Es begann mit der Erforschung des Hyperborea-Mythos. Es schloss sich eine Erkundung des Aralsees an. Nun richtet Anton Ginzburg seinen Blick auf die Epoche des Konstruktivismus und beschließt damit eine faszinierende Trilogie von Büchern. Als Künstler und Forscher blickt Ginzburg kritisch auf die Arbeiten bekannter Konstruktivisten wie Rodtschenko und Tatlin oder der VkhUTEMAS. Er entdeckt in ihren Werken die antreibende Kraft ihrer Utopien zugleich mit den Gefahren auch die Grenzen dieser Ambitionen. Aus diesen Erkenntnissen gehen Ginzburgs Werke hervor. Sie sind inspiriert von der vorgefundenen Ästhetik und lassen diese aufleben. Sie wahren dennoch die Distanz eines Kommentars. Wie in den beiden vorangegangenen Installationen stellt Ginzburg auch hier die Frage nach dem Werden: Welche Bedeutung haben die vergangenen Phänomene für die Gegenwart, welche Gestalt nehmen sie heute an? Ginzburgs Skulpturen, Malerei und Video sind die eindrucksvolle Antwort.

The book traces Ginzburg's artistic exploration of Hyperborea, the mythical region first described by the ancient Greek historian Herodotus as the land of the Golden Age, a place thought to exist in a state of pure bliss and eternal springtime despite its supposed location in the extreme north.

"In Walking the Sea, Anton Ginzburg (* 1974 in St. Petersburg) charts a twenty-six-thousand-square-mile area between Kazakhstan and Uzbekistan known as the Aral Sea, an environmental ruin of the Soviet era. Drawing on the tradition of American Land Art from the late sixties and early seventies, Ginzburg approaches the waterless sea as a ready-made earthwork in order to make visible a territory, history, and a potential imaginary space that remain largely inaccessible. The resulting film, photographs, and sculptures refer to regional histories and cultural myths, ranging from the figure of the plein-air painter as a traveling dervish to the idea of the landscape as shaped like an Aeolian harp, and the belief in a subterranean "inner sea" into which the Aral Sea has disappeared. The book pays homage to a rich history of artists who have approached the world from the perspective of a wanderer and who have mapped and reshaped both landscapes and urban environments through the act of walking." -- Provided by publisher

A woman’s true account of eighteen years as a Soviet prisoner: “Not even Alexander Solzhenitsyn’s One Day in the Life of Ivan Denisovich matches it.”—The New York Times Book Review In the late 1930s, Eugenia Ginzburg was a wife and mother, a schoolteacher and writer, and a longtime loyal Communist Party member. But like millions of others during Stalin’s reign of terror, she was arrested—on trumped-up charges of being a Trotskyist terrorist counter-revolutionary—and sentenced to prison. With sharp detail and an indefatigable spirit, Ginzburg recounts her arrest and the eighteen harrowing years she endured in Soviet prisons and labor camps, including two in solitary confinement. Her memoir is “a compelling personal narrative of survival” (The New York Times Book Review)—and one of the most important documents of Stalin’s brutal regime. “Deeply significant…intensely personal and passionately felt.”—Time “Probably the best account that has ever been published of…the prison and camp empire of the Stalin era.”—Book World Translated by Paul Stevenson and Max Hayward

German memory, judicial interrogation, and historical reconstruction : writing perpetrator history from postwar testimony / Christopher R. Browning -- Historical emplotment and the problem of truth / Hayden White -- On emplotment : two kinds of ruin / Perry Anderson -- History, counterhistory, and narrative / Amos Funkenstein -- Just one witness / Carlo Ginzburg -- Of plots, witnesses, and judgments / Martin Jay -- Representing the Holocaust : reflections on the historians' debate / Dominick LaCapra -- Historical understanding and counterrationality : the Judenrat as epistemological vantage / Dan Diner -- History beyond the pleasure principle : some thoughts on the representation of trauma / Eric L. Santner -- Habermas, enlightenment, and antisemitism / Vincent P. Pecora -- Between image and phrase : progressive history and the "final solution" as dispossession / Sande Cohen.; Science, modernity, and the "final solution" / Mario Biagioli -- Holocaust and the end of history : postmodern historiography in cinema / Anton Kaes -- Whose story is it, anyway? : ideology and psychology in the representation of the Shoah in Israeli literature / Yael S. Feldman -- Translating Paul Celan's "Todesfuge" : rhythm and repetition as metaphor / John Felstiner -- "The grave in the air" : unbound metaphors in post-Holocaust poetry / Sidra DeKoven Ezrahi -- The dialectics of unspeakability : language, silence, and the narratives of desubjectification / Peter Haidu -- The representation of limits / Berel Lang -- The book of the destruction / Geoffrey H. Hartman.

This book continues the narrative of Ginzburg's nightmarish eighteen-year survival of Soviet prisons and labor camps, following the Stalinist purges of 1937. Introduction by Heinrich Böll. A Helen and Kurt Wolff Book

A classic and essential text for designers since 2009, Layout Essentials: 100 Design Principles for Using Grids just got better with a fresh exploration of its design principles, updated text, and new photos and international graphics. Grids are the basis for all design projects, and learning how to work with them is fundamental for all graphic designers. From working with multi-column formats to using type, color, images, and more, Layout Essentials not only demonstrates, using real world examples, how to use grids effectively, but shows you how to break the rules to use them effectively, too. This revised and updated version of Layout Essentials is your one-stop reference and resource for all layout design projects.

Winner of the prestigious Drue Heinz Prize in 1993, this collection of 12 stories delves into the lives and souls of an astonishing range of characters, from an old Chinese grocer to a young policeman separated from his family and descending into madness.

This book outlines and demonstrates basic layout/grid guidelines and rules.

Dishes is the dish obsessive’s dream come true—a definitive guide to the colorful, wonderful dinner plate, with hundreds of patterns organized thematically and annotated with historical details and charming anecdotes that span centuries and continents. The book is chock-full of everything a dish lover could hope for, including more than 600 of history’s most stunning plates; profiles of iconic manufacturers like Wedgwood, Spode, and Homer Laughlin; patterns by world-famous artists and designers, from Frank Lloyd Wright to Vera Wang; and so much more. This chunky, intensely satisfying little package makes the perfect gift for antiques collectors, decorators, brides-to-be, hostesses, and anyone else who finds tableware addictingly irresistible.