the endless winter on Antaris, sickness is spreading and even the seasons are slipping into chaos. 11 yrs+

Eloise doesn't speak, but can she see into the past? This exciting and atmospheric mystery from the author of the Chanters of Tremaris series explores themes of family, friendship, and grief. Something flickered at the top of the stairs. Eloise heard a voice call,I'm coming!, and a girl in a pale dress and a big sunhat came running, her fingertips slipping down the curve of the slim iron railing. Eloise went cold all over. She couldn't move, or breathe; her mouth was dry. At the bottom of the steps, the girl in the pale dress faltered, then stopped. For a fraction of a second she stood motionless, as if she were listening. Then all at once she turned and stared straight at Eloise. And suddenly the foyer was empty. The ghostly girl was gone. When Eloise's get-rich-quick dad moves them back to his home town to turn the derelict family mansion into a convention center, Eloise feels an immediate bond with the old house. She begins spending all her time there, ignoring her strange grandmother and avoiding the friendly boy next door. Then Eloise meets a "ghost girl" who may or may not be from the house's past, and events take a strange—and ultimately dangerous—turn. Beautifully written, poignant, and gripping, this is a charming and atmospheric story of personal growth, overcoming grief, and the true nature of friendship and family.

“I’ve been thinking a lot about Cadillac Desert in the past few weeks, as the rain fell and fell and kept falling over California, much of which, despite the pouring heavens, seems likely to remain in the grip of a severe drought. Reisner anticipated this moment. He worried that the West’s success with irrigation could be a mirage — that it took water for granted and didn’t appreciate the precariousness of our capacity to control it.” – Farhad Manjoo, The New York Times, January 20,2023 "The definitive work on the West's water crisis." --Newsweek The story of the American West is the story of a relentless quest for a precious resource: water. It is a tale of rivers diverted and dammed, of political corruption and intrigue, of billion-dollar battles over water rights, of ecological and economic disaster. In his landmark book, Cadillac Desert, Marc Reisner writes of the earliest settlers, lured by the promise of paradise, and of the ruthless tactics employed by Los Angeles politicians and business interests to ensure the city's growth. He documents the bitter rivalry between two government giants, the Bureau of Reclamation and the U.S. Army Corps of Engineers, in the competition to transform the West. Based on more than a decade of research, Cadillac Desert is a stunning expose and a dramatic, intriguing history of the creation of an Eden--an Eden that may only be a mirage. This edition includes a new postscript by Lawrie Mott, a former staff scientist at the Natural Resources Defense Council, that updates Western water issues over the last two decades, including the long-term impact of climate change and how the region can prepare for the future.

Through eyewitness accounts based on hundreds of interviews with crew members; personal diaries, notes, and letters; and each cutter's logbooks and patrol reports Walling plunges you into the thick of the battle, re-creating some of the most desperate encounters, heroic rescues, and harrowing missions of the Second World War. Told largely in the voices of the men who lived it, this unforgettable tale is peppered with humorous and ironic anecdotes about life aboard ship during wartime. You'll meet the liberty-craving crew members who painted their entire ship in less than an hour; the ship's mascot who became canine-non-grata in Greenland; and the crew whose vessel was mistaken for the German battleship Bismarck and attacked by the Royal Navy. Complete with dramatic photographs of the Coast Guard in action, Bloodstained Sea brings this epic drama to vibrant and pulsing life.

"In Walking the Sea, Anton Ginzburg (* 1974 in St. Petersburg) charts a twenty-six-thousand-square-mile area between Kazakhstan and Uzbekistan known as the Aral Sea, an environmental ruin of the Soviet era. Drawing on the tradition of American Land Art from the late sixties and early seventies, Ginzburg approaches the waterless sea as a ready-made earthwork in order to make visible a territory, history, and a potential imaginary space that remain largely inaccessible. The resulting film, photographs, and sculptures refer to regional histories and cultural myths, ranging from the figure of the plein-air painter as a traveling dervish to the idea of the landscape as shaped like an Aeolian harp, and the belief in a subterranean "inner sea" into which the Aral Sea has disappeared. The book pays homage to a rich history of artists who have approached the world from the perspective of a wanderer and who have mapped and reshaped both landscapes and urban environments through the act of walking." -- Provided by publisher

Admiral Daniel V. Gallery boarded and captured a German U-Boat at sea in June, 1944—the first American officer to so capture an enemy warship since 1815! U-505 is Admiral Gallery’s own story of his extraordinary feat—and also a gripping narrative of the fierce Allied war against the German U-Boat fleet. “EXCELLENT.”—Chicago Tribune “Terrific...the first-hand story of Uncle Sam’s U-Boat killers.”—Chicago Daily News “Brimming with thrills.”—Philadelphia News “An engrossing tale...Pungent, entertaining, informative.”—Navy Times “A humdinger of a sea story...a highly readable book, trimmed from stem to stern with the writer’s irrepressible sense of humor.”—Chicago Sunday Times “Excellent in several ways: it provides a fine quick survey of the whole Atlantic war, it describes the operation of the German U-boat service, and, most dramatically, it tells how an American task force under Admiral Gallery achieved the unique feat of capturing a German submarine.”—Publishers’ Weekly “U-505 IS ONE OF THE WAR’S MOST EXCITING MEMOIRS.”—Chicago News “One of the best non-fiction books about World War II.”—Raleigh News & Observer “A first-rate adventure tale...suspense and excitement told with a seaman’s salty zest...excellent reading.”—Chicago Sunday Tribune “A masterful job that merits the attention of every lover of sea stories.”—Pittsburgh Press